Entertainment
Bard on Bower is Back! Summer Shakespeare Festival starts Thursday night at Bower Ponds
From Prime Stock Theatre
Bard On Bower 2019
The 9th season of Red Deer’s own 3 week festival celebrating the works of William Shakespeare. Presented on the outdoor stage at beautiful Bower Ponds in Red Deer for a limited run July 25th – August 11th, 2019
Featuring MacBeth and The Tempest performed in repertory, and NEW THIS YEAR “Bard in a Box” touring pocket productions of A Midsummer Night’s Dream and Comedy of Errors playing FREE in select parks in Red Deer and area.
Enjoy LIVE theatre on a warm summer’s evening against the romantic backdrop of beautiful Bower Ponds! Live music! Feature Days! Picnic Baskets! Performances suitable for all ages!

How much does it cost?
The shows on the main stage at Bower Ponds are proudly presented with NO ADMISSION charge, thanks to government support and sponsors. We do welcome cash donations at the mainstage shows, which go directly towards covering a small portion of the expenses not covered by our fundraising, and to the cast & crew who are SHAREHOLDERS in the festival. They do not get paid a fixed amount for working full time hours for weeks on end to provide this exciting cultural event for all central Albertans. For info on becoming a sponsor please click here.
Is it a rain or shine event?
Most of the stage is covered by a roof and we do provide some tents and several umbrellas to the audience. If the day is rainy leading up to the performance and we are convinced no one will want to come, we may cancel a performance. Rain has come upon us during performances and we have always finished the show (taking impromptu intermissions as needed). If severe weather closes the park system all shows are suspended until the park reopens. For notice on cancellations follow us on twitter and like us on facebook!
Are there washrooms and amenities?
Washrooms are located in the Bower Ponds Pavillion, where there is also a concession. These are closed by the time our performances end. Here’s a closer look at the site:
OUR PERFORMANCES
MACBETH
MacBeth – Director: Victoria Wells-Smith
“Screw your courage to the sticking place”
(Act I, scene vii)
A desperate warrior yearns to become king. His destiny foretold by witches, and encouraged by his aspiring wife, MacBeth exercises ruthless dominion over troubled Scotland, and pays the price for his ambitions.
“MacBeth shall sleep no more”
(Act II, scene ii)
THE TEMPEST
The TEMPST – Director: Ben Blyth (of The Malachites / Edmonton/ London)
“Oh, Brave new world, that has such people in’t”
(Act V, scene i)
Shipwrecked on the magical isle of Prospero, love-lorn Ferdinand and sheltered Miranda discover the wonder of love in a Brave new world. Retribution and forgiveness clash in the spirit world of Ariel and Caliban
“We are such stuff as dreams are made on!”
(Act IV, scene i)
BARD in a BOX! TOURING POCKET PRODUCTIONS OF A MIDSUMMER NIGHT’S DREAM and COMEDY OF ERRORS
The touring company – condensed (45 minute) retellings of the popular summer romps, set to tour the civic parks of Red Deer and the surrounding County. Cast size of 4-5.
A Midsummer Night’s Dream (45 minute version) – Director Thomas Usher
Helena and Hermia and their suitors run away, and run afoul, in a mysterious woodland realm of the faery king and queen. Meanwhile, local would-be actors rehearse a bizarre play in a nearby glade with asinine results.
“Lord, what fools thee mortals be”
(Act III, scene ii)
TOGETHER WITH:
The COMEDY of ERRORS (45 minute version) – adapted by Glen Gaston, Director Ashley Mercia
“I am to the world like a drop of water, that in the ocean seeks another drop”
(Act I, scene ii)
Separated at birth, two sets of identical twins encounter each other’s servants and families by chance. Unaware of what ties them together, they now must untangle whatever kept them apart.
“One of these men is genius to the other”
(Act V, scene i)
NEW THIS YEAR – Tea-for-2 picnic from Cronquist House
The package includes a carafe of tea or coffee, sandwiches, squares all personally packed in a basket for a summer evening repast watching BARD on BOWER. Order through Prime Stock website.
Bower Ponds Outdoor Stage Schedule
Thursday July 25, 7pm MACBETH
Friday July 26, 7pm MACBETH
Saturday July 27, 7pm MACBETH
Sunday July 28 (New to Canada Day!), 1pm The Comedy Double Bill! COMEDY OF ERRORS & A MIDSUMMER NIGHT’S DREAM, 7pm MACBETH
Tuesday July 30, 7pm THE TEMPEST
Wednesday July 31 (LGBTQ2S+ Night!), 7pm THE TEMPEST
Thursday August 1, 7pm MACBETH
Friday August 2, 7pm THE TEMPEST
Saturday August 3, 1pm THE TEMPEST, 7pm MACBETH
Sunday August 4, (Family Day!), 1pm The Comedy Double Bill! COMEDY OF ERRORS & A MIDSUMMER NIGHT’S DREAM, 7pm THE TEMPEST
Tuesday August 6, 7pm The Comedy Double Bill! COMEDY OF ERRORS & A MIDSUMMER NIGHT’S DREAM – with special guests the Edmonton Magpie Morris Dancers!
Wednesday August 7, 7pm MACBETH
Thursday August 8, THE TEMPEST
Friday August 9, 7pm THE TEMPEST
Saturday August 10, (Treaty 6 & 7 Day!), 1pm The Comedy Double Bill! COMEDY OF ERRORS & A MIDSUMMER NIGHT’S DREAM, 7pm MACBETH
Sunday August 11, 1pm THE TEMPEST

