Entertainment
An amazing lineup of headliners awaits at this year’s CFR Cabaret!
The Canadian Finals Rodeo returns to Red Deer October 29th, bringing together the world’s best rodeo athletes and fans from all around! Over six days, you can catch high energy performances in Bareback Riding, Bull Riding, Steer Wrestling, Ladies Barrel Racing, and more!
And the party really kicks off after dark with the CFR Cabaret! As the official post-performance party of the Canadian Finals Rodeo, the Cabaret features some of the hottest acts in country music today!
Even better, entry for the CFR46 Cabaret is free, with the exception of Saturday night’s performance featuring Corb Lund.
Just look at this entertainment lineup!
Tuesday, October 29th – Doc Walker

With over 20 Top 10 singles in total, Doc Walker is one of the most recognized Canadian country acts of the past two decades. The group has received multiple Canadian Country Music Awards, including Fans’ Choice, Group or Duo of the Year, CMT Video of the Year, Single of the Year, and Country Music Program or Special of the Year. In addition, Doc Walker has been nominated for several JUNO Awards for Country Album of the Year, including a win in 2009 for the album Beautiful Life.
Wednesday, October 30th – Bobby Wills

An acclaimed musician with a reputation for writing from the heart, CCMA Award winning artist Bobby Wills (MDM Recordings Inc. / Universal Music Canada) is best known for two things – his signature cowboy hat and a diverse musical personality, combining a classic country sound with a toe-tapping, dynamic twist.
Thursday, October 31st – George Canyon

George Canyon’s accomplishments include CCMA Awards, Juno Awards, ECMA Awards and 12 recorded albums! Canyon is a highly regarded humanitarian, strong supporter of the military, and, most important, a proud father and devoted husband. George Canyon’s latest single is titled ‘Out Of This Town’. Produced by Scott Cooke, it is now available on all streaming and purchasing platforms, and is climbing the charts at Canadian country radio. The single is the first from a forthcoming new album.
Friday, November 1st – The Road Hammers

The highest selling Canadian country band in history, The Road Hammers, are back with a brand-new album, The Squeeze, a compilation of tracks that epitomizes what the band has become known for – a truly synergistic blend of classic rock meets country.
Saturday, November 2nd – Corb Lund

“When you come from generations of ranchers and rodeo people, you can’t help but be influenced by the West,” says award-winning roots country singer Corb Lund. Lund embraces his Western heritage through his music, touching on a range of cowboy themes past and present—from rough-and-tumble tales of lawless frontier saloons, to the somber realities of running a modern family ranch.
This is the only ticketed event at the CFR Cabaret- tickets are $25 each and you can get yours HERE.
Click to find out everything there is to know about the Canadian Finals Rodeo in Red Deer, AB.
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
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Business
Disney scrambles as young men reject DEI-filled franchises
Quick Hit:
A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.
Key Details:
- Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
- Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
- He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.
Diving Deeper:
In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.
Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.
Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”
The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”
For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”
Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”
“Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
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