Entertainment
New Music you didn’t know you needed to hear… Or did you?
Music to get you through.
Quarantine is no match for the power of music. What an unprecedented time in our history where LIVE ENTERTAINMENT has come to a screeching halt. Sort of, I mean you can catch it Live Stream. While we are all grateful for such a platform where that can be a possibility, it simply can’t replace intimate in person Live Entertainment.
What are we left with? Well hey, thats up to us individually now isn’t it? WE WILL GET THROUGH THIS, that I’m sure of. I remember just simply listening to my favourite music until my cassettes didn’t work anymore or they were eaten every friggin time I’d try to give it a whirl. Just the act of listening to music could take up hours and hours of my day. Back then I would have done anything to have the access to music that I have now. It’s instant now. Any music we want at our finger tips. I say we start a movement where we dedicate some mental health time to listening to music. Bring back the ‘lay on the floor and stare at the ceiling’ kind of listening to music days.
Not only is it unbelievably therapeutic but there is so much NEW MUSIC right now that is so good!
Heres three albums that are sure to keep you busy, you’ve probably got them on repeat anyways:
1. Eternity Now – Big Sugar
Plain and simple, it’s hard to argue with the signature guitar and vocal sound of Gordie Johnson. Guys like me dream of attaining it daily. The energy Big Sugar produces on and off stage is remarkable. Rock n’ Roll fused with Reggae and Blues that lights a fire in your heart. This album is fresh and relevant. It’s always amazing to see how Big Sugar stays on top of the wave. Turn it up loud, grab a chair for the deck and take a little trip down the new Big Sugar highway that is ‘Eternity Now.’

2. Dog City – Matt Mays
Ooh wee! Matt Mays is one of the best songwriters we’ve been blessed with as Canadians. Matt has a way with words that will bypass everything and hit you right in the soul. This album is a simple raw record that Matt did himself during this quarantine time we’ve been told was the “new normal.” What a great concept on a record. Through the eyes of human kinds best friend. put the headphones on and take this one in with some fresh coffee and baileys. Or whatever…

3. Notes on a Conditional Form – The 1975
Not gonna lie… The 1975 was not an instant appreciation. I mean of course I respected their work etc. I just wasn’t into it. At first. After warming up to the indie weirdness that somehow has crossed into the mainstream I really started to enjoy them and found myself paying more and more attention to their music. Needless to say The 1975 is a trip all its own. Put this on and lay back on the couch, stare up and enjoy. So much to get lost in. Something different.

Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
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Business
Disney scrambles as young men reject DEI-filled franchises
Quick Hit:
A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.
Key Details:
- Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
- Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
- He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.
Diving Deeper:
In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.
Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.
Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”
The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”
For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”
Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”
“Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
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