Alberta
Alberta’s 2022 Lt. Governor Emerging Artists Named
Alberta’s 2022 Lt. Governor Emerging Artists Named
The Lieutenant Governor of Alberta Arts Awards Foundation announces awards totaling $110,000 to the 11 recipients of its 2022 Emerging Artist Award.
“When economic times are tough, our artists are particularly vulnerable,” says Foundation Chair, Arlene Strom. “We are thrilled to invest $110,000 this year in advancing the careers of these outstanding artists at the early stages of their professional development.”
2022 Emerging Artist Recipients:
Perpetual Atife Saxophone, Calgary
Vicki Chau Filmmaker, Calgary
Arlan Vriens Violin, Edmonton; Toronto
Eden Tremayne Soprano, Calgary
Omar Mouallem Writer, Edmonton
Trina Moyles Writer, Peace River
Kiona Ligtvoet Visual Arts, Edmonton
Tenaj Williams Actor, Calgary
Ally McIntyre Visual Arts, Edmonton
Moni Brar Writer/Poet, Calgary
Nahanni McKay Visual Arts, Banff
The Award’s patron, Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta AOE, B.Sc., LLD (hon) awarded the 2022 Emerging Artists at a celebration hosted by the County of Lac La Biche and Portage College on June 10, 2022. Each awardee receives a $10,000 cash award, a handcrafted medal and a certificate.
The 11 recipients were selected from 140 applications in an adjudication process overseen by The Banff Centre. The adjudication panel included: Darren Fung, renowned composer based out of Los Angeles, originally from Edmonton; Sean Caulfield, artist and Centennial Professor in the Department of Art & Design at the University of Alberta; Patricia Darbasie, Alberta actor, director and educator; Jenna Butler, 2014 LG Emerging Artist, award-winning author and educator; Derek Beaulieu, Jury Facilitator, Director of Literary Arts at the Banff Centre.
For more information on the awardees visit artsawards.ca
Who are the 2022 Emerging Artists?
Perpetual Atife Saxophonist, Calgary: Perpetual Atife is retelling African stories and music through her practice as a jazz saxophonist and songwriter. Her entrepreneurial spirit and energy are as impressive as her skills as a band leader and performer. The aural tapestry she creates combines her Nigerian roots and the realities she exists in today. Her debut album, a collection of her journey through instrumental music, spoken word and vocal music, is due to be released in the Fall of 2022.
Vicki Chau Filmmaker, Calgary: Vicki Chau is a filmmaker and media artist based in Calgary. Her two short films Pulled Strings and Hearth of the Lion capture a slice of her Chinese-Vietnamese heritage in a beautiful lyrical way. Her family and cultural identity have been a core inspiration in her artistic practice and help her to promote the appreciation of both Chinese and Vietnamese culture through a uniquely Canadian perspective. She was selected for the WarnerMedia Access Festivals Program at Toronto’s Reelworld Film Festival in 2021.
Arlan Vriens, Violin, Edmonton/Toronto: Arlan Vriens is an Edmonton-born classical violinist noted for his ability to evoke strong, emotional performances with difficult, contemporary repertoire that pushes the boundaries of what the instrument was designed to do. Equally at home performing newly-written contemporary works or rediscovering long-lost violin techniques, Arlan is committed to nurturing and critiquing classical music as a living, evolving practice. His chamber music and solo violin projects have been supported by the Canada Council for the Arts and the arts councils of Alberta, Ontario, and Newfoundland.
Eden Tremayne Soprano, Calgary: Eden Tremayne delivers an authenticity and emotional strength that is impressive to see in an emerging opera singer. A soprano with both a strong technical facility and range, she is noted for her stirring performances. For the past three seasons, Ms. Tremayne has been a McPhee Artist with Calgary Opera. She had her Calgary Opera mainstage debut In the 2019-2020 season as Clotilde in Bellini’s Norma and covered Musetta in Puccini’s La bohème. Tremayne was previously featured as an Apprentice Artist with the San Diego Opera and a Yulanda M. Faris Young Artist with Vancouver Opera.
