If you are a guitar player in Western Canada, then there’s a pretty good chance you’ve heard of Central Alberta’s Gilmore Guitars. A relentless promoter of live music and everything guitar, master luthier David Gilmore’s beautiful instruments grace stages and studios with many well-known and many not so well-known musicians.
Gilmore builds beautiful looking, great sounding, and incredibly playable guitars. Pick one up, put your fingers on the fretboard, feel the playability, hit a string, and you instantly know you have a high-quality instrument in your hands. And Matt Kooman creates beautiful video productions, in this case completely capturing David’s passion for his craft.
So if you love beautiful things, and appreciate the time, energy and passion it takes to create them, then this video will check off a couple of boxes for you.
A couple of notes about this video.
Firstly, the music features Adam Dobres from Salt Spring Islands, and is performed on a Gilmore SJ very similar to the guitar in the video. Born in Canada and currently living on Pender Island in British Columbia, Adam has toured all over the world with acts ranging from folk ensemble The Ruth Moody Band to pop rock singer Toni Childs. In 2016, he stepped into the spotlight with his self-titled debut album, earning him a nomination for instrumental artist of the year in the West Coast Music Awards.
Recently Adam toured with the Ruth Moody Band opening for renowned former Dire Straits guitarist Mark Knopfler, including 8 nights at the Royal Albert Hall in London.
Video was shot and produced by Matt Kooman at Makerhouse Studio in Red Deer. Matthew was born and raised in Red Deer, AB. He began his career directing the docudrama _E for Everyone: The Mouse and The Elephant (2007). He set out around the world with 5 film makers to ask a series of nine questions about happiness. The film took them to the US, UK, Kenya, India, Thailand and Malaysia, and was filmed over a 3 month period. Kooman has since worked on short films, music videos, documentaries and features both as an Editor and Director.
David Gilmore is originally from Radville, Saskatchewan, (Canada). After an upbringing that included 18 years on the family farm, David hi-tailed it to Saskatoon, Saskatchewan and enrolled at WABC radio school and started working as a radio announcer on January 11, 1981. During that 30 year radio David spent in radio, he also toured relentlessly across the province, clearly addicted to guitar.
David started building guitars in 1995. Adrienne, his wife, graciously allowed him to attend a 10 week course at Timeless Instruments. There, under the tutelage of David Freeman he received his education and certificate in Lutherie. This course was only the beginning of a journey that is still happening.
“Gilmore Guitars” opened on a full time basis May 1st, 2011.
Here’s a longer (7 minute) version of the above video.
Olivia Newton-John, superstar singer and actress, dies at 73
NEW YORK (AP) — Olivia Newton-John, the Grammy-winning superstar who reigned on pop, country, adult contemporary and dance charts with such hits as “Physical” and “You’re the One That I Want” and won countless hearts as everyone’s favorite Sandy in the blockbuster film version of “Grease,” has died. She was 73.
Newton-John, a longtime resident of Australia whose sales topped 100 million albums, died Monday at her southern California ranch, John Easterling, her husband, wrote on Instagram and Facebook.
“Olivia has been a symbol of triumphs and hope for over 30 years sharing her journey with breast cancer,” he wrote. “We ask that everyone please respect the family’s privacy during this very difficult time.”
From 1973-83, Newton-John was among the world’s most popular entertainers. She had 14 top 10 singles just in the U.S., won four Grammys, starred with John Travolta in “Grease” and with Gene Kelly in “Xanadu.” The fast-stepping Travolta-Newton-John duet, “You’re the One That I Want,” was one of the era’s biggest songs and has sold more than 15 million copies.
“My dearest Olivia, you made all of our lives so much better,” Travolta wrote in an online post. “Your impact was incredible. I love you so much. We will see you down the road and we will all be together again. Yours from the moment I saw you and forever! Your Danny, your John!”
“Physical,” the bouncy, R-rated smash released in 1981, was No. 1 for 10 weeks and was named Billboard’s song of the year despite being banned by some radio stations. An aerobics-friendly promotional clip, filmed in the early years of MTV, won a Grammy for best video.
