Edmonton based; Score G Productions, launched a first of its kind in the world NFT (non-fungible token) project on April 17th. It’s called, Creative Hustler Key. Creative Hustler Key gives buyers through a one-time payment, a lifetime all-access passkey to the Score G Productions. This includes access to a full community of content producers, executive producers, exclusive 3-D NFT artwork, exclusive videos, and even monthly members only access to online workshops featuring creative content producers from around the world. The Creative Hustler Key NFT even offers chances to win access to live in-production sets, access to their studios during editing and post-production, and chances to win tickets and trips to future red-carpet movie premier events. There’s more in the works too. Basically, buyers will get access to Score G Productions’ impressive Rolodex and industry knowledge.
There are only 999 pass keys for sale, once gone, it will never be expanded, with the promise of no copycat versions of this Creative Hustler Key to ever be started by their team.
We asked Score G Productions founder, father of three, married to his high school sweetheart, Edmonton based Adam Scorgie why he’d take on such a huge undertaking when they are already successful in the film production industry? Scorgie replied, “We get calls, emails and social media posts asking us to help people all the time. People approach us at public events, asking for mentorship, internships, contact access, script readings, it is all kind of overwhelming.” Continuing, “I wish I had people I could have called when I was starting out. I knew what I wanted to do, but I knew no one and knew nothing.” Explaining, “This is our pay it forward move. I want to help as many people as possible, in any way I can.”
A huge personal belief for Scorgie is explained, “I like to do things in and as a team; this will be a world’s first team like this. Extremely unique.”
The now, world-wide known and highly respect filmmaker with an extensive library of finished and in-production projects never planned on being a film producer, he in fact, never went to film school. He did however, go to acting school in New York and had credits in voice, as dancer, movie and soap opera acting credits. Things were looking up and moving along nicely.
But then his father, Buddy, got sick, very quickly. At 23, he dropped his dreams of Hollywood fame and fortune, moving back to Kelowna where he was born and raised to take over his dad’s business, Cheetah’s Show Lounge & Bar. Kelowna’s only stripper bar. “I went from 23 to 35 in like six months!” the forced adult entertainment entrepreneur said.
His father passed away after a short health battle.
Then things got “really tough”. A lawsuit was filed against his father’s estate, he had a new partner in the business. While he tried to keep the clothes on his own back and his business afloat; Adam noticed a lot of his patrons, high school friends, same age as himself with cash pouring out of their pockets and stacked high on their tables in the VIP section. They all had 70+ thousand-dollar trucks, 50k Harleys, houses and more. He asked them, what the hell they were all doing to become so rich, so fast? They all said, “We are in the Union, you should join us.”
This was in the height of the multi-billion-dollar BC Bud days. The “Union” was code for underground pot grower for organized crime rings being done at arm’s length. While Adam admits, he did come close to joining the “Union”, he ended up selling his share in the stripper club and put every last cent he had, plus some extra money borrowed from his stepdad into making a full-length documentary movie with his new partner, Vancouver director Brett Harvey. The film was called, The Union: The Business Behind Getting High and it quickly gained a cult following around the world.
And the rest is history! If only it was that easy. Scorgie laughs while reminiscing, “People said I was nuts. I have heard that a lot over the years, especially for just living in Edmonton and not Hollywood.”
He fully expects people to say this again about this unique NFT rollout. Being young and ahead of the curve is nothing new for Adam and his team. Scorgie expands, “We didn’t have any money for PR marketing firms or to pay agents to promote us. So, we did it all on Facebook and other social media platforms.” Continuing, “We had 1.2 million followers on Facebook alone. “Today every production has huge teams of social media specialists, with very expensive detailed marketing plans for social media promotions long before any production even gets close to post-production.”
Scorgie remembers one meeting with Hollywood executives when they were shopping a world-wide release of the final cut of the Union. One said, “Oh isn’t that cute, you have a Facebook page.” Then they saw the Union page had over a million followers for the indie production. Adding, “That got their attention. No one is laughing at us anymore.” Finishing, “And years from now, no one will be over this new NFT project.”
One of Scorgie’s closest friends and partner in Score G Productions, Shane Fennessey, explains more about the Creative Hustler Key project, “There is nothing in the world like what we just launched by offering a real, hands-on community of successful high-quality, award-winning professionals from the film production industry.” Adding, “NFT’s are known for exclusive digital images and video, yes with us you still get exclusive 3-D images that took months to produce and exclusive videos with the purchase of these keys.” Continuing, “What is truly different and very exciting is that this is a utility driven NFT project, a place where professionals will collaborate. It has long-term value too. We are young. As long as we are a business, these keys never expire” Adding, “There are no annual renewal fees, you own the Keys, you can sell them for the going price any time in the future, you can even add them to your estate, they are yours.”
