Death Valley, California. Hotter than Hades by Gerry Feehan
Sans reservation, we arrived at Furnace Creek Campground, 268 feet below sea level. The park ranger informed us unequivocally that the campground was FULL. ‘You’ll have to turn around.’ Feigning a U-turn, I drove in – and immediately found a vacant, primo spot. I sauntered back to the entrance booth and slapped down my 22 bucks.
The light you are seeing left that galaxy over 2,000,000 years ago.’ At this revelation, one family became visibly agitated – and abruptly left the group. As they departed I heard the matriarch exclaim, ‘2,000,000 years. Hasn’t he read the Bible?’
‘Gee, you were lucky,’ the ranger said. ‘Yup, lucky,’ said I. Coincidentally, precisely the same thing had occurred the night before at Stovepipe Wells campground, 30 miles up the road. And, ironically, it was the same lady whose instructions I had disregarded. Fortunately, I am a rather nondescript fellow and she didn’t thwart my advance. I wandered back to our site and set up the BBQ, although I probably could have fried the chicken directly on the searing pavement.
Late, after dinner, as the desert air began to cool, we heard a chewing noise outside the RV. Thinking it might deter intruding varmints, Florence instructed me to pee around the perimeter of the motorhome. A job I was up for. In the morning all was clear. No chewed hoses, flat tires or leaking parts. Feeling secure, we packed lunch and embarked on a stunning, strenuous hike to the summit of Wildrose Peak, 10,000 feet above the salty Death Valley floor. Late in the afternoon we returned, exhausted, to a camper full of… mouse turds.
Turns out our nocturnal intruder was not an external varmint, but one living amongst us. Before bedding down for the night, I set a trap under the sink. After midnight a loud ‘snap’ sounded. One dead mouse. I stepped out into the moonlight and discarded the stiffening carcass. And, my bladder being full, I gave the exterior one last precautionary piss.
The next night we attended an astronomy program outside the Furnace Creek visitor’s center. The topic was the speed of light. ‘For instance,’ the speaker explained, ‘it takes about 8 minutes for light to reach us from the sun. The nearest star is a couple of light years away. Our galaxy is over 100,000 light years across. And that,’ he said, pointing to a small fuzzy patch in the dark sky, ‘is Andromeda. The light you are seeing left that galaxy over 2,000,000 years ago.’ At this revelation, one family became visibly agitated – and abruptly left the group. As they departed I heard the matriarch exclaim, ‘2,000,000 years. Hasn’t he read the Bible?’
After the talk we stayed behind and shared our binoculars with a curious young couple from India. I pointed out some constellations as we chatted. He was a cardiologist, finishing his internship in Pittsburgh. The Indian government had funded a large portion of his education. I asked him if he intended to return to India after completion of his studies – or whether he might remain in the US to mine the riches of America’s fecund medical system.
‘Ah, this is the difficulty,’ he said. ‘Were I to stay, I shall certainly become rather wealthy. But if I return home, I can help a great many people. But there are also some drawbacks. In India the equipment is quite inferior. Also, oftentimes when a doctor operates and the outcome is poor, or perhaps the patient does not survive, the angry family beats the surgeon mercilessly.’ Then, looking up at the magnificent Milky Way and its billion myriad of stars shining onto a California desert, he said, ‘I shall have to ponder this.’
After my rendition of Peaceful Easy Feeling, Nathaniel stood up, stepped behind an enormous eroding rock, and began to weep. After a few minutes, he re-joined us at the fire and approached me for a thankful hug. ‘Sorry, man, but that was so emotional. I haven’t cried like that in forever.’
Out of the dark, a shaggy middle-aged American couple emerged. They introduced themselves as Chuck and Moonbeam. They had just completed their daily sun salutation. Chuck excitedly regaled us with his notion of the universe. ‘I’m an earth, moon, sun type of guy. But Moonbeam, she’s more outer planetary.’ I thought this description odd, given his wife’s moniker, but decided not to quibble over such minor galactic details.
‘Did you know the earth’s magnetic poles are reversing today?’ Moonbeam asked. I tried to explain that any wobble in the earth’s axis would take thousands of years and it would be difficult to note a reverse in polarity, even in a thousand lifetimes. Undeterred, she revealed excitedly, ‘Just this morning my daughter called to say she too felt the vibe.’
We returned to camp. I took out my ukulele. A 30-something fellow scooted by on his long board in the darkness. When he heard me playing, ‘Andrew’ stopped and asked us to join his group at their fire. We acquiesced. Andrew’s friend Nathaniel sat perched on a cahon, beating a deep primeval rhythm to the desert sky. Their female campmates, clad hippie-style in ponchos, danced and twirled, silhouetted by the flickering mesquite blaze.
