Entertainment
ADAM BALDWIN’S No Rest for the Wicked – Raw, Real and Full of Heart!
“I SPEAK IN RAINBOWS,
IT’S MY NATIVE TONGUE…”
“Let me go insane…” from ‘Half a Mind’ hits my ears over and over and I can’t help but think that it’s exactly what I need to hear right now. In fact this could be one of the most profound heartfelt 23 minutes and 15 seconds of music I’ve heard in a hell of a long time. Yes, I understand that this EP came out last year but wow. Sometimes something pops up and just screams at you to stop and pay attention. Musically that doesn’t always happen for me. As an artist it’s something I strive for. To connect. Adam Baldwin hits the nail right on the head with this rock n roll collection of songs that simply put are incredible and beautiful. It’s rare when honesty meets authenticity and is completely vulnerable.
“BABY MIND YOUR FOOTING,
MY TERRAIN IS DEADLY…”
‘Dark Beside the Dawn’ is absolutely one of the coolest songs ever written. Yes, I said that. The raw integrity that Adam is able to deliver vocally is amazing and reminiscent to the likes of Tom Petty and Bruce Springsteen. Of course Adam is no stranger to the Rock N’ Roll life playing guitar alongside Matt Mays as well as his own legacy that he’s certainly creating. There’s just something so emotionally captivating about this EP that resonates.

I had the pleasure of meeting Adam a couple years back while he was in Red Deer, AB performing with Matt Mays at Bo’s Bar & Stage back when concerts were a thing. Adam gave me nothing but time and sincerity. Which is not always a given amongst peers within the industry so it was a really nice surprise. I could tell immediately that Adam was one of the ones. You know, the “it” quality.
Sometimes tho, you get the “it” combined with organic vulnerability and that transcends. That my friends becomes what we’ve all come to look for in searching for those epic moments of self discovery and realization in life. I call it “Heart.” You ever get that feeling where all of a sudden whether it makes sense or not, it just feels like it doesn’t matter because for that moment, there’s a certain euphoria that just takes over? Me too. Then it’s gone. Fleeting. That’s what this EP does for me but it’s not fleeting. These songs make me feel like I can hold onto it for a little while longer. I like that.
So… If you didn’t know who Adam Baldwin was before reading this now you do, you’re welcome. Take a you day, pull up Adam Baldwin’s No Rest for the Wicked on any major music platform, hit play and then hit repeat! Give yourself a soundtrack and stay well.
- For all the Adam Baldwin bio and show info you’ll likely wanna check out adambaldwin.ca
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
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Business
Disney scrambles as young men reject DEI-filled franchises
Quick Hit:
A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.
Key Details:
- Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
- Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
- He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.
Diving Deeper:
In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.
Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.
Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”
The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”
For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”
Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”
“Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
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