Because it’s Friday – Here’s WAFFLE NYC – Unbelievable video shot in a moving train
Happy Friday from Todayville!
Here’s a short pick me up that you’ll want to be watching and sharing all weekend. This incredibly talented group is WAFFLE. Their bio is below. You may want to hit up their Facebook page if you just can’t get enough. Get ready for the best subway ride of your life!
WAFFLE (We Are Family For Life Entertainment) is an innovative New York City-Based artist collective from almost all 5 boroughs. The group was founded by Andrew Saunders (Goofy), Yushon Stroughn (Sonic), and Joel Leitch (Aero Ace) in 2011. The inspiration behind the name came from hearing “We Are Family” by Sister Sledge.
Many of the members knew each other in their mid teens through weekly LiteFeet battle events but were in different crews at the time. On their way downtown to these events, they would perform on the subway to be able to pay the entrance fee. You wouldn’t win anything but it was a way to gain exposure in the neighborhood/NYC boroughs. After a while it became very repetitive and the exposure wasn’t enough. Select members from other crews came together with the common goal to branch out and reach a bigger, more diverse audience. What better way to achieve this? Continuing to perform on the NYC subway was just the thing to do and this was the beginning of WAFFLE.
Learning how to work together and taking commuter’s advice built their character as young entrepreneurs and helped save their parents’ money. After a while, other LiteFeet dancers caught on to what WAFFLE was doing routinely. Many were afraid of judgment so they didn’t perform. Other dancers started catching on and non-dancers started copying their daily routines. Many didn’t know how to make the transition from just dancing to actually entertaining. At first people enjoyed the performances but due to the rapid growth, there were more complaints.
Luckily the crew’s mindset was on reaching above ground before this all occurred. The money earned was invested into growing the crew. Buying uniforms & business cards helped separate them from others around this time. The crew would randomly hand out business cards without knowing whom exactly they were given to until people started to reach out. Social media also played a big role in their success.
WAFFLE has also had the opportunity to do work outside of New York City. They’ve traveled to Los Angeles, Atlanta, Paris, Argentina, London, and Turkey. People weren’t exactly familiar with LiteFeet so they would label them as break-dancers and call them “Showtime Dancers,” which is the popular catch phrase for subway performances. Most people had some knowledge of what LiteFeet was but for those who didn’t, a brief explanation was given to them.
LiteFeet is an underground dance style that originated in Harlem in 2005 and ventured into all five boroughs of NYC. Its creativity began once it hit the Bronx. It has even expanded to countries such as Japan, Paris, Argentina, Russia, etc. The term means being light on your feet while dancing. Some of the basic moves of LiteFeet consists of dance trends blended together such as the “Chicken Noodle Soup,” the “Harlem Shake,” “Tone Wop,” and the “Bad One.” There are many more. You can also blend any type of dance style with LiteFeet as long as you use some of the basic moves and lock in. “Lockin’ in” is the term used to describe the finishing move just as a period would end a sentence. What differentiates LiteFeet from any other dance style is the use of props such as sneakers and baseball caps. Using any type of sneakers doesn’t work so Adidas Superstars are favored when doing shoe tricks. Many believe LiteFeet is the rebirth of hip-hop culture not only from dance, but also from the music aspect of it. It has a boom bap feel with an extra kick to it. The thumping beat box tunes is called LiteFeet Music, which mixes hip-hop, funk, electro beat & any other genres with a hip-hop structured sound.
WAFFLE Members Kid The Wiz, Chris Designs, & Lil Live serve as producers to help create the unique sound for the LiteFeet community. People don’t realize that the culture is still growing. WAFFLE’s ultimate goal is to expand the knowledge of LiteFeet and to be a positive influence to everyone around the world
‘A big part of my life’: Orillia mourns hometown legend Gordon Lightfoot
Two men pay respects at Gordon Lightfoot’s Golden Leaves statue at Tudhope Park in Orillia, Ont., on Tuesday, May 2, 2023. Flowers were placed on the tribute after news broke that Lightfoot passed away at 84 years old Monday May 1, 2023. THE CANADIAN PRESS/Christopher Drost
By Sharif Hassan in Orillia
It didn’t take long for the flowers to appear at the statue of Gordon Lightfoot in his Ontario hometown.
The legendary folk musician, claimed by the City of Orillia as its “favourite son,” died of natural causes at a Toronto hospital on Monday at the age of 84.
Barely 24 hours later, Orillia residents stopped by the bronze sculpture of Lightfoot that stands in a city park to pay their respects.
Cam Gardy, who brought yellow flowers to lay at the base of the statue, said his mother went to school with the musician and would tell tales of how he’d perform for students.
“He has been a part of my life as I have grown up,” Gardy said, adding that while he never met Lightfoot personally, he had been to one of his concerts.
“Mr. Lightfoot is iconic, not only to the residents and the city but obviously to the people across Canada.”
Lightfoot put Orillia on the map, Gardy said, and was an “incredible ambassador” for the city.
“He always spoke of his town fondly,” Gardy said.
Joanna Bell, who brought a rose to place at the statue, said she cried when she woke up to news of Lightfoot’s death on Tuesday morning.
“Gordon Lightfoot was a big part of my life, my childhood,” she said, adding that she is one of seven siblings. “He was loved by all of us, and of course he wrote the most beautiful music.”
Lightfoot’s music brings to mind the beauty of Canada, she said.
“He is such a well-respected Canadian,” she said. “That is why I came today, I felt compelled to come.”
Heather Placken, who said she’s been a fan of Lightfoot’s for 40 years, said she only learned of the singer’s death when walking by the entrance of the Orillia park hosting his statue – an announcement had been posted by the entrance.
“I feel really honoured and grateful that I had the opportunity to see him here last summer,” she said.