I struck up a few tunes. After my rendition of Peaceful Easy Feeling, Nathaniel stood up, stepped behind an enormous eroding rock, and began to weep. After a few minutes, he re-joined us at the fire and approached me for a thankful hug. ‘Sorry, man, but that was so emotional. I haven’t cried like that in forever.’
When the evening ended, they all bid us adieu with hands clasped, a bow and a ‘blessings upon you.’ Andrew added, ‘May you have vivid, happy dreams all the night.’ Then we all enjoyed one last hug.
I stumbled back to the trailer, guzzled a beer, and promptly passed out.
None of this is bullshit.
We hope you enjoyed Death Valley, California – Hotter than Hades.
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Click below to read about some of Gerry’s other great travel adventures.
Minority Government passes Bill C10 on internet freedom. Opponents pleading with Senate to block it.
Bill C 10 which is expected to fundamentally affect how Canadians experience the internet, has been hammered through the House of Commons. At 1:30 AM Ottawa time, the minority Liberal Government with help from the BQ and the NDP were able to pass the bill. In opposition were the federal Conservatives and lone Independent MP Jody Wilson-Raybould. The urgency to pass C 10 before an election call expected later this summer resulted in the Liberals actually shutting down debate at the committee level. That’s only happened twice in the history of the country before now! The Liberals also attempted to pass secret amendments which were caught by the Conservatives and ruled “out of order” by the House Speaker.
Why the rush? Opponents are concerned the Liberals, BQ, and NDP are far more concerned with regulating social media use, than they are with boosting individual Canadians creating new content. It appears the urgency has to do with giving themselves the ability to guide internet content, just in time for the federal election campaign.
OpenMedia.org, a group striving to keep the internet “open, affordable, and surveillance-free” calls the government’s bill “outrageously flawed”. The group published an article called “What’s wrong with Bill C 10?” which asks and answers 8 key questions surrounding C 10. The article provides excellent background knowledge for Canadians concerned about the future of the internet.
OpenMedia says the goal of the bill is to expand “Canada’s Broadcasting Act to apply to all streaming audio or video content on the Internet, including Netflix, Spotify, Youtube, and other popular streaming services.” Streaming services will be forced to make higher payments to the Canada Media Fund which would mean higher rates paid for Canadian users. According to OpenMedia streaming services will charge higher Canadian specific fees, and may even avoid Canada altogether.
OpenMedia calls C 10 a “cash-grab for traditional broadcast industries” which actually does nothing to serve the new wave of content creators who could really use a boost on the international stage. As a last ditch attempt to stop the bill, OpenMedia.org is urging Canadians to email the Senate right now to ask for a REAL democratic examination of Bill C-10.
Conservative critic Pierre Poilievre is especially concerned with the federal government giving itself the power to block unapproved ideas from popular content creators like himself, just in time for the next federal election. Surprisingly, and maybe most concerning of all, both OpenMedia and Pierre Poilievre point out the bill ‘DOESN’T ADDRESS WHAT CANADIAN CONTENT IS’. The current definition of “Canadian Content” was last updated in 1984, more than a decade before the internet changed everything.
Alberta’s Distinguished Artist Award Recipients Announced
June 16, 2021
Alberta’s Distinguished Artist Award Recipients Announced
(Calgary, AB) The Lieutenant Governor of Alberta Arts Awards Foundation is pleased to announce that artist Faye HeavyShield (Blood Reserve, Kainaiwa Nation, AB), writer and filmmaker Cheryl Foggo (Calgary, AB), and dance choreographer Vicki Adams Willis (Calgary, AB), have been selected to receive the 2021 Lieutenant Governor of Alberta Distinguished Artist Award.
Arlene Strom, chair of the Lieutenant Governor of Alberta Arts Awards Foundation said, “Albertans can be proud of these three whose contributions have pushed the boundaries of art to reflect Indigenous identity and expression; present a more inclusive and diverse view of Alberta’s history; and define the province as a beacon for jazz dance artists. Each has contributed immeasurably to the development of the province’s artists, arts communities and expanding art disciplines.”
Faye HeavyShield, Visual Arts
Over the past 30 years, Faye HeavyShield has been one of Canada’s pre- eminent artists within Alberta and the Blackfoot Confederacy. Currently living on the Blood Reserve in southwestern Alberta, Faye studied at Alberta University for the Arts in Calgary.
Honouring her Kainaiwa (Blood) Nation, the striking landscape they dwell within and the Blackfoot language which she speaks, Faye HeavyShield’s legacy of three-dimensional art and sculpture including recent installations incorporating photography and delicately constructed paper figures make her a senior figure in the artistic and cultural renaissance of Indigenous nations in the country.
