Entertainment
New Music you didn’t know you needed to hear… Or did you?
Music to get you through.
Quarantine is no match for the power of music. What an unprecedented time in our history where LIVE ENTERTAINMENT has come to a screeching halt. Sort of, I mean you can catch it Live Stream. While we are all grateful for such a platform where that can be a possibility, it simply can’t replace intimate in person Live Entertainment.
What are we left with? Well hey, thats up to us individually now isn’t it? WE WILL GET THROUGH THIS, that I’m sure of. I remember just simply listening to my favourite music until my cassettes didn’t work anymore or they were eaten every friggin time I’d try to give it a whirl. Just the act of listening to music could take up hours and hours of my day. Back then I would have done anything to have the access to music that I have now. It’s instant now. Any music we want at our finger tips. I say we start a movement where we dedicate some mental health time to listening to music. Bring back the ‘lay on the floor and stare at the ceiling’ kind of listening to music days.
Not only is it unbelievably therapeutic but there is so much NEW MUSIC right now that is so good!
Heres three albums that are sure to keep you busy, you’ve probably got them on repeat anyways:
1. Eternity Now – Big Sugar
Plain and simple, it’s hard to argue with the signature guitar and vocal sound of Gordie Johnson. Guys like me dream of attaining it daily. The energy Big Sugar produces on and off stage is remarkable. Rock n’ Roll fused with Reggae and Blues that lights a fire in your heart. This album is fresh and relevant. It’s always amazing to see how Big Sugar stays on top of the wave. Turn it up loud, grab a chair for the deck and take a little trip down the new Big Sugar highway that is ‘Eternity Now.’

2. Dog City – Matt Mays
Ooh wee! Matt Mays is one of the best songwriters we’ve been blessed with as Canadians. Matt has a way with words that will bypass everything and hit you right in the soul. This album is a simple raw record that Matt did himself during this quarantine time we’ve been told was the “new normal.” What a great concept on a record. Through the eyes of human kinds best friend. put the headphones on and take this one in with some fresh coffee and baileys. Or whatever…

3. Notes on a Conditional Form – The 1975
Not gonna lie… The 1975 was not an instant appreciation. I mean of course I respected their work etc. I just wasn’t into it. At first. After warming up to the indie weirdness that somehow has crossed into the mainstream I really started to enjoy them and found myself paying more and more attention to their music. Needless to say The 1975 is a trip all its own. Put this on and lay back on the couch, stare up and enjoy. So much to get lost in. Something different.

Business
Will Paramount turn the tide of legacy media and entertainment?

From the Daily Caller News Foundation
The recent leadership changes at Paramount Skydance suggest that the company may finally be ready to correct course after years of ideological drift, cultural activism posing as programming, and a pattern of self-inflicted financial and reputational damage.
Nowhere was this problem more visible than at CBS News, which for years operated as one of the most partisan and combative news organizations. Let’s be honest, CBS was the worst of an already left biased industry that stopped at nothing to censor conservatives. The network seemed committed to the idea that its viewers needed to be guided, corrected, or morally shaped by its editorial decisions.
This culminated in the CBS and 60 Minutes segment with Kamala Harris that was so heavily manipulated and so structurally misleading that it triggered widespread backlash and ultimately forced Paramount to settle a $16 million dispute with Donald Trump. That was not merely a legal or contractual problem. It was an institutional failure that demonstrated the degree to which political advocacy had overtaken journalistic integrity.
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For many longtime viewers across the political spectrum, that episode represented a clear breaking point. It became impossible to argue that CBS News was simply leaning left. It was operating with a mission orientation that prioritized shaping narratives rather than reporting truth. As a result, trust collapsed. Many of us who once had long-term professional, commercial, or intellectual ties to Paramount and CBS walked away.
David Ellison’s acquisition of Paramount marks the most consequential change to the studio’s identity in a generation. Ellison is not anchored to the old Hollywood ecosystem where cultural signaling and activist messaging were considered more important than story, audience appeal, or shareholder value.
His professional history in film and strategic business management suggests an approach grounded in commercial performance, audience trust, and brand rebuilding rather than ideological identity. That shift matters because Paramount has spent years creating content and news coverage that seemed designed to provoke or instruct viewers rather than entertain or inform them. It was an approach that drained goodwill, eroded market share, and drove entire segments of the viewing public elsewhere.
The appointment of Bari Weiss as the new chief editor of CBS News is so significant. Weiss has built her reputation on rejecting ideological conformity imposed from either side. She has consistently spoken out against antisemitism and the moral disorientation that emerges when institutions prioritize political messaging over honesty.
Her brand centers on the belief that journalism should clarify rather than obscure. During President Trump’s recent 60 Minutes interview, he praised Weiss as a “great person” and credited her with helping restore integrity and editorial seriousness inside CBS. That moment signaled something important. Paramount is no longer simply rearranging executives. It is rethinking identity.
The appointment of Makan Delrahim as Chief Legal Officer was an early indicator. Delrahim’s background at the Department of Justice, where he led antitrust enforcement, signals seriousness about governance, compliance, and restoring institutional discipline.
But the deeper and more meaningful shift is occurring at the ownership and editorial levels, where the most politically charged parts of Paramount’s portfolio may finally be shedding the habits that alienated millions of viewers.The transformation will not be immediate. Institutions develop habits, internal cultures, and incentive structures that resist correction. There will be internal opposition, particularly from staff and producers who benefited from the ideological culture that defined CBS News in recent years.
There will be critics in Hollywood who see any shift toward balance as a threat to their influence. And there will be outside voices who will insist that any move away from their preferred political posture is regression.
But genuine reform never begins with instant consensus. It begins with leadership willing to be clear about the mission.
Paramount has the opportunity to reclaim what once made it extraordinary. Not as a symbol. Not as a message distribution vehicle. But as a studio that understands that good storytelling and credible reporting are not partisan aims. They are universal aims. Entertainment succeeds when it connects with audiences rather than instructing them. Journalism succeeds when it pursues truth rather than victory.
In an era when audiences have more viewing choices than at any time in history, trust is an economic asset. Viewers are sophisticated. They recognize when they are being lectured rather than engaged. They know when editorial goals are political rather than informational. And they are willing to reward any institution that treats them with respect.
There is now reason to believe Paramount understands this. The leadership is changing. The tone is changing. The incentives are being reassessed.
It is not the final outcome. But it is a real beginning. As the great Winston Churchill once said; “Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning”.
For the first time in a long time, the door to cultural realignment in legacy media is open. And Paramount is standing at the threshold and has the capability to become a market leader once again. If Paramount acts, the industry will follow.
Bill Flaig and Tom Carter are the Co-Founders of The American Conservatives Values ETF, Ticker Symbol ACVF traded on the New York Stock Exchange. Ticker Symbol ACVF
Learn more at www.InvestConservative.com
Censorship Industrial Complex
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