Entertainment
Pedro Pascal launches attack on J.K. Rowling over biological sex views
 
																								
												
												
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Quick Hit:
Pedro Pascal, star of HBO’s The Last of Us, ignited backlash this week after publicly hurling an expletive-laced insult at author J.K. Rowling in response to her support for a landmark UK ruling that upheld the legal definition of sex as biological. Rowling celebrated the decision, which affirms the rights of women to single-sex spaces—a view shared by many who advocate for the safety and integrity of women’s rights. Pascal, a vocal progressive and LGBTQ+ activist, labeled Rowling a “heinous loser,” aligning himself with calls to boycott HBO’s upcoming Harry Potter reboot.
Pedro Pascal calls J.K. Rowling a “heinous loser” after she celebrated the Supreme Court’s ruling regarding trans women’s legal identities. pic.twitter.com/LEGMD79PjQ
— Pop Base (@PopBase) April 24, 2025
Key Details:
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Pedro Pascal responded on Instagram to Rowling’s post celebrating a UK court ruling that legally defined “sex” as biological. 
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Pascal echoed an activist’s call for a fan-led boycott of the Harry Potter reboot, saying Rowling’s stance was “heinous LOSER behavior.” 
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HBO has downplayed concerns of a boycott, citing the blockbuster success of Hogwarts Legacy despite similar activist campaigns. 
Diving Deeper:
The latest clash in the culture war surrounding Harry Potter author J.K. Rowling and the trans activist movement reached a new level of hostility this week when actor Pedro Pascal, a key face of HBO’s entertainment slate, stooped to name-calling on social media. His remarks came in response to Rowling’s defense of the United Kingdom’s recent court decision, which reaffirmed that sex, under British law, means biological sex—a ruling many women’s rights advocates hailed as a long-overdue step toward protecting vulnerable female spaces such as shelters, hospital wards, and sports.
Rowling, whose views on the importance of distinguishing biological sex from gender identity have made her a target of trans activists for years, posted a pointed but unapologetic reaction: “I love it when a plan comes together.” She added, “I get the same royalties whether you read [my books] or burn them. Enjoy your marshmallows!”
In the comments of a post by activist Tariq Ra’ouf—who had attacked Rowling and promoted a boycott of HBO’s Harry Potter reboot—Pascal added his own vulgar commentary: “Awful disgusting SHIT is exactly right. Heinous LOSER behavior.” While Pascal did not explicitly mention Harry Potter, the post he endorsed included calls to tank all future franchise content, including theme parks and merchandise.
Pascal’s involvement with HBO places the network in a difficult position. As the Emmy-nominated co-lead of The Last of Us, one of HBO’s crown jewels, Pascal’s comments are being widely interpreted as an implicit endorsement of the boycott. While HBO has attempted to downplay the activist push, the tension is palpable. Casey Bloys, HBO’s chief content officer, previously noted that the 2023 video game Hogwarts Legacy, which also faced calls for boycotts due to Rowling’s views, still became the year’s top-selling game.
Pascal’s activism is personal as well as political. His sister, Lux Pascal, publicly transitioned in 2021, and he has frequently signaled support for trans activism. At the UK premiere of Marvel’s Thunderbolts, Pascal wore a shirt that read “Protect the Dolls,” a slogan popularized in trans activist circles.
Rather than “heinous,” Rowling’s remarks represent a reasoned defense of biological reality and a pushback against an increasingly aggressive ideology that demands conformity and punishes dissent. Her critics, like Pascal, resort to vulgarity and character attacks instead of engaging with the substance of her argument. But Rowling has stood firm in supporting women’s rights and advocating for clarity in laws that impact everything from sports to safety in single-sex spaces—positions grounded in truth, not hate.
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
 
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Business
Disney scrambles as young men reject DEI-filled franchises
 
														Quick Hit:
A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.
Key Details:
- Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
- Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
- He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.
Diving Deeper:
In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.
Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.
Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”
The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”
For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”
Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”
“Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
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