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Laughter Returns to Red Deer

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For the better part of the last two years, laughter has been hard to come by. Live entertainment came to an abrupt halt, with no certainty of when it would return.

The wait is finally over.

Not only are Central Alberta’s venues reopening, they are bringing back live shows to the area. The Velvet Olive is once again bustling with live music many nights of the week. Bo’s Bar and Grill is bringing huge acts back to the city. It’s not just the music we missed though. Comedy is coming back in a big way.

Pre-pandemic, the longtime hub for comedy in Red Deer was the Heritage Lanes Lounge. Running for almost a decade, the room saw many of Canada’s finest and funniest bring hilarity to town each and every Sunday. Now, for the first time since 2019, weekly stand up is back at The Lanes.

“Heritage Lanes is excited to be back hosting weekly ‘Splits and Giggles’ comedy”, said Shelby Chrest, owner. “As the city’s longest lasting comedy venue we feel it’s important for our community to gather and socialize while supporting local.”

“Splits and Giggles” launches Sunday, August 8th at 8PM at Heritage Lanes. Kicking off the first show is nationally renowned headliners Kathleen McGee and Sean Lecomber.

The Lanes won’t be your only source of funny in the area, as many other shows are new or returning. The Radisson Hotel will be back to hosting monthly events beginning August 6th with Adam Ruby, and The Velvet Olive’s “Fake Comedy Show” returns August 13th. When asked for comment, “Fake Show” producer Zachary Landry said “I’ll get back to you in an hour.” One hour later, “I was eating blueberries.”

You’ll also find monthly mirth at Red Hart Brewing and The Spot. And just outside the city, Sylvan Lake is in on the action, hosting Lisa Baker August 6th at Fireside Restaurant, and Longshot Comedy featuring Marc Anthony Sinagoga on September 10th at Lodge 43, as well as September 11th at The Fox & Hound in Innisfail.

With the support of venues like these, local comedians are thrilled to once again have places to hone their art. “During these lockdowns and restrictions, I realized how important laughter and friendship is to all of us”, said Niek Theelen, local artist. “After months of shutdowns, it’s invigorating to see Red Deer comedians come back with renewed energy and passion to make Central Alberta laugh again.” Niek, like many others, had to pivot when stand up evaporated, so he began work on a documentary to be released next year through Telus Optik TV. “Love of the Game” will shine a light on disabled athletes and how they rise past their challenges to play the sports they love.

No matter how they filled the time though, nothing feels sweeter to a comedian than the stage and a hot crowd.

Shelby Chrest sums it up: “Laughter is contagious, we want to put smiles on faces and that’s worth sharing!”

 

Writer. Comedian. Husband. Father. These are just some of the roles that Bradley Layden attempts to do well. Sometimes that works out. He enjoys pop culture, nerdy things, basketball and music. Except Kim Mitchell. He can also be talked into going outside sometimes.

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Entertainment / 6 months ago

Laughter Returns to Red Deer

Arts

Louie Anderson, Emmy-winning comedian, dies at 68

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LOS ANGELES (AP) — Louie Anderson, whose more than four-decade career as a comedian and actor included his unlikely, Emmy-winning performance as mom to twin adult sons in the TV series “Baskets,” died Friday. He was 68.

Anderson died at a hospital in Las Vegas of complications from cancer, said Glenn Schwartz, his longtime publicist. Anderson had a a type of non-Hodgkin lymphoma, Schwartz said previously.

Anderson won a 2016 Emmy for best supporting actor for his portrayal of Christine Baskets, mother to twins played by Zach Galifianakis. Anderson received three consecutive Emmy nods for his performance.

He was a familiar face elsewhere on TV, including as host of a revival of the game show “Family Feud” from 1999 to 2002, and on comedy specials and in frequent late-night talk show appearances.

Anderson voiced an animated version of himself as a kid in “Life With Louie.” He created the cartoon series, which first aired in prime time in late 1994 before moving to Saturday morning for its 1995-98 run. Anderson won two Daytime Emmy Awards for the role.

He made guest appearances in several TV series, including “Scrubs” and “Touched by an Angel,” and was on the big screen in 1988′s “Coming to America” and in last year’s sequel to the Eddie Murphy comedy.

Anderson also toured regularly with his stand-up act and as a stand-up comedian.

Lynn Elber, The Associated Press

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Meat Loaf, ‘Bat out of Hell’ rock superstar, dies at 74

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NEW YORK (AP) — Meat Loaf, the heavyweight rock superstar loved by millions for his “Bat Out of Hell” album and for such theatrical, dark-hearted anthems as “Paradise by the Dashboard Light,” “Two Out of Three Ain’t Bad,” and “I’d Do Anything for Love (But I Won’t Do That),” has died. He was 74.

The singer born Marvin Lee Aday died Thursday, according to a family statement posted on his official Facebook page.