Lightfoot was more than just a songwriter and musician, she said.
“Every song he has ever written and sang, it tells a story of something significant that everyone of us can relate,” she said.
“He was an amazing individual and for Canadians, to have somebody of that stature to look up to in the music industry is phenomenal.”
Lightfoot was born in Orillia in 1938, sang in a church choir as a boy and dreamed of becoming a jazz musician.
He later emerged from Toronto’s Yorkville folk club scene in the 1960s, and went on to record more than 20 studio albums and hundreds of songs, including “Early Morning Rain,” “Carefree Highway” and “Sundown.”
Orillia Mayor Don McIsaac said Lightfoot was highly regarded in the city.
“His homecoming concerts at the Orillia Opera House and appearances at the Mariposa Folk Festival have always been celebrated by Orillians as they welcomed him home,” the mayor wrote in a statement.
“Many of us who knew him will remember his soft-spoken demeanor, generous personality and infectious laugh.”
There are reminders of Lightfoot throughout Orillia, McIsaac said, noting that the singer’s name graces a city auditorium stage and a trail, while a bust of him sits at the Orillia Opera House, in addition to the sculpture honouring him in the city’s J.B. Tudhope Memorial Park.
“His deep roots in our city are woven into the fabric of Orillia,” McIsaac said. “Our community is mourning together along with the rest of the world.”
The city has lowered its flags to half-mast, the mayor said. Books of condolences for the music icon are available at the Orillia Opera House and Orillia City Centre.
A concert tour to celebrate Lightfoot’s music had been set to begin on Saturday, on the stage named after him at the Orillia Opera House. It will still go ahead, with the show’s creator saying she hopes it will serve as a celebration of Lightfoot’s music and life.
“My band and I were huge fans of Gordon Lightfoot. The reason that we created this concert is because his music has impacted all of our lives so much,” Leisa Way said in an interview.
“He’s just shaped who I am as a Canadian, certainly growing up in northern Ontario, and now it will be very emotional for all of us.”
Way said the concert, called Early Morning Rain: The Legend of Gordon Lightfoot, had premiered for three weeks in February 2020 but the COVID-19 pandemic meant it had to stop.
She said she hopes Saturday’s concert will be a special event for the residents of Orillia.
“There’s nothing that Gordon Lightfoot would love more than knowing that audiences are getting together in theaters and singing along to all of his songs,” she said. “I think he’ll be smiling down on us.”
– with files from Maan Alhmidi in Toronto.
This report by The Canadian Press was first published May 2, 2023.
Antiquities, plucked from storeroom, on Roman Forum display
Archaelogical findings are stored in plastic tubs in the antiquities storeroom inside the Roman Forum in Rome, Wednesday, April 19, 2023. The pieces today on display at the Forum were part of the myriads of findings still kept in the Colosseum storehouse that is not open to the public. (AP Photo/Domenico Stinellis)
By Frances D’emilio in Rome
ROME (AP) — Hundreds of remnants of ancient Roman life — including colored dice, rain gutter decorations depicting mythological figures, and burial offerings 3,000 years old — have long been hidden from public sight. Until now.
For the next few months, a limited number of visitors to the Roman Forum, Colosseum or Palatine Hill can view a tantalizing display of ancient statuettes, urns, even the remarkably well-preserved skeleton of a man who lived in the 10th-century B.C. All the exhibits have been plucked from storerooms in the heart of the Italian capital.
Indeed, so many artifacts are kept in storerooms that “you could open 100 museums,” said Fulvio Coletti, an archaeologist with the Colosseum archaeological park. On Wednesday, Coletti stood at the entrance to a “taberna,” a cavernous space which had served commercial purposes in ancient Roman times and belonged to the palace complex of the 1st-century Emperor Tiberius.
Three such “tabernae” now double as exhibition rooms for once-hidden antiquities. To give an idea of just how many more artifacts are still not on display, curators stacked enormous see-through plastic tubs, chockful of discoveries from some 2,000 years ago and bearing minimalist labels like “Ancient Well B Area of Vesta,” a reference to the temple in the Forum erected to the goddess of the hearth.
One display holds row after row of ancient colored dice — 351 in all — that in the 6th century B.C. were tossed into wells as part of rituals. Also in the exhibit is a decoration from a temple rain-gutter depicting a bearded Silenus, a mythological creature associated with Dionysus, the wine god.
Some artifacts are displayed in showcases custom-made by archaeologist Giacomo Boni, whose excavations in the first years of the 20th century revealed dozens of tombs, including many of children. Some of the tombs dated from as far back as the 10 century B.C., centuries before the construction of the Roman Forum, the center of the city’s political and commercial life, when the city’s inhabitants dwelt in a swampy expanse near the River Tiber.
In one display case is the largely intact skeleton of a man who was a good 1.6 meters tall (about 5-foot-4 inches), on the taller side for his time, in the 10th century B.C. He was buried with some kind of belt, whose bronze clasp survived. Found in his tomb and on display are a scattering of grains, remnants of funeral rites. Layers of mud, formed in Rome’s early days, helped preserve the remains.
The director of the Colosseum’s Archaeological Park said staff were working to make an inventory of artifacts kept in more than 100 storerooms, whose contents up to now have been accessible to academics but few others.
“We want in some way to make objects come to light that otherwise would be invisible to the great public,” Alfonsina Russo, the director, told The Associated Press.
“We’re talking of objects that tell a story, not a big story, but a daily story, a story of daily life,” Russo said.
Every Friday through July, visitors can admire the antiquities pulled out of the storerooms during 90-minute guided tours. The “tabernae” are small exhibition spaces, so only eight visitors can enter during each tour. Reservations are required, and visitors must buy an entrance ticket to the archaeological park. Park officials indicated they hope the initiative can be extended or renewed.
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