Connect with us
[the_ad id="89560"]

Bruce Dowbiggin

Canada’s Great Artists Don’t Need Trudeau’s CRTC To Succeed

Published

8 minute read

“I know who the gatekeepers are. They are still here, telling us in Bill C-11 that we have progressed, that we are more understanding and that our value system has evolved to be inclusive. This statement is a transparent endowment to those whose support they need and whom they desire to influence, but it is a terrible insult to the great writers in my country that I know.” —David Adams Richards

One of the gratifications in writing is finding someone who can express your feelings in a superior fashion. Even more gratifying is when a friend finds the perfect expression of those thoughts. Imagine my happiness to see my old friend David Adams Richards—raconteur, novelist and cranky Canadian loyalist— take the floor in the Senate to defenestrate the execrable Bill C-11. (His prior work helped capsize C-10)

So please forgive us if we quote liberally from his January speech in the upper chamber on the attempt to turn the CRTC into a national ministry for public enlightenment or the culture section of a Central Committee.

David’s lucid, heartfelt resistance to ceding the power of censorship to the sort of bureaucracy that can’t get you a passport or remove fallen trees from a VIA Rail line is impertinent and necessary. These are the very reasons why he— or those like him who complain— will be among the first targeted when some Ottawa trust-fund plutocrat needs a whipping post to hold off truckers or farmers or whichever “others” come next to the doors of Parliament to make the PM’s acquaintance.

A product of New Brunswick’s Miramichi, Richards knows those “others” the prime minister sought to make non-persons. “I grew up in a place in the east of Canada called the Maritimes and have fought for every inch of soil in my fictional world that, for years, dismissed who I was and especially whom I wrote about.”

From his time jousting with the Canada Council or New Brunswick paper pushers he knows the crushing power of bureaucrats and time servers who will want to make themselves, not the artists, the story. “We have filled the world with our talent, but not because of the Minister of Heritage. We have spread our books and movies across the world, but it is not because of some formula. 

“We have insulted so many of our authors, singers, actors and painters by not paying attention to them, and then claiming them when they go somewhere else. They come back to get the Order of Canada and to be feted at Rideau Hall. Drake is known worldwide not because of the Canadian Radio-television and Telecommunications Commission, or CRTC. Thank God Drake was not up to them, or Leonard Cohen or Gordon Lightfoot either.”

This notion of success without a committee is heresy, of course. Particularly in an age where the pews of civil servants are being filled with radicals and quota appointees who see the process, not the outcome, as the point. Twenty years ago the grey suits and time servers on arts panels were often former artists and creators. Now they are virtue-saturated bullies who think the idea of Black Out nights at the theatre represents racial progress.

They, like Mao, believe that unification is achieved through relentless division and struggle “by the socialist system itself”— in other words, under the power and influence of the cult and its doctrine. Artistic expression under C-11 will come to serve the ongoing struggle for a more perfect culture. Those not fitting the prescription will be cast into a snow bank of irrelevance.

Richards hears— and fears— their approach. “I think, overall, we have lately become a land of scapegoaters and finger pointers, offering accusations and shame while believing we are a woke society. Cultural committees are based as much in bias and fear as in anything else. I’ve seen enough artistic committees to know that.”

It was hoped that the gross overreach in the Emergency Measures from this time last year might have swayed Mr. Trudeau and his faculty lounge of compliant stooges from another attempt at locking down more of what was once a liberal, free society. Guess again. Like all good party members and fellow travellers Trudeau’s constituency is elsewhere, not in Canada.

Egged on by the one-world government pep squad the PM believes one flaw disqualifies an entire system. His locked-down mind can’t see that the system flaws he fears so much are in fact the diversity he craves. They signify our vibrancy. He calls it disinformation. “The very bill suggests a favouritism brought forward by a notional knowledge of what Canada should be and what groups we are now allowed to blame.”

Richards concludes, “This is not opening the gate to greatness but only to compliance. The writers I know don’t need to advance to fit an agenda, and neither do the songwriters or bloggers. When this bill mentions how we have evolved, it is simply a suggestion to comply.”

