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Bruce Dowbiggin

Insubordination: Why Black NBA Stars Don’t Buy The Vax

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Canadian NBA star Andrew Wiggins was supposed to be known as a superstar when he was drafted No. 1 overall by Cleveland in the 2014 draft. Now, after seven seasons of mixed playing results, he may instead be best known as the guy who said no to the NBA on their mandatory vaccination rules.

In a delicious irony, he exposed the patronizing double standard of hyper-liberal white NBA media— which fanatically protects black players through every hypocrisy. Until now. And Wiggins, inadvertently, exposed the dirty secret about vaccine resistance: it’s not Ted Nugent, bow-hunting whites leading the idealogical resistance.

It’s people in the black community who, by a large margin, are telling Joe Biden and his liberal pals (gasp) that, while everyone else submits, dissent is their  God-given right in America. In New York City, devastated in 2020 by Covid-19 and governor Andrew Cuomo’s ineptitude, roughly 72 percent of black New York City residents aged 18-44 are now banned banned from entering dining establishments, because they remain stubbornly unvaccinated.

In Florida, Black people have received 9 percent of vaccinations, while they make up 15 percent of cases, 17 percent of deaths, and 15 percent of the total population. (White people received a higher share of vaccinations compared to their share of cases in most states reporting data. )

The percentage of white people who have received at least one COVID-19 vaccine dose (53 percent) was 1.2 times higher than the rate for Black people (45 percent) as of September 20, 2021. This despite the pleading from race hustlers like CNN’s Don Lemon (‘It’s Not About Freedom, It Is About Public Health’) to force blacks to submit to the pressure for a jab.

Wiggins, now with the Golden State Warriors, refused to take the vaccine since his request for a religious exemption was denied. League rules say Warriors players must follow the guidelines of California, the home state of the Warriors. No needle, no playing at the Chase Center for Wiggins. That led the media in squishy NoCal to ask Wiggins’ teammate Draymond Green if he’ll pressure Wiggins to take the jab.

They didn’t get what they expected— or wanted. “It’s not my place or my business on whether he gets vaccinated or not — it’s your own personal choice at the end of the day what you do with your body. It’s not my place to tell him what he should or shouldn’t do with his. Because he’s not going to come tell me what I should do with my body.”  [UPDATE: Golden State coach Steve Kerr now says Wiggins has had the vax. Wiggins insists he was forced. ]

Vax nothwithstanding, Green says, “We’re dealing with something that, to me, feels like (it) has turned into a political war, when you’re talking about vaccinated [people] and non-vaccinated [people],” “I think there is something to be said for people’s concern about something that’s being pressed so hard. Like, why are you pressing this so hard? You’re pressing and pressing and pressing.”

Green continued, “You say we live in the land of the free. Well, you’re not giving anyone freedom, because you’re making people do something essentially… That goes against everything America stands for.”

In Washington, Wizards star Bradley Beal echoed Green’s comments. “I would like an explanation to people with vaccines – why are they still getting COVID if that’s something that we are supposed to highly be protected from?… It’s funny that it only reduces your chances of going to the hospital. It doesn’t eliminate anybody from getting COVID. Right?”

“Some people have bad reactions to the vaccine,” Beal said. “Nobody likes to talk about that. And what happens if one of our players gets the vaccine and they can’t play after that or they have complications after that? Because there are cases like that. But I feel we don’t talk about those as heavily, because they’re so minute maybe. But they are existent.”

Fellow NBA stars Kyrie Irving and Jonathan Isaac echoed Beal and Green on their right to decide. (Here’s Isaac dunking on Rolling Stone . Worse for vax boosters, the league’s bell cow, LeBron James, echoed the feminist diktat that it wasn’t his place to tell anyone what they can take in their body.

That brought out the hate from the press box, a hive of liberal/ progressive white thought if there ever was one.

Draymond Green joins All-Hypocrisy team for vaccine stance” bugled there New York Daily News.

Stop letting NBA anti-vaxxers spout COVID-19 misinformation” announced Yahoo.

Bradley Beal Smugly Parades Ignorance On Covid Vaccines” pronounced Mediaite.

“On vaccines, NBA players are being told to shut up and dribble” noted  the Washington Examiner.

