Entertainment
Iconic Canadian band Northern Pikes Sunday at the Krossing

There was a time when the Northern Pikes were one of the hottest bands in the country. It was a time of Blue Rodeo and Grapes of Wrath. The Pikes are all Saskatoon lads who formed in 1984. After 4 years of relentless bars, clubs and demos, they rose to stardom across North America with the release of 1987’s Big Blue Sky. Hit singles like “Teenland”, “Things I Do For Money” and “Dancing In A Danceclub” brought the band’s music to a whole new audience as they became regulars on Much Music and MTV.
I met Jay Semko when in 1987 I moved to Saskatoon to launch a brand new TV station; what is now Global television. Personable, humble, polite, and quiet; he didn’t seem like a typical rockstar. I was already a fan of the band and meeting Jay cemented my interest. I was further hooked the moment I heard Crystal Taliefero of John Mellencamp fame wail at the 1:12 mark of the song “Girl With a Problem”. When I saw the band in concert, I was blown away by their energy and musicianship. They epitomized the hope and promise that the prairies have always held for me. They can do it. So can all of us!
The Northern Pikes have been part of musical fabric in this country for more than 3 decades. In that time, they’ve toured the world, pursued solo projects, notably Jay Semko who in the early 90’s wrote the theme song for what would become Canada’s most successful internationally syndicated TV series, “Due South”. The series was the first Canadian-made drama to debut and air on a major network in the USA (CBS-TV). More than 65 episodes were made from 1993-98.
Jay has 10 solo releases and has recorded with such music luminaries as Garth Hudson (The Band), John Sebastian (Lovin’ Spoonful), Crystal Taliefero (known for her work with John Mellencamp, Bruce Springsteen, etc), Margo Timmins (Cowboy Junkies), Melanie Doane, Ashley MacIsaac, Ken Greer (of Red Rider and the Road Hammers), Bob Egan (of Wilco and Blue Rodeo fame), Serena Ryder, Patricia Conroy, Matt Andersen and Greg Godovitz (Goddo), and worked in the studio with Grammy-winning engineers/producers/mixers Bob Clearmountain, Hugh Padgham, Ed Stasium, and Bob Ludwig.
The Pikes bring their special 30th anniversary edition of their debut album, Big Blue Sky to The Krossing. I know that I, for one, will be right there in the front soaking up some of the most iconic songs Canada produced in the late part of the last century, performed by a band with energy and enthusiasm that is surpassed only by their longevity.
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be

|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||
|
Business
Disney scrambles as young men reject DEI-filled franchises

Quick Hit:
A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.
Key Details:
- Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
- Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
- He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.
Diving Deeper:
In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.
Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.
Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”
The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”
For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”
Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”
“Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
-
COVID-192 days ago
Devastating COVID-19 Vaccine Side Effect Confirmed by New Data: Study
-
Red Deer2 days ago
The City of Red Deer’s Financial Troubles: Here Are The Candidates I Am Voting For And Why.
-
Crime2 days ago
Canadian Sovereignty at Stake: Stunning Testimony at Security Hearing in Ottawa from Sam Cooper
-
Business2 days ago
Canada Post is failing Canadians—time to privatize it
-
Haultain Research2 days ago
Inclusion and Disorder: Unlearned Lessons from Palestinian Protests
-
Business2 days ago
Your $350 Grocery Question: Gouging or Economics?
-
2025 Federal Election8 hours ago
Protestor Behind ‘Longest Ballot’ Chaos targeting Poilievre pontificates to Commons Committee
-
Media2 days ago
Response to any budget sleight of hand will determine which audience media have decided to serve