Expanding on the added values of the only 999 keys available, Fennessey says, “We know how to apply for grants, we know where the grants are, we know how to fund-raise for the next project.” Continuing, “We know all the tax credits and other forms of how to finance projects. We are going to share all of this and even more knowledge that we have about this industry.”
In closing Fennessey said, “We love the idea of opening doors for new young Creative Hustlers.” Asked if it will it sell out, “Most likely and very quickly we expect, with no outside advertising or media coverage 10% of the 999 keys sold in just the first 2-hours of the Sunday release.”
Details for how to get involved can be found here; https://creativehustlerkey.com/
Score G Production’s main catalogue;
- Bisping. The Michael Bisping Story (2022)
- Connor McDavid: Whatever It Takes (2020)
- Inmate #1: The Rise of Danny Trejo, (2020)
- Over a Barrel (2019)
- Tough Guy: The Bob Probert Story (2019)
- The Bailey Experience (2019)
- Making Coco: The Grant Fuhr Story (2018)
- Chasing Evel: The Robbie Knievel Story (2017)
- Juarez 2045. A scripted movie. (2017)
- Ice Guardians (2016)
- Soul on Ice: Past, Present and Future (2015)
- The Culture High (2014
- The Good Son: The Life of Ray Boom Boom Mancini (2013)
- I Am Bruce Lee (2012)
- The Union: The Business Behind Getting High (2007)
Reducing funding for RCMP on the table for Saskatchewan amid firearm buyback debate
REGINA — Saskatchewan says it would consider reducing its funding for the RCMP if the force was to help the federal government with its proposed firearms buyback program.
Public Safety Minister Christine Tell says all options are on the table, signalling the province will not help Ottawa collect guns it has banned.
“We as a province fund the RCMP to a tune of 70 per cent, so it could even get more interesting,” Tell said Thursday.
The Saskatchewan Party government said it is pushing back to protect law-abiding firearms owners from what it views as federal intrusion on its provincial autonomy.
Under Ottawa’s proposed firearms buyback program, it would be mandatory for people to have their assault-style firearms rendered inoperable or have them discarded. That could also include centrefire semi-automatic rifles or shotguns designed to accept a detachable magazine that can hold more than five cartridges.
In response, Saskatchewan has introduced its own firearms act to forbid municipalities and police services from receiving federal money to help confiscate firearms.
The proposed law says a municipality, police service or board would have to get written approval from the province’s public safety minister before agreeing to support the federal buyback program.
It also states that Saskatchewan’s chief firearms officer would enforce which federal agent can or cannot confiscate firearms in the province.
“These legal firearm owners are not the ones committing the crimes,” Tell said.
The legislation was tabled Thursday, months after Tell wrote a letter to Assistant Commissioner Rhonda Blackmore, the head of Saskatchewan’s RCMP. It stated that the province would not support the Mounties using provincially funded resources to help confiscate firearms.
Alberta, Manitoba and New Brunswick have sent similar letters to their RCMP forces. They have joined Saskatchewan in asking Ottawa to not use up “scarce RCMP and municipal resources” for its buyback program.
In October, Blackmore said Mounties are service providers, not decision-makers, and any decisions over the buyback program are between the federal and provincial governments.
“As the service provider, we would be the individuals that get our information from them,” Blackmore told The Canadian Press.
That includes if additional resources would be needed by RCMP once the buyback program rolls out.
“It would depend on the level of expectation, and what that looks like, and what the involvement is if there are additional resources,” Blackmore said.
The specific role of the RCMP and the details surrounding the buyback program have not been determined.
On Friday, the Saskatchewan RCMP said it will continue to prioritize front-line services and the safety of communities is its highest priority.
The Saskatchewan Firearms Act also calls for helping firearm owners get fair market value for guns collected through the buyback program and would require all seized firearms to go through forensic and ballistic testing.
The Saskatchewan Wildlife Federation, which advocates for hunters and the protection of the province’s hunting heritage, praised the proposed act, saying it would mitigate the “draconian” federal legislation.
There are approximately 115,000 licensed firearms owners in Saskatchewan, 75,000 of whom may be penalized under the federal government’s policy. That’s about 10 per cent of Saskatchewan’s adult population, the province said.
Saskatchewan’s NDP Opposition has stood united with the government to denounce the program.
“It does not strike the right balance for Saskatchewan,” justice critic Nicole Sarauer said last week in the legislature.
“These amendments are overbroad and capture rifles that have legitimate uses for both hunters and producers in Saskatchewan.”
This report by The Canadian Press was first published Dec. 2, 2022.
Mickey Djuric, The Canadian Press
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