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Elon Musk funds conservative actress Gina Carano’s wrongful termination lawsuit against Disney

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8 minute read

From LifeSiteNews

By Doug Mainwaring

‘As a sign of X Corp’s commitment to free speech, we’re proud to provide financial support for Gina Carano’s lawsuit,’ said X’s head of business operations.

Actress Gina Carano is suing Disney-owned Lucasfilm for wrongful termination from Star WarsThe Mandalorian, and Elon Musk is paying her legal bills  

Carano was fired in 2021 after she posted to social media, including X (formerly Twitter), conservative opinions on hot-button issues such as gender pronouns usage, Black Lives Matter, election fraud, the COVID-19 lockdowns, and mask mandates.  

Disney “bullied Ms. Carano, trying to force her to conform to their views about cultural and political issues, and when that bullying failed, they fired her,” explained Gene Schaerr, Carano’s attorney, in a statement.  

The suit explains that at one point, Disney/Lucasfilm demanded that Carano “participate in a Zoom call with Lucasfilm president Kathleen Kennedy and 45 employees who identify as part of the LGBTQ+ community, going so far as to say that her willingness to endure such harassment and humiliation was a ‘litmus test’ for her.”  

Following her termination by the entertainment giant, Carano’s agent, United Artists, and her entertainment attorney, dropped her as a client. 

Elon Musk is making good on his promise 

Elon Musk has followed through on the promise he made last fall to fund the legal bills of people treated unfairly by employers over their posts on X/Twitter.      

“As a sign of X Corp’s commitment to free speech, we’re proud to provide financial support for Gina Carano’s lawsuit, empowering her to seek vindication of her free speech rights on X and the ability to work without bullying, harassment, or discrimination,” said Joe Benarroch, X’s head of business operations.  

Carano announced her lawsuit on X on Tuesday: 

After my 20 years of building a career from scratch, and during the regime of former Disney CEO Bob Chapek, Lucasfilm made this statement on Twitter, terminating me from The Mandalorian: “Gina Carano is not currently employed by Lucasfilm & there are no plans for her to be in the future. Nevertheless, her social media posts denigrating people based on their cultural & religious identities are abhorrent & unacceptable.”    

“Nothing could be further from the truth,” explained the MMA fighter turned actress. “The truth is I was being hunted down from everything I posted to every post I liked because I was not in line with the acceptable narrative of the time. My words were consistently twisted to demonize & dehumanize me as an alt right wing extremist. It was a bullying smear campaign aimed at silencing, destroying & making an example out of me.”      

“Artists do not sign away our rights as American citizens when we enter into employment,” she added.  

The 59-page civil suit, which was filed in California federal court, begins with a clever, iconic Star Wars-style introduction:  

A short time ago in a galaxy not so far away, Defendants made it clear that only one orthodoxy in thought, speech, or action was acceptable in their empire, and that those who dared to question or failed to fully comply would not be tolerated. And so it was with Carano. After two highly acclaimed seasons on The Mandalorian as Rebel ranger Cara Dune, Carano was terminated from her role as swiftly as her character’s peaceful home planet of Alderaan had been destroyed by the Death Star in an earlier Star Wars film. And all this because she dared voice her own opinions, on social media platforms and elsewhere, and stood up to the online bully mob who demanded her compliance with their extreme progressive ideology.

Defendants’ wrath over their employees’ social media posts also differed depending on sex. Even though “the Force is female,” Defendants chose to target a woman while looking the other way when it came to men. While Carano was fired, Defendants took no action against male actors who took equally or more vigorous and controversial positions on social media.

But the rule of law still reigns over the Defendants’ empire. And Carano has returned to demand that they be held accountable for their bullying, discriminatory, and retaliatory actions—actions that inflicted not only substantial emotional harm, but millions of dollars in lost income.

The lawsuit cites many examples of appalling social media posts by other Disney/Lucasfilm personalities that went unaddressed and unpunished:  

In several social media posts, original Star Wars star Mark Hamill made comparisons of Americans who support President Trump with Nazis while also asserting that Trump is the KKK’s candidate. 

Co-star Pedro Pascal, who played the role of the Mandalorian, often expressed positive views on the Black Lives Matter movement, LGBTQ+ rights, and protests for abortion rights. He also compared Trump to Hitler.  During Pride Month, 2020, he posted two Disney-owned Muppet characters, Bert and Ernie, drawn as activists waving a transgender and LGBTQ+ pride flag and promoting “Black Lives Matter” and “Defund the Police.”  

