Entertainment
3 Questions For 3 Time JUNO Award Nominee Earl Pereira
It’s hard not to smile when thinking that at some point in my day I’ll get to have a little catch up session with one of my favourite buds in the music biz, Earl Pereira. If you’ve had the pleasure of meeting Earl then you know it’s really hard to ignore that beaming smile of his. It’s almost like a signature. Theres something about a smile like Earl’s that just captivates the moment.
I first met Earl in Saskatoon, SK probably 98’ or close to it. Wide Mouth Mason was at Lydia’s that night and we were down the way at the Wash n’ Slosh. Yes, you read that correctly. A Laundromat that dubbed as a live music venue or vice versa, whatever… Thats a different story all together. At any rate, Earl would have no recollection of meeting that evening as we literally had the opportunity to have a very quick hi hello and presto they were on stage. Always seems like the case. Nothing but time before the show and then in a heartbeat it’s go time and you’re standing there thinking “I’m not ready tho…” That might be just me?
Fast forward, it was 2012 and I was finishing the songs with long time friend, band mate and basically brother Michael John. We needed a bass player for the studio sessions and our agent suggested we call Earl. I thought “yeah right, like he’s gonna play on our track.” It wasn’t long after that I got word he was into it. Within a couple of weeks we were sitting in the studio with the producer Ryan Andersen (No Love) when I got the text from Earl saying they were outside. I was legit thinking “is this really happening?” Yes, sure was. Next thing I know Earl Pereira is bobbing along smiling, bass in hand bringing this track to life. I’ll never forget the words he said as he did his first pass “looks like you’ve got yourselves a little hit here…” Well, ‘Bobby Doesn’t Know’ it did not go on to be a hit haha. It was however one of the coolest nights of my career and one of the songs I’m most proud of. It’s how I met Earl Pereira, friend since then for life. Naturally we then had beers and ordered more pizza than I’ve ever seen in my life and had an incredible hang.
These are my three questions for JUNO nominee Earl Pereira:
- What has been your go to food and or meal through this whole world wide lockdown?
- Who is the first band you wanna see live in concert once this is all over?
- How would you describe the role music plays on your mental health during the last few months?
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
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Business
Disney scrambles as young men reject DEI-filled franchises
Quick Hit:
A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.
Key Details:
- Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
- Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
- He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.
Diving Deeper:
In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.
Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.
Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”
The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”
For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”
Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”
“Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
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