Entertainment
JURASSIC QUEST, NORTH AMERICA’S BIGGEST DINOSAUR EVENT, MIGRATES TO RED DEER – TICKETS ON SALE NOW
Walk among the dinosaurs when the continent’s can’t-miss dinosaur adventure stomps into Westerner Park June 3-5
The largest and most realistic dinosaur exhibit in North America is BACK, BIGGER and BETTER than EVER! Our herd of photorealistic dinosaurs is ready to delight Red Deer area families when Jurassic Quest® arrives at Westerner Park for three days only June 3-5.
Jurassic Quest will visit Canada for the first time since 2019 with its most beloved and unique experiences for the whole family including life-like dinosaurs, dinosaur rides, live dinosaur shows, interactive science and art activities, bounce houses, inflatable attractions and more. In addition to new dinos in the herd, new activities for 2022 include the “Triceratots” soft play area for our littlest explorers.
New for 2022, join us for The Quest, our official educational and entertaining journey through the Jurassic. The Quest is an interactive adventure where guests will meet dinos and prehistoric sea creatures, take a unique Dino Snap, search for fossils, watch a live Raptor Training Experience and more. Follow the ten clues to the “Quest Spot” signs and collect a prize at the end. The Quest is included with general admission.
Families can walk through the Triassic, Jurassic and Cretaceous periods to see the dinos that ruled on land, and “deep dive” into the “Ancient Oceans” exhibit, making its Canadian debut, to come face to face with the largest apex predator that ever existed – a moving, life-size, 15-metre-long megalodon! Meet the babies, hatched only at Jurassic Quest: Cammie the Camarasaurus, Tyson the T. rex and Trixie the Triceratops – and, you may even catch one of our star dino trainers: Safari Sarah, Dino Dustin, Captain Caleb, Prehistoric Nick or Park Ranger Marty!
Loved by millions, only Jurassic Quest can bring families memories this BIG! The Jurassic Quest herd of animatronic dinos – from the largest predators to playful baby dinos – are displayed in realistic scenes with some that move and roar, allowing guests to experience them as they were when they roamed the earth millions of years ago. Jurassic Quest works in collaboration with leading paleontologists to ensure each dinosaur is painstakingly replicated in every detail, from coloration to teeth size, to textured skin or feathers, drawing on the latest research about how we understand dinosaurs and ancient giants of the sea looked and moved.
TICKETS & LOGISTICS
Tickets are available online at www.jurassicquest.ca or on-site. Tickets are for a timed arrival window, and advance ticket purchase is strongly encouraged. Guests can walk through the dinosaur experience at their own pace, and strollers are permitted. Some venues may have wheelchairs for use, but please contact the venue in advance to make arrangements.
Event: Jurassic Quest in Red Deer
Place: Westerner Park, 4847A 19 St, Red Deer, AB T4R 2N7, Canada
Date: June 3-5
Time: Friday 9am-8pm, Saturday 9am-8pm, Sunday 9am-6pm
Tix & Info: https://www.jurassicquest.com/
KIDS & ADULTS: $27.50
SENIORS: $22
KIDS UNLIMITED RIDES (INCLUDES ENTRY): $45 for all-you-can-ride access to dinosaur rides, inflatables and fossil dig.
General admission tickets include access to the dinosaur and marine exhibits, arts and crafts activities, and dinosaur shows. There are rides and activities that require activity tickets available on site, or guests can upgrade to the Kids Unlimited Rides ticket (the best value for children ages 2-12). Entry is free for children under age 2.

ABOUT JURASSIC QUEST
Since 2013, Jurassic Quest has been touring epic dinosaur experiences treating millions of people across North America to an as-close-as-you-can-get look at the giants that ruled the Earth and sea millions of years ago. Jurassic Quest is the largest and most realistic dinosaur exhibition in North America. Developed with leading paleontologists, each dinosaur has been painstakingly replicated in every detail including the most realistic likenesses, movement and sound. Whether their prehistoric counterpart had skin that was scaly, or covered with feathers, Jurassic Quest has spared no expense in bringing the dinosaurs to life. Jurassic Quest produced 96 multi-day events in 34 states and Canada and sold over one million tickets in 2019, and has hosted over 2.5 million fans at its Jurassic Quest Drive Thru touring throughout the country since June 2020. For more information and tickets visit www.jurassicquest.com.
Safari Sarah, Dino Dustin, Captain Caleb, Prehistoric Nick, Park Ranger Marty, Cammie the Camarasaurus, Tyson the T-Rex and Trixie the Triceratops are registered trademarks of Jurassic Quest Holdings, LLC. All rights reserved.