Co-star Pedro Pascal’s June 27, 2020 social media post. Schaerr-Jaffe LLP court filing on behalf of Gina Carano

Disney even rehired Guardians of the Galaxy director James Gunn in 2019 after terminating him in 2018 for horrific social media posts years earlier such as “I like when little boys touch me in my silly place,” and “The Expendables was so manly I ****d the ***t out of the little pussy boy next to me! The boys ARE back in town!”  

Yet Disney failed to offer to reinstate Carano, and turned a blind eye to Hamill’s and Pascal’s offensive posts.  

“I would love to pick up where I left off & continue my journey of creating & participating in story-telling, which is my utmost passion & everything I worked so hard for,” said Carano on Tuesday.  “It has been difficult to move forward with the lies & labels stuck on me, backed & encouraged by the most powerful entertainment company in the world.”  

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Censorship Industrial Complex

The FCC Should Let Jimmy Kimmel Be

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Reason.com - Free Minds and Free Markets

Earlier this week, comedian Jimmy Kimmel delivered his monologue, as he does at the beginning of every episode of his show, Jimmy Kimmel Live!. He focused on the reaction to the assassination of conservative media figure Charlie Kirk, and claimed that “the MAGA gang” was “desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them.”

In addition to not being very funny, the observation rested on a false assumption—that the presumed killer, 22-year-old Utah man Tyler Robinson, is a conservative. Incorrect notions about the suspect’s political tribe have remained enduringly popular in liberal media circles; one of the top mainstream liberal Substack writers, Heather Cox Richardson, wrote earlier this week that the motive of the alleged shooter “remains unclear.” This is simply not true: Interviews with Robinson’s friends and family members, as well as text messages between Robinson and his roommate—his transgender romantic partner—paint a clear portrait of a man who found Kirk’s conservative views “harmful.” It’s fine to leave room for new details that further elucidates or complicates this picture, but for now the totality of the available information suggests an essentially left-wing motivation.

While Kimmel is a comedian rather than a newscaster, given how paranoid the mainstream media is about the spread of so-called misinformation, the criticism of Kimmel on this subject was well-deserved. And I had been planning to criticize him in this newsletter all week.

Unfortunately, the story no longer ends there.

Brendan Carr, chair of Federal Communications Commission (FCC), weighed in on the matter; not only did he criticize what Kimmel had to say, he also implicitly threatened the broadcasters. (Kimmel’s show appears on ABC.)

“We can do this the easy way or the hard way,” said Carr during an appearance on conservative influencer Benny Johnson’s podcast. “These companies can find ways to change conduct, to take action, frankly on Kimmel, or there’s going to be additional work for the FCC.”

This was not an idle threat. The FCC licenses broadcast channels, and can fine them or even take them off the air. Moreover, the FCC oversees mergers of companies in the communications space. Nexstar Media, which owns many of the ABC local affiliate stations that air Kimmel, is attempting to acquire Tegna Inc., a rival firm; the FCC needs to okay the deal. There’s a lot at stake, and FCC can make life very difficult for companies that defy it.

And so, on Wednesday night, both Nexstar and Sinclair Broadcast Group—another major telecommunications company—informed ABC that they would not air Kimmel on their affiliate stations. ABC then opted to place the show on indefinite hiatus. (Disclaimer: Nexstar owns Rising, the news show I host for The Hill.)

This is outrageous. Not because Kimmel is gone: Private companies have the right to determine their programming as they see fit, and a washed-up comedian telling lame jokes about a subject he is clearly misinformed on—for a declining number of viewers, as part of a media format that is antiquated and perpetually losing money—is not a recipe for riveting television. Letting Kimmel and the rest of the late night crowd go instinct is perfectly fine. It’s a business decision.

But it shouldn’t be a government decision. By inserting itself into the controversy and appearing to twist the arms of private companies so that they would make editorial decisions that please the Trump administration, the FCC is clearly engaged in a kind of censorship.

As Glenn Greenwald put it, “This shouldn’t be a complicated or difficult dichotomy to understand. Jimmy Kimmel is repulsive, but the state has no role in threatening companies to fire on-air voices it dislikes or who the state believes is spreading “disinformation,” which is exactly what happened here.”