“Our hearts are broken to announce that the incomparable Meat Loaf passed away tonight,” the statement said. “We know how much he meant to so many of you and we truly appreciate all of the love and support as we move through this time of grief in losing such an inspiring artist and beautiful man… From his heart to your souls…don’t ever stop rocking!”

No cause or other details were given, but Aday had numerous health scares over the years.

“Bat Out of a Hell,” his mega-selling collaboration with songwriter Jim Steinman and producer Todd Rundgren, came out in 1977 and made him one of the most recognizable performers in rock. Fans fell hard for the roaring vocals of the long-haired, 250-plus pound singer and for the comic non-romance of the title track, “You Took The Words Right Out of My Mouth,” “Two Out of Three Ain’t Bad” and “Paradise By the Dashboard Light,” an operatic cautionary tale about going all the way. “Paradise” was a duet with Ellen Foley that featured play by play from New York Yankees broadcaster Phil Rizzuto, who alleged — to much skepticism — that he was unaware of any alternate meanings to reaching third base and heading for home.

After a slow start and mixed reviews, “Bat Out of a Hell” became one of the top-selling albums in history, with worldwide sales of more than 40 million copies. Meat Loaf wasn’t a consistent hit maker, especially after falling out for years with Steinman. But he maintained close ties with his fans through his manic live shows, social media and his many television, radio and film appearances, including “Fight Club” and cameos on “Glee” and “South Park.”

His biggest musical success after “Bat Out of Hell” was “Bat Out of Hell II: Back into Hell,” a 1993 reunion with Steinman that sold more than 15 million copies and featured the Grammy-winning single “I’d Do Anything for Love (But I Won’t Do That).”

Steinman died in April.

Aday’s other albums included “Bat Out of Hell III: The Monster is Loose,” “Hell in a Handbasket” and “Braver Than We Are.”

A native of Dallas, Aday was the son of a school teacher who raised him on her own after divorcing his alcoholic father, a police officer. Aday was singing and acting in high school (Mick Jagger was an early favorite, so was Ethel Merman) and attended Lubbock Christian College and what is now the University of North Texas. Among his more notable childhood memories: Seeing John F. Kennedy arrive at Love Field in Dallas on Nov. 22, 1963, then learning the president had been assassinated and driving to Parkland Hospital and watching a bloodied Jackie Kennedy step out of a car.

He was still a teenager when his mother died and when he acquired the nickname Meat Loaf, the alleged origins of which range from his weight to a favorite recipe of his mother’s. He left for Los Angeles after college and was soon fronting the band Meat Loaf Soul. For years, he alternated between music and the stage, recording briefly for Motown, opening for such acts as the Who and the Grateful Dead and appearing in the Broadway production of “Hair.”

By the mid-1970s, he was playing the lobotomized biker Eddie in the theater and film versions of “The Rocky Horror Picture Show,” had served as an understudy for his friend John Belushi for the stage production of National Lampoon and had begun working with Steinman on “Bat Out of Hell.” The dense, pounding production was openly influenced by Wagner, Phil Spector and Bruce Springsteen, whose bandmates Roy Bittan and Max Weinberg played on the record. Rundgren initially thought of the album as a parody of Springsteen’s grandiose style.

Steinman had known Meat Loaf since the singer appeared in his 1973 musical “More Than You Deserve” and some of the songs on “Bat Out of Hell,” including “All Revved Up With No Place to Go,” were initially written for a planned stage show based on the story of Peter Pan. “Bat Out of Hell” took more than two years to find a taker as numerous record executives turned it down, including RCA’s Clive Davis, who disparaged Steinman’s songs and acknowledged that he had misjudged the singer: “The songs were coming over as very theatrical, and Meat Loaf, despite a powerful voice, just didn’t look like a star,” Davis wrote in his memoir, “The Soundtrack of My Life.”

With the help of another Springsteen sideman, Steve Van Zandt, “Bat Out of Hell” was acquired by Cleveland International, a subsidiary of Epic Records. The album made little impact until months after its release, when a concert video of the title track was aired on the British program the Old Grey Whistle Test. In the U.S., his connection to “Rocky Horror” helped when he convinced producer Lou Adler to use a video for “Paradise By the Dashboard Light” as a trailer for the cult movie. But Meat Loaf was so little known at first that he began his “Bat Out of Hell” tour in Chicago as the opening act for Cheap Trick, then one of the world’s hottest groups.

“I remember pulling up at the theater and it says, ‘TONIGHT: CHEAP TRICK, WITH MEAT LOAF.’ And I said to myself, ‘These people think we’re serving dinner,’” Meat Loaf explained in 2013 on the syndicated radio show “In the Studio.”

“And we walk out on stage and these people were such Cheap Trick fans they booed us from the start. They were getting up and giving us the finger. The first six rows stood up and screamed. … When we finished, most of the boos had stopped and we were almost getting applause.”

He is survived by Deborah Gillespie, his wife since 2007, and by daughters Pearl and Amanda Aday.

___

AP Entertainment Writer Andrew contributed from Los Angeles.

Hillel Italie , The Associated Press

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