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Business
Will Paramount turn the tide of legacy media and entertainment?

From the Daily Caller News Foundation
The recent leadership changes at Paramount Skydance suggest that the company may finally be ready to correct course after years of ideological drift, cultural activism posing as programming, and a pattern of self-inflicted financial and reputational damage.
Nowhere was this problem more visible than at CBS News, which for years operated as one of the most partisan and combative news organizations. Let’s be honest, CBS was the worst of an already left biased industry that stopped at nothing to censor conservatives. The network seemed committed to the idea that its viewers needed to be guided, corrected, or morally shaped by its editorial decisions.
This culminated in the CBS and 60 Minutes segment with Kamala Harris that was so heavily manipulated and so structurally misleading that it triggered widespread backlash and ultimately forced Paramount to settle a $16 million dispute with Donald Trump. That was not merely a legal or contractual problem. It was an institutional failure that demonstrated the degree to which political advocacy had overtaken journalistic integrity.
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For many longtime viewers across the political spectrum, that episode represented a clear breaking point. It became impossible to argue that CBS News was simply leaning left. It was operating with a mission orientation that prioritized shaping narratives rather than reporting truth. As a result, trust collapsed. Many of us who once had long-term professional, commercial, or intellectual ties to Paramount and CBS walked away.
David Ellison’s acquisition of Paramount marks the most consequential change to the studio’s identity in a generation. Ellison is not anchored to the old Hollywood ecosystem where cultural signaling and activist messaging were considered more important than story, audience appeal, or shareholder value.
His professional history in film and strategic business management suggests an approach grounded in commercial performance, audience trust, and brand rebuilding rather than ideological identity. That shift matters because Paramount has spent years creating content and news coverage that seemed designed to provoke or instruct viewers rather than entertain or inform them. It was an approach that drained goodwill, eroded market share, and drove entire segments of the viewing public elsewhere.
The appointment of Bari Weiss as the new chief editor of CBS News is so significant. Weiss has built her reputation on rejecting ideological conformity imposed from either side. She has consistently spoken out against antisemitism and the moral disorientation that emerges when institutions prioritize political messaging over honesty.
Her brand centers on the belief that journalism should clarify rather than obscure. During President Trump’s recent 60 Minutes interview, he praised Weiss as a “great person” and credited her with helping restore integrity and editorial seriousness inside CBS. That moment signaled something important. Paramount is no longer simply rearranging executives. It is rethinking identity.
The appointment of Makan Delrahim as Chief Legal Officer was an early indicator. Delrahim’s background at the Department of Justice, where he led antitrust enforcement, signals seriousness about governance, compliance, and restoring institutional discipline.
But the deeper and more meaningful shift is occurring at the ownership and editorial levels, where the most politically charged parts of Paramount’s portfolio may finally be shedding the habits that alienated millions of viewers.The transformation will not be immediate. Institutions develop habits, internal cultures, and incentive structures that resist correction. There will be internal opposition, particularly from staff and producers who benefited from the ideological culture that defined CBS News in recent years.
There will be critics in Hollywood who see any shift toward balance as a threat to their influence. And there will be outside voices who will insist that any move away from their preferred political posture is regression.
But genuine reform never begins with instant consensus. It begins with leadership willing to be clear about the mission.
Paramount has the opportunity to reclaim what once made it extraordinary. Not as a symbol. Not as a message distribution vehicle. But as a studio that understands that good storytelling and credible reporting are not partisan aims. They are universal aims. Entertainment succeeds when it connects with audiences rather than instructing them. Journalism succeeds when it pursues truth rather than victory.
In an era when audiences have more viewing choices than at any time in history, trust is an economic asset. Viewers are sophisticated. They recognize when they are being lectured rather than engaged. They know when editorial goals are political rather than informational. And they are willing to reward any institution that treats them with respect.
There is now reason to believe Paramount understands this. The leadership is changing. The tone is changing. The incentives are being reassessed.
It is not the final outcome. But it is a real beginning. As the great Winston Churchill once said; “Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning”.
For the first time in a long time, the door to cultural realignment in legacy media is open. And Paramount is standing at the threshold and has the capability to become a market leader once again. If Paramount acts, the industry will follow.
Bill Flaig and Tom Carter are the Co-Founders of The American Conservatives Values ETF, Ticker Symbol ACVF traded on the New York Stock Exchange. Ticker Symbol ACVF
Learn more at www.InvestConservative.com
Censorship Industrial Complex
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