Vive la Resistance C-11.

Sign up today for Not The Public Broadcaster newsletters. Hot takes/ cool slants on sports and current affairs. Have the latest columns delivered to your mail box. Tell your friends to join, too. Always provocative, always independent.  https://share.hsforms.com/16edbhhC3TTKg6jAaRyP7rActsj5

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster  A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, he’s a regular contributor to Sirius XM Canada Talks Ch. 167. Inexact Science: The Six Most Compelling Draft Years In NHL History, his new book with his son Evan, was voted the seventh-best professional hockey book of all time by bookauthority.org . His 2004 book Money Players was voted sixth best on the same list, and is available via http://brucedowbigginbooks.ca/book-personalaccount.aspx

BRUCE DOWBIGGIN Award-winning Author and Broadcaster Bruce Dowbiggin's career is unmatched in Canada for its diversity and breadth of experience . He is currently the editor and publisher of Not The Public Broadcaster website and is also a contributor to SiriusXM Canada Talks. His new book Cap In Hand was released in the fall of 2018. Bruce's career has included successful stints in television, radio and print. A two-time winner of the Gemini Award as Canada's top television sports broadcaster for his work with CBC-TV, Mr. Dowbiggin is also the best-selling author of "Money Players" (finalist for the 2004 National Business Book Award) and two new books-- Ice Storm: The Rise and Fall of the Greatest Vancouver Canucks Team Ever for Greystone Press and Grant Fuhr: Portrait of a Champion for Random House. His ground-breaking investigations into the life and times of Alan Eagleson led to his selection as the winner of the Gemini for Canada's top sportscaster in 1993 and again in 1996. This work earned him the reputation as one of Canada's top investigative journalists in any field. He was a featured columnist for the Calgary Herald (1998-2009) and the Globe & Mail (2009-2013) where his incisive style and wit on sports media and business won him many readers.

Follow Author

Bruce Dowbiggin

Succession Planning: Justin’s Excellent Chinese Adventure

Published on

Continue Reading

Bruce Dowbiggin

The Formidable Superstar, Jim Brown Never Fit Black Or White Stereotypes

Published on

“M***er fuckers be hanging off him. Eight of ‘em be begging Jim, ‘Please, Jim, would you fall down, please? We’re on TV, my kids are watching’.” Richard Pryor  on NFL players trying to tackle Jim Brown in the 1960s. 

The death at 87 of legendary athlete/ film star/ political activist Jim Brown comes just over three months from the death of hockey icon Bobby Hull. Both were alpha males possessed of adonis figures, the essence of vitality in their time. Brown gave up the NFL to become a film star. He went on to champion causes in the black political movement.

Hull went on to sire a HHoF player Brett Hull and work in the cattle industry. He also traded on his stardom. He is still regarded as one of the five most famous Chicago sports figures of all time, up there with Michael Jordan, Dick Butkus, Gayle Sayers and Ernie Banks.

Neither man was without controversy, however. Brown’s name was frequently associated with domestic violence. According to press reports, “On June 9, 1968, Brown, then 32, was booked on suspicion of assault with intent to commit murder against his girlfriend. The arrest occurred when Brown lived in Los Angeles while working as an actor. The woman, a model, was found semiconscious and moaning on a concrete patio 20 feet below the balcony of Brown’s Hollywood apartment.”

There were other incidents with police involvement, many in fact, but you get the drift. Hull, too, had a nasty legacy of domestic assault stemming from incidents involving his first wife. Neither man spent time in jail for the episodes. Hull made some politically insensitive remarks as well.

But, funny thing. When Hull died the Canadian sports press reports dutifully dredged up all his personal business to rebalance the adulation he received in life. As we reported at the time, some people thought that part of his life defined Hull.

But you had to look very hard into the reports of U.S. sports media on Brown’s death this week to find much about his less-attractive side. The praise for his athletic prowess was effusive. Rightly so. But for the liberal sports press that came of age in the 1960s, it was too much to taint Brown’s political legacy by showing his less-flattering past. So they almost universally gave it a pass. In one interview, Bob Costas, the liberal’s liberal in the press box, skirted the issue to dwell on his boyhood memories of Brown.