The supposed kill shot in all these jeremiads is the new dagger of promoting “misinformation” (as if the Media Party didn’t do exactly that on Jussie Smollett, the Covington Kids, RussiaGate, Hunter Biden’s laptop and 150 more. ) “Misinformation” now being the all-purpose cleanser for thought disapproved by Facebook, Twitter, Wikipedia and other tech oligarchs.

For the righteous knowledge industry, hearing both sides is now a quaint artifact of the past, like John Phillip Souza band music. As we wrote Nov. 23, 2020. “The sale has been made by those in authority. They call the shots. No one is allowed to dissent. That was the end game.  And there’s no going back when the Woke media warns you that resistance will invite the cancel culture to ruin your life. This is the new reality. Get used to it. And if you value your freedoms, tough luck.”

Almost a year later black NBA stars, of all people, are the ones making this point to the civil libertarians or free-speech liberals that freedom is for everyone, not just for those with whom you agree. Who’d have thunk’ that?

 

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster (http://www.notthepublicbroadcaster.com). The best-selling author of Cap In Hand is also a regular contributor to Sirius XM Canada Talks Ch. 167. A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, his new book with his son Evan is called InExact Science: The Six Most Compelling Draft Years In NHL History is now available on http://brucedowbigginbooks.ca/book-personalaccount.aspx

BRUCE DOWBIGGIN Award-winning Author and Broadcaster Bruce Dowbiggin's career is unmatched in Canada for its diversity and breadth of experience . He is currently the editor and publisher of Not The Public Broadcaster website and is also a contributor to SiriusXM Canada Talks. His new book Cap In Hand was released in the fall of 2018. Bruce's career has included successful stints in television, radio and print. A two-time winner of the Gemini Award as Canada's top television sports broadcaster for his work with CBC-TV, Mr. Dowbiggin is also the best-selling author of "Money Players" (finalist for the 2004 National Business Book Award) and two new books-- Ice Storm: The Rise and Fall of the Greatest Vancouver Canucks Team Ever for Greystone Press and Grant Fuhr: Portrait of a Champion for Random House. His ground-breaking investigations into the life and times of Alan Eagleson led to his selection as the winner of the Gemini for Canada's top sportscaster in 1993 and again in 1996. This work earned him the reputation as one of Canada's top investigative journalists in any field. He was a featured columnist for the Calgary Herald (1998-2009) and the Globe & Mail (2009-2013) where his incisive style and wit on sports media and business won him many readers.

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Bruce Dowbiggin

Rays Of Sunshine In MLB’s Pointless Lockout

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If you’re a baseball fan planning on going to 2022 spring training to see your favourite team you might want to pause before booking a flight or hotel room. In case you didn’t see the news, MLB has locked out its players again as the two sides jockey for a new collective bargaining agreement.

“We hope that the lockout will jumpstart the negotiations and get us to an agreement that will allow the season to start on time,” says MLB owners commissioner Rob Manfred. “This defensive lockout was necessary because the Players Association’s vision for Major League Baseball would threaten the ability of most teams to be competitive. It’s simply not a viable option.” Sure. Go with that.

Understand that for baseball fans the words collective-bargaining agreement are as welcoming as a reminder that you’re due for a colonoscopy. Labour actions of the past  have ruined seasons and— in the case of the Montreal Expos— doomed a franchise. (See: 1994 lockout )

“The Expos were widely regarded as the best team in baseball that season, prohibitive favorites to win the World Series for the first time in franchise history. Once play resumed, the cash-strapped Expos tore apart their contending team, shipping off their best players in trades for lesser prospects in most cases.” By 2005 they had moved to Washington.

Since that 1994 disaster MLB has managed to avoid losing playing time to strikes/ lockouts. But the pressure has been building since the sport rejected the notion of a salary cap in favour of a much-less-restrictive luxury tax on free-spending terms. While the NHL, NBA and NFL operate more stringent salary cap systems, baseball has gone its own way in controlling salaries.

Concurrent with that has been an explosion of revenues for MLB, sending salaries and franchise values into the stratosphere. (See my book Cap In Hand for a full history of salary-cap economics and how a return to freer player markets is the future of the business.)

