We are now past the one year mark when it comes to legalization of recreational cannabis use in Canada. Some areas of the industry have grown quite quickly, the Cannabis Tourism industry has not. Whether’s because of strict regulations or fear there aren’t a lot of cannabis friendly hotels etc. Jennifer Mason recently hosted the New Heights Cannabis Summit in Ontario and joined me to discuss the event and the changing landscape of legalization.
Chris Ianson is our Educator and the Manager of the Off Whyte location of Nova Cannabis and he shed some light on the strain Outlaw Amnesia from Acreage Pharms Ltd, a local Alberta company. It’s a sativa dominant hybrid that comes on fast and a good strain for a person to graduate to after some initial experience. Not a beginner strain.
We are also giving away a BeachComber storage box from Mood and a promo code for 50% off a Lobo Genetics DNA Kit to customize your cannabis use.
Because it’s Friday – Here’s WAFFLE NYC – Unbelievable video shot in a moving train
Happy Friday from Todayville!
Here’s a short pick me up that you’ll want to be watching and sharing all weekend. This incredibly talented group is WAFFLE. Their bio is below. You may want to hit up their Facebook page if you just can’t get enough. Get ready for the best subway ride of your life!
Tag a friend 👥👀 || #Wafflenyc #Dance #viral #viralvideo #AGT2020 #GoldenBuzzerFollow our Socials 📱⬇️IG: WaffleNYC TikTok: WaffleNYC 🧇🍽‼️
Posted by WAFFLE NYC on Friday, July 10, 2020
WAFFLE (We Are Family For Life Entertainment) is an innovative New York City-Based artist collective from almost all 5 boroughs. The group was founded by Andrew Saunders (Goofy), Yushon Stroughn (Sonic), and Joel Leitch (Aero Ace) in 2011. The inspiration behind the name came from hearing “We Are Family” by Sister Sledge.
Many of the members knew each other in their mid teens through weekly LiteFeet battle events but were in different crews at the time. On their way downtown to these events, they would perform on the subway to be able to pay the entrance fee. You wouldn’t win anything but it was a way to gain exposure in the neighborhood/NYC boroughs. After a while it became very repetitive and the exposure wasn’t enough. Select members from other crews came together with the common goal to branch out and reach a bigger, more diverse audience. What better way to achieve this? Continuing to perform on the NYC subway was just the thing to do and this was the beginning of WAFFLE.
Learning how to work together and taking commuter’s advice built their character as young entrepreneurs and helped save their parents’ money. After a while, other LiteFeet dancers caught on to what WAFFLE was doing routinely. Many were afraid of judgment so they didn’t perform. Other dancers started catching on and non-dancers started copying their daily routines. Many didn’t know how to make the transition from just dancing to actually entertaining. At first people enjoyed the performances but due to the rapid growth, there were more complaints.
Luckily the crew’s mindset was on reaching above ground before this all occurred. The money earned was invested into growing the crew. Buying uniforms & business cards helped separate them from others around this time. The crew would randomly hand out business cards without knowing whom exactly they were given to until people started to reach out. Social media also played a big role in their success.
WAFFLE has also had the opportunity to do work outside of New York City. They’ve traveled to Los Angeles, Atlanta, Paris, Argentina, London, and Turkey. People weren’t exactly familiar with LiteFeet so they would label them as break-dancers and call them “Showtime Dancers,” which is the popular catch phrase for subway performances. Most people had some knowledge of what LiteFeet was but for those who didn’t, a brief explanation was given to them.
LiteFeet is an underground dance style that originated in Harlem in 2005 and ventured into all five boroughs of NYC. Its creativity began once it hit the Bronx. It has even expanded to countries such as Japan, Paris, Argentina, Russia, etc. The term means being light on your feet while dancing. Some of the basic moves of LiteFeet consists of dance trends blended together such as the “Chicken Noodle Soup,” the “Harlem Shake,” “Tone Wop,” and the “Bad One.” There are many more. You can also blend any type of dance style with LiteFeet as long as you use some of the basic moves and lock in. “Lockin’ in” is the term used to describe the finishing move just as a period would end a sentence. What differentiates LiteFeet from any other dance style is the use of props such as sneakers and baseball caps. Using any type of sneakers doesn’t work so Adidas Superstars are favored when doing shoe tricks. Many believe LiteFeet is the rebirth of hip-hop culture not only from dance, but also from the music aspect of it. It has a boom bap feel with an extra kick to it. The thumping beat box tunes is called LiteFeet Music, which mixes hip-hop, funk, electro beat & any other genres with a hip-hop structured sound.
WAFFLE Members Kid The Wiz, Chris Designs, & Lil Live serve as producers to help create the unique sound for the LiteFeet community. People don’t realize that the culture is still growing. WAFFLE’s ultimate goal is to expand the knowledge of LiteFeet and to be a positive influence to everyone around the world
On top of the world with Gerry Feehan
Fisher Peak by Gerry Feehan
Once in a blue moon something improbable occurs. A goal beyond expectations and beyond the capacity of aging knees is accomplished.