Boneheaded

Moreover, the Trump administrations actions are functionally equivalent to the Biden administration’s attacks on private social media companies, which caused numerous free speech infringements during the COVID-19 pandemic. I explored this subject in great detail in my March 2023 cover story for Reason, “How the CDC Became the Speech Police,” which explored federal officials efforts to coerce Facebook, Google, and X into taking down content. In that article, I reported that social media companies routinely felt compelled to compromise their explicit terms of service as well as their stated commitments to free speech in order to appease both the CDC and the White House itself. I pointed out that threats by President Biden—who accused Facebook of “killing people” when it declined to censor anti-vaccine content—as well as his comms staffers were likely motivating factors behind a whole host of regrettable moderation decisions.

When government employees use the threat of regulation, fines, and other forms of punishment to induce private companies into self-censorship, it’s known as jawboning. Whether the practice violates the First Amendment—which constrains the government’s ability to restrict speech—is not an entirely settled matter. In Murthy v. Missouri, the Supreme Court declined to rule that the Biden administration had violated the First Amendment rights of social media users; the majority decision, however, had to do with standing, and did not actually address the arguments of the plaintiffs. Many free speech scholars rightly believe that the First Amendment rights of private media companies and their users will not be protected until and unless the Court makes clear that this sort of behavior from federal bureaucrats—jawboning—is wrong.

Ironically, FCC chair Carr has strongly denounced jawboning in the past, and in general been a strong supporter of First Amendment rights. He frequently called out the Biden administration for engaging in this very practice.

There is simply no way to square this circle: If it’s wrong for the Biden administration to pressure social media companies to serve the public interest—as defined by Biden—and censor fraught content, then it is wrong for the Trump administration to pressure broadcasters to enforce a Trump-defined public interest.

Shortly after taking office, President Trump issued a praiseworthy executive order on “Restoring Freedom of Speech and Ending Federal Censorship.” The FCC’s present actions are thwarting this very noble work.

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Business

Disney scrambles as young men reject DEI-filled franchises

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MXM logo MxM News

Quick Hit:

A new op-ed argues Disney’s progressive push has driven away the very audience its biggest franchises should naturally attract: young men. Writer Zachary Faria says the company is now scrambling to undo the damage caused by years of prioritizing “diversity, equity, and inclusion” over storytelling.

Key Details:

  • Zachary Faria of the Washington Examiner writes that Disney has made its blockbuster franchises “toxic to young men” through DEI-driven changes.
  • Faria cites examples across Marvel, Star Wars, and Indiana Jones where traditional heroes were replaced, demeaned, or sidelined in favor of “ideological propaganda.”
  • He argues Disney has “no one to blame but itself” for alienating its male audience and is now considering original films to try to win them back.

Diving Deeper:

In a blistering critique published in the Washington Examiner, columnist Zachary Faria argues Disney’s embrace of progressive politics has caused the company to alienate one of its most natural audiences: young men between the ages of 13 and 28. “Disney’s progressive ideology has alienated young men. The company now recognizes that its own franchises are toxic to that audience,” Faria wrote.

Disney executives are reportedly brainstorming ways to bring young men back to theaters, despite owning some of the most male-oriented franchises in modern history. “You would think that this wouldn’t be very difficult: Disney owns Marvel, Star Wars, and Indiana Jones, among other franchises that should all naturally appeal to a younger, male audience,” Faria observed.

Instead, he says the company has used those franchises as vehicles for divisive politics. “Marvel went from being defined by Iron Man, Captain America, and Thor to being defined by mediocre Disney+ series mired in DEI propaganda,” Faria noted. He pointed specifically to the Iron Heart series, where “a young black girl (who is also a criminal) [becomes] the new Iron Man, as she dismisses her predecessor as being nothing more than a privileged rich man.”

The same pattern, he argues, can be seen in Lucasfilm and Indiana Jones. Harrison Ford’s iconic hero was supplanted by a female co-star “who the latest bomb of a film positions as morally superior to him.” Meanwhile, The Acolyte turned the Jedi into villains while portraying “the heroic lesbian space witch cult at the heart of the movie.”

For Faria, this strategy is backfiring. “With those brand names in its pocket, Disney should have been playing on easy mode when it came to winning over young male viewers. Instead, Disney has made those franchises so toxic that it is reportedly looking for original film concepts to win over young men,” he wrote. He added that it is now “easier to come up with a completely original story that will appeal to young men than it is to appeal to them with a Star Wars film.”

Faria concluded with a sharp comparison between the entertainment giant and the political left: “Disney, much like the Democratic Party, has embraced an ideology that belittles and ostracizes young men, and is now facing the reality that young men no longer want anything to do with its brand. Disney is trying to figure out how to win over the people it purposefully alienated over the last several years, and it has no one to blame but itself.”

Disney+ Day” by Anthony Quintano licensed under (CC BY-SA 2.0)
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