Omar Mouallem Writer, Edmonton: Omar Mouallem has established himself as a talented young journalist and filmmaker to watch. With the arrival of his important new book of non-fiction, Praying to the West: How Muslims Shaped the Americas, he’s an important voice in Canadian literature with a long career ahead. A second-generation Canadian born and raised in Northern Alberta’s Muslim Lebanese community, Mouallem has become known for his ability to intertwine human interest stories with world history and broad social issues. Omar co-authored the national bestseller Inside the Inferno: A Firefighter’s Story of the Brotherhood that Saved Fort McMurray and co-directed Digging in the Dirt (with Dylan Rhys Howard), a raw look at the psychological toll of oil and gas labour.
Trina Moyles Writer, Peace River: Trina Moyles blends journalistic knowledge with literary expertise and a love for the land. She grew up in the northern community of Peace River, Alberta (Treaty 8), where she spent much of her childhood immersed in the boreal forest. Moyles’s first book, Women Who Dig: Farming, Feminism, and the Fight to Feed the World was published in 2018 by the University of Regina Press. Her second book, a memoir and frontline reportage on the increasing prevalence of wildfire in North America, Lookout: Love, Solitude, and Searching for Wildfire in the Boreal Forest, was published in 2021 by Penguin Random House Canada. Lookout won a National Outdoors Book Award in 2021 and has recently been nominated as a finalist for the 2022 Robert Kroetsch City of Edmonton Book Prize and a finalist for the Memoir Award at the 2022 Alberta Literary Awards.
Kiona Ligtvoet Visual Arts, Edmonton: Kiona Ligtvoet looks to experiences with family and the land they live and work on to create paintings, prints and installations that function as both a personal archive, as well as non-linear storytelling. Kiona grew up west of Edmonton near the hamlet of Calahoo where she lived with her moshom and relatives on scrip land. Her family lines are Cree and Métis descending from Michel First Nation, as well as Dutch/ mixed European. Kiona works in painting, printmaking and drawing, recollecting personal stories of grief and tenderness. Most recent exhibitions have been sahkitok mistahi at Ociciwan Contemporary Art Centre (2021), and her solo show, These Are the Things at Latitude 53 (2021). She is currently writing her debut graphic novel We Were Younger Once (2022).
Tenaj Williams Actor, Calgary: Tenaj Williams has built on his community theatre experiences to create a provincial and national footprint as an actor, professionally performing on stages in Alberta and across the country. He has recently branched out into film and television landing roles on various TV series, most prominently the hit CTV comedy show, JANN. Tenaj hopes to further advance his work in the arts and be instrumental in helping to create and foster safe, and brave spaces for diverse and emerging artists. He plans to develop his skills as a director and learn more about theatre production and management.
Ally McIntyre Visual Arts, Edmonton: Ally McIntyre creates bold, powerful paintings that combine passages of abstraction with naturalistic imagery, and which contain moments of aggressive and expressive mark-making, alongside more introspective, sensitive passages of drawing. This blending of visual languages results in highly compelling imagery that fosters unexpected narratives and poetic associations for viewers. Bold and assertive, her works question the prevailing gendered association of large-scale art and expressionism. In 2015, McIntyre was awarded the HIX Award 2015 presented by Tracey Emin and the Jealous Prize 2015. Exhibits include various galleries in London, UK, The Original Print Fair at the Royal Academy, The London Art Fair, Start Art Fair and Art Toronto. She was a finalist in the RBC national painting competition (2018). Her solo exhibition ‘Dog Day Circus’ was featured at the Saatchi Gallery in London, UK (2022). Her work can be found in private collections in Australia, Asia, Europe, and North America.
Moni Brar Writer/Poet, Calgary: Moni Brar has published in many of the most respected journals in Canada and received a number of the top writing awards. A Punjabi Canadian writer exploring diasporan guilt and intergenerational trauma, she is poised to make major contributions to the literary arts in Canada. She has been nominated for the Pushcart Prize and multiple Best of the Net awards and was the winner of the SAAG Arts Writing Prize, runner-up in PRISM international’s Grouse Grind Prize, honourable mention in Room magazine’s Poetry Prize, and a finalist in the Alberta Magazine Awards and the Subnivean Awards. Her work can be found in Best Canadian Poetry 2022, the Literary Review of Canada, Passages North, Prairie Fire, Hobart, and the League of Canadian Poets’ “Poem in Your Pocket” postcard series.