Wonder why? Those news sources that dared mention it— the New York Times— were lambasted for sullying his reputation with the facts. “It’s the New York Times vs. ESPN for scumbag of the week” is a sampling of the pushback from the sports world.

While playing at Syracuse, Brown was perhaps the greatest lacrosse player in American history before going on to football fame with the Cleveland Browns of the NFL. We can still remember, as Richard Pryor did, the sight of No. 32 dragging defenders along behind him as he set rushing and TD records in a 12-game season— records that are still mostly unassailable. He’s a Top Five NFL player all-time. Colts HOF tight end John Mackey summed up Brown’s style. “He told me, ‘Make sure when anyone tackles you he remembers how much it hurts’.” They did. Vividly.

We can also recall the shocking news that Brown was ditching football in 1966 after nine NFL seasons to star in a Hollywood epic, The Dirty Dozen, with Lee Marvin, John Cassavetes and Donald Sutherland. (He intended to return to the Browns but when they wouldn’t let him miss training camp he retired.)  How would he do? We rushed to see the film. Brown was just fine, dragging his fellow cast members after him like NFL players as he took on the Nazis.

He went on to star in 100 Rifles as Hollywood’s first black action star. Other movies followed. When the glamour of films lost its lustre Brown became an icon for the black political movement. He supported Muhammad Ali in his fight to avoid prison for refusing to serve in Viet Nam. He created camps and schools for black children and was a recurring figure at the seminal moments for black empowerment.

But his philosophy was not today’s Marxist #BLM brand. “We’ve got to get off the emotional stuff and do something that will bring about real change,” he said. “We’ve got to have industries and commercial enterprises and build our own sustaining economic base. Then we can face white folks man-to-man and we can deal.” He was not easily intimidated.

In 2018, Brown and Kanye West met with President Donald Trump to discuss the state of America. Criticized by the black community for the meeting, Brown said, ”we can’t ignore that seat and just call names of the person that’s sitting in it”. Brown called Trump “accessible”, and said that the president was not a racist. The Brown obits in liberal media buried those quotes deep in stories.

Still he scared some folks. Files declassified in 2003 showed that the FBI, the U.S. Secret Service and several police departments had monitored Brown and the Black Economic Union, attempting to smear the group as a source of Communist and radical Muslim extremism. Hillary Clinton would have been proud.

Brown himself was into unapologetic self-improvement as he showed when he went to Pryor’s hospital room after the comedian set himself alight while freebasing. While others soft pedalled their advice Brown made it clear that Pryor had to kick drugs, and that he would help him do so. (As thanks, Pryor later screwed Brown in a film deal that would have brought him millions.)

Brown was unrepentant when confronted about his past. “I’m no angel,” he told The (Cleveland) Plain Dealer in 1970. Regarding the assault allegations, he said, “I’ve never been convicted. I’ve just been harassed. I’ve been hit so much I don’t sting any more… I take it and look my accuser in the eye. I don’t look at my shoes when I talk to anybody. I know what I am. I only have to live with myself.”

That he did. The biggest difference between him and Hull was that the critics of the Golden Jet wanted to get tawdry clicks from his life story. With Brown they wanted him to advertise their Woke selves. That’s a huge and crucial difference in this insane world.

Sign up today for Not The Public Broadcaster newsletters. Hot takes/ cool slants on sports and current affairs. Have the latest columns delivered to your mail box. Tell your friends to join, too. Always provocative, always independent.  https://share.hsforms.com/16edbhhC3TTKg6jAaRyP7rActsj5

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster  A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, he’s a regular contributor to Sirius XM Canada Talks Ch. 167. Inexact Science: The Six Most Compelling Draft Years In NHL History, his new book with his son Evan, was voted the seventh-best professional hockey book of all time by bookauthority.org . His 2004 book Money Players was voted sixth best on the same list, and is available via http://brucedowbigginbooks.ca/book-personalaccount.aspx

Continue Reading

Trending

X