In a sign of how loose the financial reins have become, Max Scherzer’s $43-million annual salary with the New York Mets is more than the entire payroll of two MLB teams. With no minimum payroll, Pittsburgh and Baltimore are free to lap up their 1/30th share of MLB’s lucrative digital/ TV package, logo rights and other baubles.

Meanwhile players are concerned that while the stars become rich as Saudi princes the working class of the sport is not getting a proper share of the revenues. They claim owners are using devious practices to delay players getting to arbitration and free-agency. And they decry owners tanking for better draft picks or simply to make money.

None of this says that an early solution is imminent should the sides get past the next few weeks. The only lever for players is cancelling games, and there are none scheduled till next February (spring training) and late March (regular season). Likewise players are paid their salaries only during the regular season, meaning no player will lose any money till the games begin.  Translation: They’re not panicking either. So expect the real negotiating to start in February as camps set to open for 2022.

The hiccup in the debate over highly paid superstars and exploding payrolls is the Tampa Bay Rays. The definitive “small MLB market” Tampa has found a way to get to the 2020 World Series and the 2021 ALDS using a formula that involves dumping their name players (Evan Longoria, Blake Snell, David Archer) and culling prospects and rejects from other clubs.

While teams like the Blue Jays, Mets, Yankees, Dodgers and Angels are profligate spenders on big names, Tampa throws around nickels like they were manhole covers. The Rays are so frugal that they’re proposing their summertime games be played in Montreal.

You want more? The cash-strapped Rays traded their stopper at the 2021 trade deadline— even as they led the majors in wins. They virtually invented the notion of reducing the value of starting pitching by creating the “bullpen” day, in which they start a relief pitcher and followed him with a series of other situational pitchers. Picking through the bargain bin they found inexpensive rejects and burnouts on other staffs and thrust them into their lineup.

As Mack Cerullo of Yahoo Sports noted, the Rays used 39 different pitchers last season; of the nine relief pitchers on Tampa Bay’s opening-day roster, only three remained at season’s end. The team’s three All-Stars, Joey Wendle, Mike Zunino and Andrew Kittredge, made a combined $5 million last year. Brandon Lowe, Randy Arozarena and Austin Meadows, the heart of their batting order, made less than $3.7 million among them.

Despite cutting corners the Rays had the No. 1 ranked system in baseball starting 2021. By season’s end prized rookies Wander Franco, Arozarena, Luis Patino and Shane McClanahan were all keys to TB getting to the ALDS. When they get too expensive the Rays will likely trade them for prospects or let them walk in free agency.

(Although the Rays tarnished their Scrooge reputation by signing the brilliant young Franco an eleven-year, $182 million contract extension, with a club option of $25 million for a twelfth year.)

Which begs the question: why are the tall foreheads of MLB shutting down the sport to save a system that has worked so well for Tampa? There is a ready template to compete and prosper in smaller markets. Why is this news to other owners? Likely it’s easier to lock out players than do the heavy lifting of the Rays. With no threat of losing a franchise via relegation (as in soccer) or being cut off from the MLB gravy train why bother?

So prepare for months of crocodile tears from owners that MLBPA’s demands “would threaten the ability of most teams to be competitive”. And prepare to hold your nose when they say they’ve solved the Grand Old Past-Time.

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster (http://www.notthepublicbroadcaster.com). The best-selling author was nominated for the BBN Business Book award of 2020 for Personal Account with Tony Comper. A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, he’s also a regular contributor to Sirius XM Canada Talks Ch. 167. His new book with his son Evan Inexact Science: The Six Most Compelling Draft Years In NHL History is now available on http://brucedowbigginbooks.ca/book-personalaccount.aspx

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Bruce Dowbiggin

Get Back: Imagining The Real John Lennon

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Get Back, Peter Jackson’s new documentary on The Beatles taping their Let It Be album in 1969 has revelations for all generations of Beatles fans. Using video shot at the time for an earlier Michael Lindsay-Hogg film Jackson captures the creative process of the band in all its tortured glory.

Watching the four men create, procrastinate, argue, harmonize, feud and eventually part ways puts meat on the bones of their legend— particularly for those who came to their music since the band split up in1969-70. Seeing them in the context of the time reinforces their astounding productivity and creativity.