Nahanni McKay Visual Arts, Banff: McKay’s creative practice utilizes photography, digital media, as well as performances in the landscape to explore pressing questions related to environmental change. The work often considers the ways landscape and animals have been depicted historically, particularly in the context of national parks, in order to investigate the complex interrelationship between colonial power structures, identity and ecological degradation and loss. Nahanni uses her photography to bring awareness of the need to coexist with wildlife to prevent further harm to the land we reside on. Exhibits include Personal Structures Exhibition, European Cultural Centre, Venice, Italy (2022), Loop 14, Alberta Foundation for the Arts Travelling Exhibition (2020), EXPOSURE Photography Festival Emerging Artists Showcase, Contemporary Calgary and more.
About The Awards
Founders Fil Fraser, Tommy Banks, John Poole and Jenny Belzberg established the Lieutenant Governor of Alberta Arts Awards Foundation in 2003 to celebrate and promote excellence in the arts. The endowments they established were created with philanthropic dollars and gifts from the Province of Alberta and the Government of Canada. Since its inception in 2003, the Foundation has awarded $1,430,000 to 23 Distinguished Artists and 74 Emerging Artists, all Alberta affiliated. The Foundation administers two awards programs: The Emerging Artist Awards program, established in 2008, gives up to 10 awards of $10,000 each to support and encourage promising artists early in their professional careers. Emerging Artist Awards are given out in even years. The Distinguished Artist Awards program, begun in 2005, gives up to three awards of $30,000 each in recognition of outstanding achievement in, or contribution to, the arts in Alberta. Distinguished Artist Awards are given in odd years.
Alberta
Ottawa’s oil and gas emissions cap will hit Alberta with a wallop
From the Fraser Institute
Even if Canada eliminated all its GHG emissions expected in 2030 due to the federal cap, the emission reduction would equal only four-tenths of one per cent of global emissions—a reduction unlikely to have any impact on the trajectory of the climate in any detectable manner or produce any related environmental, health or safety benefits.
After considerable waiting, the Trudeau government released on Monday draft regulations to cap greenhouse gas (GHG) emissions from Canada’s oil and gas producers.
The proposed regulations would set a cap on GHG emissions equivalent to 35 per cent of the emissions produced in 2019 and create a GHG emissions “cap and trade” system to enable oil and gas producers (who cannot reduce emissions enough to avoid the cap) to buy credits from other producers able to meet the cap. Producers unable to meet the cap will also be able to obtain emission credits (of up to 20 per cent of their needed emission reductions) by investing in decarbonization programs or by buying emission “offsets” in Canada’s carbon markets.
According to the government, the cap will “cap pollution, drive innovation, and create jobs in the oil and gas industry.” But in reality, while the cap may well cap pollution and drive some innovation, according to several recent analyses it won’t create jobs in the oil and gas industry and will in fact kill many jobs.
For example, the Conference Board of Canada think-tank estimates that the cap would reduce Canada’s GDP by up to $1 trillion between 2030 and 2040, kill up to 151,300 jobs across Canada by 2030, and national economic growth from 2023 to 2030 would slow from 15.3 per cent to 14.3 per cent.
Not surprisingly, Alberta would be hardest hit. According to the Board, from 2023 to 2030, the province’s economic growth would fall from an estimated 17.8 per cent to 13.3 per cent and employment growth would fall from 15.8 per cent to 13.6 per cent over the same period. Alberta government revenues from the sector would decline by 4.5 per cent in 2030 compared to a scenario without the cap. As a result, Alberta government revenues would be $4.5 billion lower in nominal terms in fiscal year 2030/31. And between 54,000 to 91,500 of Canada’s job losses would occur in Alberta.
Another study by Deloitte estimates that, due to the federal cap, Alberta will see 3.6 per cent less investment, almost 70,000 fewer jobs, and a 4.5 per cent decrease in the province’s economic output (i.e. GDP) by 2040. Ontario would lose more than 15,000 jobs and $2.3 billion from its economy by 2040. And Quebec would lose more than 3,000 jobs and $0.4 billion from its economy during the same period.
Overall, according to Deloitte, Canada would experience an economic loss equivalent to 1.0 per cent of GDP, translating into lower wages, the loss of nearly 113,000 jobs and a 1.3 per cent reduction in government tax revenues. (For context, Canada’s economic growth in 2023 was only 1.1 per cent.)