The view of Fisher Peak from our Kimberley condo is mesmerizing. For years I’ve gazed across the Rocky Mountain Trench at that daunting, taunting pinnacle. Fisher dominates the skyline in this range of the Rockies. At nearly 3000 meters it towers over its lofty neighbors.
Last July my brother Pat and I watched the second full moon of the month, a blue one, rise over Fisher and decided, “Let’s do it.”
Good weather is critical to mountain climbing. Luckily, the forecast was ideal: clear skies and calm winds. An alpine storm even in summer can necessitate an overnight bivouac. We were not equipped for that nasty contingency. (An aside. Have you noticed the weatherman has become markedly more reliable over the last few years?).
As predicted a perfect day greeted our early start. Climbing Fisher requires no mountaineering equipment, no technical skills. But it’s a long drive to the remote trailhead and the sheer, steady steepness of the climb – and the equally grueling descent – make for a long, hard day. From trailhead to summit the elevation gain is 1400 meters. That’s nearly a vertical mile!
The hike began unfortuitously. When Patrick donned his daypack, the water reservoir was empty – and his pack was sopping wet. A leaky start. It is imprudent to begin a seven-hour climb on a hot summer day without H2O but we had little option. We’d driven an hour up bumpy logging roads to reach the trailhead. Returning to get water meant we would not have time to complete the ascent. Besides, we were in the mountains. That’s where water comes from. Find a stream, fill up – and beaver fever be damned.
The upward march began in a shaded forest of conifers. After an hour patches of light started to shine through the canopy and the trail opened across a jumble of rocks. Beneath our feet we heard gurgling, the babbling of an invisible creek. The steepness continued as the path skirted a cascading waterfall, the source of the hidden rumbling – and the source of clean, beautiful liquid sustenance.
After ninety minutes of relentless climbing, the trail leveled and we came upon a beautiful alpine tarn, its crystal clear waters mirroring the jagged peaks enveloping us. Above the small lake a cirque opened up and we had our first clear view of Fisher, the temptress, still hundreds of meters above us. A solitary marmot whistled a warning call. The sound echoed loudly off the walls of the rocky amphitheater.
We were halfway to the summit.
The next leg of the assault is difficult: three hundred vertical meters of steep, loose scree. A real b#&ch! Even with foreshortened hiking poles digging firm, two hard-earned forward steps were countered by a slippery step backward. The scree section is also dangerous. As it steepens, the risk of lost footing and a fall increases. And, worse still, a hiker above can dislodge rocks upon those below. Self-preservation dictates that you want to be in the lead. Unfortunately, Pat is fitter, stronger and younger than I. So, lagging behind, my focus was keeping my head up while keeping my head down.
Did I mention the scree was a real b#&ch!
After an hour the loose slope resolves to a saddle – a safe refuge before the final climb to the top. This notch in the mountain is festooned with prayer flags. We took a breather in the thin air and gazed around. We had equaled the height of the nearby Steeples. Dibble Glacier, a remnant of the last ice age is visible from this vantage, its ancient blue-grey mass cupped within the Steeples.
The last section begins innocuously with a well-marked switchback through ever-bigger rocks. But soon these boulders become broken, vertical slabs. We abandoned our hiking poles, which became a liability in the four-limbed scramble up, over and around truck-sized stones. Clinging precariously to handholds and squeezing through narrow fissures, we neared the top. In a few spots only a tiny foothold marked the difference between moving safely upward or making a quick 1000-meter descent. But for us Feehans this is the fun part.
The top of Fisher is as tiny as it appears from our balcony 30 kilometers away: a small platform with room for just a handful of climbers. I’m not sure what I expected at the peak but was surprised to see just a jumble of huge boulders stacked atop one another, like the playthings of a giant. The view from the top is remarkable. 360 degrees of pure horizon. To the north and east an endless ocean of mountain peaks. To the south the blue meandering waters of the Kootenay River and Koocanusa Lake disappearing into the United States a hazy hundred kilometers away. In the west, directly below us, lay the verdant green fields of the Rocky Mountain Trench. Further distant the bare ski runs of Northstar Mountain stood out clear as day. I could see my deck over there in Kimberley. No, I couldn’t.
The difficulty with scrambling up to a steep, precarious perch is… what goes up must come down. On the ascent we had concentrated on grabbing, reaching and looking upward. To get down we had to look down. It was disconcerting hanging over a cliff ledge, slipping toward an invisible foothold below. But we slid safely through the slabs, retrieved our poles at the saddle and surfed down through the scree. Soon we were back at the lovely tarn. We stopped briefly to look back up at the now distant peak. Picas gallivanted about, squeaking cutely, gathering nesting grasses, oblivious to the great feat we had just accomplished.
Surprisingly, the last downward section can be the hardest, an unrelenting ninety minutes of joint-jarring, toe-busting, knee-knocking descent. Alpine wildflowers in radiant bloom helped ease the pain.
We were back in Kimberley in time to enjoy barbequed steak. At sunset we sipped a cold one on the deck and watched as alpenglow lit Fisher’s face. The next blue moon is October 31, 2020. What to do for an encore?
contact Gerry at [email protected]
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