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Calgary

Alberta now sits at the children’s table?

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It was but a few years ago, I felt that Alberta was sitting at the adult table. We were participating in adult conversations, looking for adult solutions to adult issues. Not anymore.

Not only does it seem like we are sitting at the children’s table, but a table of some other generation and I would go so far as possibly,  the table of some backward southern state.

In those same states, would they be insulted if you said they were like Alberta?

Investors, bankers, shareholders, fund managers and others are looking to invest in the future. Alberta appears to be only interested in the past investments.

Science, intellectuals, and human compassion are secondary to oil and gas. Disclosure: I made a lot of money in the O&G sector. The future is not oil & gas, though it is a vital industry it is only a sector of the economy and not “THE” economy.

I have contacts across this country, and I notice the nuances that suggest Alberta is sitting at the children’s table.

The fighting with doctors, nurses, teachers, environmentalists, high tech developers, arts & entertainment sectors, make life appear untenable for investors and professionals.

If you moved your company to Alberta, will the employees follow or stay behind with their education, health and recreational needs met?

Will you have to hire new employees and move them to Alberta? Will these employees be on the move when they start having children?

I talk to one Albertan who said she loved her community until her child turned 5. Another Albertan said she had an awakening when her career took her out of Alberta. One former Albertan laughed when I mentioned working remotely, at home, in Alberta. He said he couldn’t because he still needed to talk to other professionals.

In such a short time, I get the feeling that Alberta has been relegated to the children’s table.

Will we make it back to the adult table, or is that wishful thinking? Probably, at least for now.

 

Political editor/writer and retired oilfield supervisor

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Alberta

Graffiti artist completes world’s tallest mural in downtown Calgary

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CALGARY — It looms on the edge of downtown a stone’s throw from the Calgary Tower,  a splash of colour amid aging buildings, railway tracks, parkades and a steady stream of traffic.

It’s billed as the world’s tallest mural, painted by one of the globe’s top graffiti artists, and is part of a project to turn an austere area of downtown into an expansive open-air urban art gallery.

“The brutalism and dystopian look of this area with the giant parkades and the spiral ramps and stuff — it feels like Gotham. So turning this wall from concrete nothing to this is really fun,” said Peter Oliver, president of the Beltline Urban Murals Project, or BUMP.

The mural is an abstract painting in various shades of orange, black, grey, blue, white and yellow and is the creation of DAIM, an internationally renowned German artist. DAIM, whose real name is Mirko Reisser, has been creating public artworks for more than 30 years.

“DAIM’s work is rooted in graffiti art. It’s abstract and he was actually the very first graffiti artist to start exploring three-dimensional works. So his work kind of obeys the laws of light and shadow but defies the laws of gravity,” Oliver said.

“I think his work really marries well with the brutalism of this building and it’s just a massive flat wall of concrete. It’s the very first prefabricated concrete building in Calgary, built in 1980.”

The mural is 95 metres high, making it the tallest mural in the world “by a long shot,” said Oliver.

He said most cities don’t have giant concrete walls available, with the majority being glass, steel or aluminum. So this was a perfect marriage.

DAIM, who was assisted by three local artists, spent over three weeks painting and went through more than 500 cans of spray paint after a base coat was added to the bare concrete. It is to be a permanent addition to the area and, as of last week, was awaiting a coat of UV sealant to make it complete.

Facing toward the east, it can be seen from a long way away.

“If you’ve got the window seat on the airplane, you can see it on the approach into the airport,” Oliver said.

“I think what we’re really doing with BUMP is re-architecting the identity of this city.”

The project will be unveiling about 60 new murals during its annual festival, which runs from Aug. 1 to 28. Before that, the new art work can be viewed by visitors at the annual Calgary Stampede, which begins this week.

“If you’re coming down, I’d check this out over the parade any day,” Oliver said with a chuckle.

This report by The Canadian Press was first published July 4, 2022.

Bill Graveland, The Canadian Press

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Alberta

Calgary Stampede receives $10M from federal government to aid recovery from pandemic

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Calgary – The Calgary Stampede has received more than $10 million from the federal government to help it bounce back after last year’s event was scaled down due to the COVID-19 pandemic.

A report to the city this week showed the Stampede had an operating loss of $8.3 million in 2021.

Last year’s Stampede ran at half capacity because of COVID-19 public health measures and was cancelled all-together the year before.

Daniel Vandal, the federal minister for Prairies Economic Development Canada, says the money aims to support a full-scale Stampede to deliver the “authentic western experience” this year.

He says it would also help to reignite Alberta’s visitor economy.

The 2022 Stampede is set to run from July 8 to 17.

“Festivals large and small were hard hit during the pandemic,” Vandal said in a news release. “They are events where families and friends come together and take in the exciting atmosphere.

“The tourism industry is facing a strong comeback providing quality jobs across the country, showcasing stunning landscapes and offering exciting experiences right here in Alberta.”

The federal government also provided about $1.8 million for four other tourism projects in southern Alberta: Charmed Resorts, Cochrane Tourism Association, Heritage Park and Tourism Calgary.

This report by The Canadian Press was first published June 30, 2022.

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