Entertainment
3 Questions for John Wing (The Tonight Show, America’s Got Talent, Just For Laughs)
I think it’s safe to say my first large scale comedy show I ever put on was bringing John Wing to town. Two sold out shows back to back in a market that hadn’t really seen that kind of comedy talent in a long time. John had just finished up a stint on America’s Got Talent and I remember thinking “holy heck, he’s actually coming here…”
“I’m not a BARBARIAN, you know!”
– John Wing
Since then I have remained somewhat buds with John and have followed his journey over the last several years. John has performed on the Tonight Show with Jay Leno six times, performed several Just for Laughs and countless other festivals, clubs, cruise ships and more. John is an accomplished author spanning several books and most recently launched his “The Bad Piano Player” podcast.
I caught up with John and gave him the “3 QUESTIONS FOR” treatment.
1) As a Comic who’s normally on tour a huge percentage of the time, what activity if any have you taken up or rekindled to keep the mind occupied?
I started playing the piano three or four hours a day, and planning podcasts. That’s totally what kept me sane. Writing the episodes as well.
2) What’s your favourite memory of being on the Tonight Show?
My first Tonight show was in 1990. Jim McCawley, the guy who booked and wrangled the comics, was holding the curtain, ready to pull it back when I was introduced. We were coming back from commercial. As we did, a couple of seconds before Jay started my intro, McCawley turned to me and said, “Hey, don’t forget your jokes.” I had my set typed out in my suit jacket pocket and I whipped it out for a final scan. Jesus, what an A-hole.
3) Ketchup or no ketchup on your Mac n’ Cheese? Or no Mac n’ Cheese at all?
No Ketchup on anything. I occasionally dip fries in Ketchup one by one, and I like cocktail sauce with shrimp, which is a form of ketchup but never ON anything. I’m not a BARBARIAN, you know!
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
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Business
Disney scrambles as young men reject DEI-filled franchises
Quick Hit:
A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.
Key Details:
- Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
- Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
- He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.
Diving Deeper:
In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.
Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.
Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”
The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”
For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”
Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”
“Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
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