Both musically and image-wise, she reinvented herself during those years. The blonde, ever-smiling Newton-John initially favored mild pop-country songs such as “Please Mr. Please” and “Have You Never Been Mellow” and soft-breathing ballads like “I Honestly Love You,” which in 1975 won Grammys for best female pop vocal and record of the year. But she picked up the tempo in “Grease,” especially after Sandy ditched her white sweaters and blouses for waist-high, black leather pants. “Physical” even made Newton-John blush as she told her would-be lover “There’s nothing left to talk about/Unless it’s horizontally” and finally called out “Let’s get animal! Animal!”
“I recorded it and then suddenly thought, ‘Goodness, maybe I’ve gone too far!’” she told Entertainment Weekly in 2017, recalling how the song had been suggested by manager Roger Davies. “I called Roger and said, ‘We’ve got to pull this song!’ He said, ‘It’s too late. It’s already gone to radio and it’s running up the charts.’ I was horrified!”
She had a few hits after “Physical,” but her career declined and Newton-John became more likely to make news because of her private life. In 1992, as she was preparing a concert tour, her father died and she was diagnosed with breast cancer. Her marriage to actor Matt Lattanzi, with whom she had a daughter, actor-singer Chloe Lattanzi, broke up in 1995 and a years-long relationship with cameraman Patrick McDermott ended mysteriously. McDermott went missing during a 2005 fishing trip in California and his fate remained unknown years later. Numerous reports alleged that he was living in Mexico, with a new girlfriend.
“He was lost at sea, and nobody really knows what happened,” Newton-John told Australia’s “60 Minutes” in 2016. “It’s human to wonder. But you know, those are the things in life you have to accept and let go. Because whenever you go through difficult times, there’s always those concerns.”
Newton-John’s recent albums included “Stronger Than Before”; a holiday collaboration with Travolta, “This Christmas,” and the autobiographical “Gaia: One Woman’s Journey,” inspired by her battle with cancer and by the loss of her father.
Newton-John married John Easterling, founder of the Amazon Herb Company, in 2008. She was involved in numerous charitable causes, serving as goodwill ambassador for the United Nations Environment Programme and as national spokeswoman for the Children’s Health Environmental Coalition. She also founded the Olivia Newton-John Cancer and Wellness Centre in Melbourne, Australia.
Newton-John was the daughter of German literature professor Brin Newton-John and Irene Bron, whose father was Nobel Prize-winning physicist Max Bron. The Newton-Johns moved to Australia when Olivia was 5, but she returned to England in her teens and lived with her mother after her parents broke up. She had early dreams of becoming a veterinarian but was winning singing contests in high school and before age 20 had toured army bases and clubs and recorded her first single, “Till You Say You’ll Be Mine.” In 1971, she covered Bob Dylan’s “If Not for You” and began a close partnership with a friend from Australia, John Farrar, who produced the song and later wrote “You’re the One That I Want,” “Magic” and several other hits for her.
She had loved country music, especially the records of “Tennessee” Ernie Ford, since childhood, but her early success didn’t impress critics or some fellow musicians. A Village Voice review likened her to a geisha who “makes her voice smaller than it really is just to please men.” When Newton-John beat out Dolly Parton and Loretta Lynn for the Country Music Association’s top artist of 1973, Tammy Wynette helped founded the Association of Country Entertainers, a club designed to exclude Newton-John and other crossover performers.
But Newton-John had a show business admirer who with her became one of movies’ most unforgettable teams. Travolta had starred in the stage version of “Grease” and for the planned film thought Newton-John would be the “ultimate” Sandy, the nice girl who gets tough in the final act and gets her man.
“I worried that at 29 I was too old to play a high school girl,” Newton-John, who insisted on taking a screen test before accepting the part, told The Telegraph in 2017. “Everything about making the film was fun, but if I had to pick a favorite moment, it was the transformation from what I call Sandy 1 to Sandy 2. I got to play a different character and wear different clothes, and when I put on that tight black outfit to sing ‘You’re the One That I Want,’ I got a very different reaction from the guys on the set.”
She is survived by her husband; daughter Chloe Lattanzi; sister Sarah Newton-John; brother Toby Newton-John; and several nieces and nephews.