And what will Canadians get for all that economic pain?
In my study published last year by the Fraser Institute, I found that, even if Canada eliminated all its GHG emissions expected in 2030 due to the federal cap, the emission reduction would equal only four-tenths of one per cent of global emissions—a reduction unlikely to have any impact on the trajectory of the climate in any detectable manner or produce any related environmental, health or safety benefits.
Clearly, the Trudeau government’s new proposed emissions cap on the oil and gas sector will impose significant harms on Canada’s economy, Canadian workers and our quality of life—and hit Alberta with a wallop. And yet, as a measure intended to avert harmful climate change, it’s purely performative (like many of the government’s other GHG regulations) and will generate too little emission reductions to have any meaningful impact on the climate.
In a world of rational policy development, where the benefits of government regulations are supposed to exceed their costs, policymakers would never consider this proposed cap. The Trudeau government will submit the plan to Parliament, and if the cap becomes law, it will await some other future government to undo the damage inflicted on Canadians and their families.
Author:
Alberta
Edmonton public school board takes action in defiance of Alberta’s proposed pro-family policies
From LifeSiteNews
The Edmonton Public School Board filed a motion against Alberta’s new policies requiring parents to opt in rather than opt out of sex-ed classes and mandating that parental permission is obtained before a student uses a different pronoun.
An Edmonton school board submitted a motion to defy Alberta’s policy requiring parental knowledge if a child goes by different pronouns at school.
On November 5, the Edmonton Public School Board filed a motion against Alberta’s new pro-family policies requiring parents to opt in rather than opt out of sex-ed classes and mandating that parental permission is obtained before a student uses a different pronoun.
“The Division’s current policy on sexual orientation, gender identity and gender expression is part of our mandate to provide a safe, welcoming and healthy school environment for students, staff and families,” the board claimed in the motion sent to the Board of Trustees.
“The policy changes being proposed by Premier Smith will contradict what our Board, and previous Boards of Trustees, have worked hard to ensure: the safety and well being of all children in Edmonton Public schools,” it continued.
The new policies, introduced last week by Alberta Premier Danielle Smith under Bill 27, will mean that sex-education classes will not be included in a child’s education, and teachers or school staff will no longer be allowed to conceal whether a student begins to use different pronouns or names.
Once Bill 27 becomes law, schools must notify parents of what is being taught at least “30 days in advance and be given the opportunity to opt in rather than opt out of this instruction.”
However, while Alberta is working to keep parents informed and children safe from the radical LGBT agenda, the Edmonton board has argued parents must be kept in the dark to prevent them from stopping their children from accepting the falsehoods of the LGBT agenda.
“For transgender youth who choose a name different from the one given at birth, use of their chosen name in multiple contexts affirms their gender identity and reduces mental health risks, which are known to be high in this group,” the board claimed.
However, significant body of evidence shows that “affirming” gender confusion carries serious harms, especially when done with impressionable children who lack the mental development, emotional maturity, and life experience to consider the long-term ramifications of the decisions being pushed on them, or full knowledge about the long-term effects of life-altering, physically transformative, and often irreversible surgical and chemical procedures.
Studies find that more than 80 percent of children suffering gender dysphoria outgrow it on their own by late adolescence and that “transition” procedures, including “reassignment” surgery, fail to resolve gender-confused individuals’ heightened tendency to engage in self-harm and suicide – and even exacerbate it, including by reinforcing their confusion and neglecting the actual root causes of their mental strife.
Additionally, as LifeSiteNews previously reported, many Ontario parents revealed that public schools did not ask for parental consent before “gender transitioning” their children, resulting in child-parent relationships being destroyed.
Furthermore, many teachers struggle to keep secret from parents. A Saskatchewan teacher who wished to remain anonymous previously told LifeSiteNews that she feels guilty about keeping secrets from parents and supports the decision to keep parents informed.
“I fear that we are not supporting students or parents when we keep secrets,” she explained. “We have many students using alternate names, which sometimes changes frequently during the year, and then are asked by parents if we were aware of the changes after the fact. I feel responsible for keeping the secret and I don’t think it’s fair. I think schools are already taking on too many ‘parent roles’ and it’s important that parents play the ‘parent role’ not teachers!”
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