“…My art is a reflection of my environment and personal history as lived in the physical geography of southern Alberta with its prairie grass, river coulees, and wind and an upbringing in the Kainaiwa community. I would say the environment is an extension of myself because it’s always been there, from the time I was a child. It was one of the first things that I saw and smelled. I consider it a part of me. The landscape is an extension of the body because we’re dependent on it, and to flip that, the landscape is dependent on us…” Faye Heavyshield
Beyond her personal practice, Faye is actively involved with her community by working with youth through art programming and creating cultural connections for children in care.
Cheryl Foggo, Playwright, screenwriter, film maker, author
Creating a more inclusive and diverse view of Alberta’s history through her plays, films, books, articles and multi-media presentations has been Cheryl Foggo’s life work. Profiled in Who’s Who in Black Canada and the recipient of the 2008 national Harry Jerome Award for The Arts, Foggo has applied her talent as a researcher and writer to uncovering the compelling but overlooked stories of Alberta’s Black settlers and
cowboys. Most recently, the award winning National Film Board feature- length documentary, John Ware Reclaimed (2020), highlighted an earlier thriving Black community in the province often left out of the history books.
Her seminal, autobiographical book, Pourin’ Down Rain: A Black Woman Claims Her Place In The Canadian West, is a powerful narrative of Foggo’s ancestors’ journey from enslavement in the United States to Western Canada. The book, first published in 1990, received the distinction of a special 30th anniversary reprint in 2020. Her books for young people: Dear Baobab, I Have Been in Danger and One Thing That’s True have garnered many commendations between them, including One Thing That’s True being short-listed for the Governor General’s Award. In addition to her books, Cheryl Foggo has published prose in more than 40 journals and anthologies.
Two new productions of Foggo‘s plays are scheduled in 2021 with the Citadel Theatre in Edmonton and the Urgency Collective in Calgary, and her short play The Sender is currently available through Toronto’s Obsidian Company’s 21 Black Futures Project. As a cultural activist, mentor and volunteer she advocates for writers and Black artists.
Vicki Adams Willis Performing Arts: Dance
Vicki Adams Willis has changed the face of jazz dance in Alberta and Canada. A co-founder nearly 40 years ago of Decidedly Jazz Danceworks (DJD), she is foremost a teacher and choreographer of more than 35 original productions. She is recognized as a true leader in the world of jazz; an acclaimed ground-breaking choreographer who created one of the most unique jazz dance companies in the world, and the key person to ensure Calgary, Alberta as a viable dance centre for serious jazz artists. She has helped to change the very course of the jazz dance art form by influencing students, dancers, musicians and audiences with her strongly researched and brilliantly creative work.
Jazz dance is a misunderstood art form. Born of African parents and of the Black American experience, Vicki Adams Willis acknowledges herself as a guest in this form and has demonstrated her deep understanding of, and utter respect for, the authentic roots and history of jazz through her research, teaching and choreography. The company she co-created in 1984 – Decidedly Jazz Danceworks (DJD) has gained international recognition. It has been referenced in articles, dissertations, anthologies and, most recently, in an award-winning international film: Uprooted–The Journey of Jazz Dance, which had its Canadian premiere at the 2021 Toronto Black Film Festival.
“..These three ground-breaking women have offered important contributions to the arts in Canada. Their creativity has brought new light to their respective disciplines and created countless opportunities for us all to learn, grow and explore fresh ideas. Artists like this are essential to the vibrancy of our communities and we are truly fortunate to have them as cultural leaders in our province and country as a whole…”
Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta
The laureates will each receive a handcrafted medal, a $30,000 award and a two-week residency at the Banff Centre’s Leighton Artist Studios. The awards patron, the Honourable Salma Lakhani Lieutenant Governor of Alberta, will present the awards at a celebration hosted by the Community of Lac La Biche and Portage College, Lac La Biche campus, at an awards event June 10 and 11, 2022.
The awards are funded through an endowment established with private donations and gifts from the Province of Alberta and Government of Canada. The Lieutenant Governor of Alberta serves as honorary patron of the awards. Since its inception, 23 Distinguished Artists and 63 Emerging Artists have been recognized across Alberta with this significant honour. See details at artsawards.ca
The 2021 Distinguished Artists were chosen from nominations received and reviewed by a jury of experts overseen by the Banff Centre for Arts and Creativity. Jurors for the 2021 Distinguished Artist Awards were Mary-Beth Laviolette, visual arts curator and author; John Estacio, 2017 Distinguished Artist and JUNO nominated composer; Seika Boye, scholar, writer, artist and Assistant Professor, University of Toronto, Centre for Drama, Theatre & Performance Studies; Jordan Abel, Nisga’a writer from Vancouver and Assistant Professor in the Department of English and Film Studies at the University of Alberta teaching Indigenous Literatures and Creative Writing.
Click to learn more about the Lieutenant Governor of Alberta Arts Awards Foundation.
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