Hillel Italie, The Associated Press
David McCullough, Pulitzer-winning historian, dies at 89
NEW YORK (AP) — David McCullough, the Pulitzer Prize-winning author whose lovingly crafted narratives on subjects ranging from the Brooklyn Bridge to Presidents John Adams and Harry Truman made him among the most popular and influential historians of his time, has died. He was 89.
McCullough died Sunday in Hingham, Massachusetts, according to his publisher, Simon & Schuster. He died less than two months after his beloved wife, Rosalee.
“David McCullough was a national treasure. His books brought history to life for millions of readers. Through his biographies, he dramatically illustrated the most ennobling parts of the American character,” Simon & Schuster CEO Jonathan Karp said in a statement.
A joyous and tireless student of the past, McCullough dedicated himself to sharing his own passion for history with the general public. He saw himself as an everyman blessed with lifelong curiosity and the chance to take on the subjects he cared most about. His fascination with architecture and construction inspired his early works on the Panama Canal and the Brooklyn Bridge, while his admiration for leaders whom he believed were good men drew him to Adams and Truman. In his 70s and 80s, he indulged his affection for Paris with the 2011 release “The Greater Journey” and for aviation with a best-seller on the Wright Brothers that came out in 2015.
Beyond his books, the handsome, white-haired McCullough may have had the most recognizable presence of any historian, his fatherly baritone known to fans of PBS’s “The American Experience” and Ken Burns’ epic “Civil War” documentary. “Hamilton” author Ron Chernow once called McCullough “both the name and the voice of American history.”
McCullough’s celebrations of the American past also led to the toughest criticism against him — that affection turned too easily to romanticization. His 2019 book “The Pioneers” was faulted for minimizing the atrocities committed against Native Americans as 19th century settlers moved westward. In earlier works, he was accused him of avoiding the harder truths about Truman, Adams and others and of placing storytelling above analysis.
“McCullough’s specific contribution has been to treat large-scale historical biography as yet another genre of spectatorial appreciation, an exercise in character recognition, a reliable source of edification and pleasant uplift,” Sean Wilentz wrote in The New Republic in 2001. Interviewed that same year by The Associated Press, McCullough responded to criticism that he was too soft by saying that “some people not only want their leaders to have feet of clay, but to be all clay.”
But even peers who found flaws in his work praised his kindness and generosity and acknowledged his talent. And millions of readers, and the smaller circle of award givers, were moved by his stories. For years, from a wireless cottage on the grounds of his house on Martha’s Vineyard in Massachusetts, McCullough completed works on a Royal Standard typewriter that changed minds and shaped the marketplace. He helped raise the reputations of Truman and Adams, and he started a wave of best-sellers about the American Revolution, including McCullough’s own “1776.”
McCullough received the National Book Award for “The Path Between the Seas,” about the building of the Panama Canal; and for “Mornings on Horseback,” a biography of Theodore Roosevelt; and Pulitzers for “Truman,” in 1992, and for “John Adams” in 2002. “The Great Bridge,” a lengthy exploration of the Brooklyn Bridge’s construction, was ranked No. 48 on the Modern Library’s list of the best 100 nonfiction works of the 20th century and is still widely regarded as the definitive text of the great 19th century project. Upon his 80th birthday, his native Pittsburgh renamed the 16th Street Bridge the “David McCullough Bridge.”
McCullough also was a favorite in Washington, D.C. He addressed a joint session of Congress in 1989 and, in 2006, received a Presidential Medal of Freedom. Politicians frequently claimed to have read his books, especially his biographies of Truman and Adams. Jimmy Carter cited “The Path Between the Seas″ as a factor in pushing for the 1977 treaties which returned control of the Panama Canal to Panama, and politicians on both sides of the issue cited it during debate. Barack Obama included McCullough among a gathering of scholars who met at the White House soon after he was elected.
The historian was non-partisan for much of his life, but spoke out against Donald Trump in 2016, leading a group of historians that included Burns and Chernow in denouncing the Republican presidential nominee as a “monstrous clown with a monstrous ego.” McCullough also had one emphatic cause: education. He worried that Americans knew too little about history and didn’t appreciate the sacrifices of the Revolutionary era. He spoke often at campuses and before Congress, once telling a Senate Committee that because of the No Child Left Behind act “history is being put on the back burner or taken off the stove altogether in many or most schools, in favor of math and reading.”