What should I bring with me?
Seating is on the sloped ground so you may want to bring a blanket or low festival chair to sit on. We have many tarps on hand that you can lay under your blanket (the geese will have left unwelcome presents for you on the grass). Picnics are welcome, and as it cools off you will find bug spray and an extra layer of clothing useful. A hat, sunscreen and rain-gear are always wise, and you may want cash if you choose to make a donation or take advantage of any refreshments available. We have a limited number of tents set up for public use, and many umbrellas.
Is the park accessible for wheelchairs and strollers?
The audience area is on a sloped grassy hill which might be a little awkward, but it is a barrier-free park. The ground is more flat at the back of the seating area just off of the walking path. Bulky items like strollers should be kept to the periphery of the seating area.
What if I have other questions?
When you are at the ponds please visit our donations tent at the back of the audience area if you have any questions at all, or if need to see someone with First Aid. In advance of a performance you can e-mail us at [email protected]
Business
Will Paramount turn the tide of legacy media and entertainment?

From the Daily Caller News Foundation
The recent leadership changes at Paramount Skydance suggest that the company may finally be ready to correct course after years of ideological drift, cultural activism posing as programming, and a pattern of self-inflicted financial and reputational damage.
Nowhere was this problem more visible than at CBS News, which for years operated as one of the most partisan and combative news organizations. Let’s be honest, CBS was the worst of an already left biased industry that stopped at nothing to censor conservatives. The network seemed committed to the idea that its viewers needed to be guided, corrected, or morally shaped by its editorial decisions.
This culminated in the CBS and 60 Minutes segment with Kamala Harris that was so heavily manipulated and so structurally misleading that it triggered widespread backlash and ultimately forced Paramount to settle a $16 million dispute with Donald Trump. That was not merely a legal or contractual problem. It was an institutional failure that demonstrated the degree to which political advocacy had overtaken journalistic integrity.
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For many longtime viewers across the political spectrum, that episode represented a clear breaking point. It became impossible to argue that CBS News was simply leaning left. It was operating with a mission orientation that prioritized shaping narratives rather than reporting truth. As a result, trust collapsed. Many of us who once had long-term professional, commercial, or intellectual ties to Paramount and CBS walked away.
David Ellison’s acquisition of Paramount marks the most consequential change to the studio’s identity in a generation. Ellison is not anchored to the old Hollywood ecosystem where cultural signaling and activist messaging were considered more important than story, audience appeal, or shareholder value.
His professional history in film and strategic business management suggests an approach grounded in commercial performance, audience trust, and brand rebuilding rather than ideological identity. That shift matters because Paramount has spent years creating content and news coverage that seemed designed to provoke or instruct viewers rather than entertain or inform them. It was an approach that drained goodwill, eroded market share, and drove entire segments of the viewing public elsewhere.
The appointment of Bari Weiss as the new chief editor of CBS News is so significant. Weiss has built her reputation on rejecting ideological conformity imposed from either side. She has consistently spoken out against antisemitism and the moral disorientation that emerges when institutions prioritize political messaging over honesty.
Her brand centers on the belief that journalism should clarify rather than obscure. During President Trump’s recent 60 Minutes interview, he praised Weiss as a “great person” and credited her with helping restore integrity and editorial seriousness inside CBS. That moment signaled something important. Paramount is no longer simply rearranging executives. It is rethinking identity.
The appointment of Makan Delrahim as Chief Legal Officer was an early indicator. Delrahim’s background at the Department of Justice, where he led antitrust enforcement, signals seriousness about governance, compliance, and restoring institutional discipline.
But the deeper and more meaningful shift is occurring at the ownership and editorial levels, where the most politically charged parts of Paramount’s portfolio may finally be shedding the habits that alienated millions of viewers.The transformation will not be immediate. Institutions develop habits, internal cultures, and incentive structures that resist correction. There will be internal opposition, particularly from staff and producers who benefited from the ideological culture that defined CBS News in recent years.
There will be critics in Hollywood who see any shift toward balance as a threat to their influence. And there will be outside voices who will insist that any move away from their preferred political posture is regression.
But genuine reform never begins with instant consensus. It begins with leadership willing to be clear about the mission.
Paramount has the opportunity to reclaim what once made it extraordinary. Not as a symbol. Not as a message distribution vehicle. But as a studio that understands that good storytelling and credible reporting are not partisan aims. They are universal aims. Entertainment succeeds when it connects with audiences rather than instructing them. Journalism succeeds when it pursues truth rather than victory.
In an era when audiences have more viewing choices than at any time in history, trust is an economic asset. Viewers are sophisticated. They recognize when they are being lectured rather than engaged. They know when editorial goals are political rather than informational. And they are willing to reward any institution that treats them with respect.
There is now reason to believe Paramount understands this. The leadership is changing. The tone is changing. The incentives are being reassessed.
It is not the final outcome. But it is a real beginning. As the great Winston Churchill once said; “Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning”.
For the first time in a long time, the door to cultural realignment in legacy media is open. And Paramount is standing at the threshold and has the capability to become a market leader once again. If Paramount acts, the industry will follow.
Bill Flaig and Tom Carter are the Co-Founders of The American Conservatives Values ETF, Ticker Symbol ACVF traded on the New York Stock Exchange. Ticker Symbol ACVF
Learn more at www.InvestConservative.com
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
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