While there are have been endless tribute bands since, The Beatles themselves almost came out of thin air. They didn’t discover rock and roll fire but they harnessed it to establish a template often imitated but never quite duplicated. The anticipation of a new album like Revolver (their best) was a cultural event for which there’s no modern equivalent. After they split up members of the group never achieved quite the success they enjoyed as a foursome (George Harrison fans might contest this.).
Jackson’s documentary does establish one salient fact. Yoko Ono did not break up The Beatles. Nor did Linda Eastman nor George Harrison nor Paul McCartney. The Brutus in this plot was John Lennon, the quixotic blunt edge of the group. Distracted and disillusioned in the film, Lennon creates the fissures that finally result in dissolution.

Nursing a nasty heroin addiction as the band starts recording, Lennon is starting the slow-motion breakdown that leads to his later incarnations as Ghandi, Gene Vincent, Randall McMurphy and finally martyred Jesus figure. He can’t concentrate on anything for more that a few minutes. He wants Phil Spector, the Rasputin of rock, to produce the album. He wants Allen Klein to mange Apple, their creative company. He wants to play a public concert.

Eventually it all gets to be too much for the other Beatles. Harrison chafes to record his own music, Ringo feels bored, while McCartney wearies of trying to hold the whole business operqtion together. Lennon, meanwhile, wants to hang with the New York crowd that Yoko has introduced to him.

At its heart the band dramas were about Lennon and loyalty to The Beatles brand. His current beatific image is nothing like the man we see in Get Back. In 1969 he was the scruffy guy who’d written songs like Run For Your Life (“I’d rather see you dead, little girl, than to be with another man”) and dumped his wife Cynthia for Yoko. (John singing “I’m in love for the first time” about Yoko must have been comforting for his ex-wife Cynthia and son Julian.)

His pacifist politics are summed up in Revolution (“If you talk about destruction, don’t you know you can count me out”) He liked getting in the face of authority. “Once they’ve got you violent, then they know how to handle you. The only thing they don’t know how to handle is non-violence and humour.”

And he famously debated his popularity versus that of Jesus. There were seams and creases to the man in the studioi who later became the sloppy drunk pal of Harry Nilsson, boozing themselves to oblivion. It wouldn’t be an understatement to say he was the least loveable of The Beatles in his day— an image he was okay with, apparently.

So Lennon would probably hate the people who define him now by Imagine, the song he wrote that has been sanitized by the establishment. Imagine is what you’d get if Karl Marx met Sesame Street

Imagine no possessions

I wonder if you can

No need for greed or hunger

A brotherhood of man

Imagine all the people

Sharin’ all the world?

No possessions? Kids who can’t go ten feet without checking for their iPhone sing this tripe without irony. Remember that Apple’s name and its iconic startup tone are Beatle tributes. There’s more.

Imagine there’s no countries

It isn’t hard to do

Nothing to kill or die for

And no religion too

Imagine all the people

Livin’ life in peace?

This is how we got Facebook censoring the posts of people who might actually prefer borders and religion. (Frankly this is the part I blame on Yoko.) And this verse prefiguring post-1980s marketing.

You may say I’m a dreamer

But I’m not the only one

I hope someday you’ll join us

And the world will live as one

Because Lennon was shot to death by one of his lunatic fans— precluding any second act to his llfe— we now see him as corporatized John, smoothed out to be marketable like Big Macs and Apple tablets. As Jackson shows he was anything but a bite-sized commodity.

Watching Lennon still fascinate the public 40-plus years after his murder suggests one lyric that might serve as epitaph: “It’s not like me to pretend. But I’ll get you, I’ll get you in the end. Yes I will, I’ll get you in the end. Oh yeah.” Get Bak to that.

 

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster (http://www.notthepublicbroadcaster.com). The best-selling author was nominated for the BBN Business Book award of 2020 for Personal Account with Tony Comper. A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, he’s also a regular contributor to Sirius XM Canada Talks Ch. 167. His new book with his son Evan Inexact Science: The Six Most Compelling Draft Years In NHL History is now available on http://brucedowbigginbooks.ca/book-personalaccount.aspx

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