McCullough also was active in the preservation of historical regions. He opposed the building of a residential tower near the Brooklyn Bridge and was among the historians and authors in the 1990s who criticized the Walt Disney Company’s planned Civil War theme park in a region of northern Virginia of particular historical significance.
“We have so little left that’s authentic and real,” McCullough said at the time. “To replace what we have with plastic, contrived history, mechanical history is almost sacrilege.”
McCullough took on a few rascals in his books, notably the conniving New York politicians involved with the Brooklyn Bridge, but he preferred to write about people he liked, comparing it to the choice of a roommate. Revulsion at the private life of Pablo Picasso drove him to abandon a planned book on the artist, while his biography on Adams was originally supposed to be on Adams and Thomas Jefferson, whose character also proved too flawed.
McCullough, whose father and grandfather founded the McCullough Electric Company, was born in Pittsburgh in 1933. He loved history as a child, recalling lively dinner conversations, portraits of Washington and Lincoln that seemed to hang in every home and the field trip to a nearby site where Washington fought one of his earliest battles. He majored in English at Yale University and met playwright Thornton Wilder, who encouraged the young student to write. McCullough worked at the United States Information Agency, Sports Illustrated and the American Heritage Publishing Company before deciding that he wanted to try a book about an event that took place in his home state in 1889 — the Johnstown Flood, which killed more than 2,000 people and was as much a disaster in its time as Hurricane Katrina was more than a century later.
McCullough researched the book in his spare time, and pleaded in vain with Little, Brown and Company to publish him. He ended up with Simon & Schuster, which released the book in 1968 — for an advance of $5,000 — and remained his publisher for the rest of his career.
“The Johnstown Flood” was successful enough that McCullough worried he would be typecast as an author of failure, “Bad News McCullough.” Publishers were asking him to write about the Chicago Fire and the San Francisco earthquake of 1906. So for his next book, “The Great Bridge,” he told a story of success. “That I knew little or nothing about civil engineering, that I had never done well in math or physics or had much interest in things mechanical didn’t deter me in the least,” he later wrote. “I was too excited. There was so much I wanted to know.”
McCullough followed with “The Path Between the Seas”; and “Mornings on Horseback,” published in 1981 and praised by Gore Vidal as “part of a new and welcome genre: the biographical sketch.” “Mornings on Horseback” won the National Book Award, but, Vidal noted, was overshadowed by the release of Edmund Morris’ Pulitzer Prize-winning “The Rise of Theodore Roosevelt.” It would be the last time a McCullough book received second billing.
He had considered a biography of Franklin Roosevelt, but instead related to Roosevelt’s less dynamic, more forthright successor, Harry Truman. McCullough spent the next decade writing the book, living for a time in Truman’s hometown, Independence, Missouri, and making a daily routine, as the former president did, of a morning walk.
“Truman,” published in 1992, was a million seller that capped and confirmed a long rise in the standing of a man who had left office 40 years earlier with an approval rating under 30% and now was virtually canonized as an honest and tenacious leader. Among the book’s fans were presidential hopeful Ross Perot, who bluntly compared himself to Truman, and the first President Bush, who even consulted with McCullough during his unsuccessful bid for re-election.
“John Adams,” published in 2001, was just as popular and just as helpful to its subject, with Congress passing legislation later that year to build a monument in honor of the second president. “1776″ came out in 2005, followed by an illustrated edition two years later. An HBO miniseries based on “John Adams,” starring Paul Giamatti and Laura Linney, aired in 2008. Tom Hanks was planning a miniseries based on McCullough’s book on the Wright brothers.
McCullough had five children and an affinity for happily married politicians such as Truman and Adams that could be traced to his wife, Rosalee Barnes, whom he married in 1954 and who died in June. She was his editor, muse and closest friend. At his home in Martha’s Vineyard, McCullough would proudly show visiting reporters a photograph of their first meeting, at a spring dance, the two gazing upon each other.
Hillel Italie, The Associated Press
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