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National Entertainment

From ‘Tom Jones’ to ‘Skyfall’: star Albert Finney dies at 82

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LONDON — Albert Finney, the charismatic Academy Award-nominated British actor who starred in films from “Tom Jones” to “Skyfall,” has died. He was 82.

Finney’s family said Friday that he “passed away peacefully after a short illness with those closest to him by his side.” He died Thursday from a chest infection at the Royal Marsden Hospital in London.

Finney was a rare star who managed to avoid the Hollywood limelight for more than five decades after bursting to international fame in 1963 in the title role of “Tom Jones.”

The film gained him the first of five Oscar nominations. Others followed for “Murder on the Orient Express,” ”The Dresser,” ”Under the Volcano” and “Erin Brockovich.”

In later years he brought authority to action movies, including the James Bond thriller “Skyfall” and two of the Bourne films.

Displaying the versatility of a virtuoso, Finney portrayed Winston Churchill, Pope John Paul II, a southern American lawyer, an Irish gangster and an 18th-century rogue, among dozens of other roles over the years. There was no “Albert Finney”-type character that he returned to again and again.

In one of his final roles, as the gruff Scotsman Kincade in “Skyfall,” he shared significant screen time with Daniel Craig as Bond and Judi Dench as M, turning the film’s final scenes into a master class of character acting.

Although Finney rarely discussed his personal life, he told the Manchester Evening News in 2012 that he had been treated for kidney cancer for five years, undergoing surgery and chemotherapy.

He also explained why he had not attended the Academy Awards in Los Angeles even when he was nominated for the film world’s top prize.

“It seems silly to go over there and beg for an award,” he told the paper.

The son of a bookmaker, Finney was born May 9, 1936, and grew up in northern England on the outskirts of Manchester. He took to the stage at an early age, doing a number of school plays and — despite his lack of connections and his working-class roots — earning a place at London’s prestigious Royal Academy of Dramatic Arts.

He credited the headmaster of his local school, Eric Simms, for recommending that he attend the renowned drama school.

“He’s the reason I am an actor,” Finney said in 2012.

Finney made his first professional turn at 19 and appeared in several TV movies, including “She Stoops to Conquer” in 1956 and “The Claverdon Road Job” the following year.

Soon some critics were hailing him as “the next Laurence Olivier” — a commanding presence who would light up the British stage. Britain’s pre-eminent theatre critic, Kenneth Tynan, called the young Finney a “smouldering young Spencer Tracy” and warned established star Richard Burton about his prowess. In London, Finney excelled both in Shakespeare’s plays and in more contemporary offerings.

Still, the young man seemed determined not to pursue conventional Hollywood stardom. After an extensive screen test, he turned down the chance to play the title role in director David Lean’s epic “Lawrence of Arabia,” clearing the way for fellow RADA graduate Peter O’Toole to take what became a career-defining role.

But stardom came to Finney anyway in “Tom Jones” where he won over audiences worldwide with his good-natured, funny and sensual portrayal of an 18th-century English rogue.

That was the role that introduced Finney to American audiences, and few would forget the lusty, blue-eyed leading man who helped the film win a Best Picture Oscar. Finney also earned his first Best Actor nomination for his efforts and the smash hit turned him into a Hollywood leading man.

Director Tony Richardson said his goal for “Tom Jones” was simply to produce an enjoyable romp.

“No social significance for once,” he said. “No contemporary problems to lay bare. Just a lot of colorful, sexy fun.”

Finney had the good fortune to receive a healthy percentage of the profits from the surprise hit, giving him financial security while he was still in his 20s.

“This is a man from very humble origins who became rich when he was very young,” said Quentin Falk, author of an unauthorized biography of Finney. “It brought him a lot of side benefits. He’s a man who likes to live as well as to act. He enjoys his fine wine and cigars. He’s his own man. I find that rather admirable.”

The actor maintained a healthy skepticism about the British establishment and even turned down a knighthood when it was offered, declining to become Sir Albert. Finney once said he didn’t believe in such honours.

“Maybe people in America think being a ‘Sir’ is a big deal,” he said. “But I think we should all be misters together. I think the ‘Sir’ thing slightly perpetuates one of our diseases in England, which is snobbery. And it also helps keep us ‘quaint,’ which I’m not a great fan of.”

Instead of cashing in by taking lucrative film roles after “Tom Jones,” Finney took a long sabbatical, travelling slowly through the United States, Mexico and the Pacific islands, then returned to the London stage to act in Shakespeare productions and other plays. He won wide acclaim and many awards before returning to film in 1967 to co-star with Audrey Hepburn in “Two for the Road.”

This was to be a familiar pattern, with Finney alternating between film work and stage productions in London and New York.

Finney tackled Charles Dickens in “Scrooge” in 1970, then played Agatha Christie’s super-sleuth Hercule Poirot in “Murder on the Orient Express” — earning his second Best Actor nomination— and even played a werewolf hunter in the cult film “Wolfen” in 1981.

He earned more Best Actor Oscar nominations for his roles in the searing marital drama “Shoot the Moon” in 1982, co-starring with Diane Keaton, and “The Dresser” in 1983. He was nominated again in 1984 for his role as a self-destructive alcoholic in director John Huston’s “Under the Volcano.”

Even during this extraordinary run of great roles, and his critically acclaimed television portrayal of the pope, Finney’s life was not chronicled in People Weekly or other magazines, although the British press was fascinated with his marriage to the sultry French film star Anouk Aimee.

He played in a series of smaller, independent films for a number of years before returning to prominence in 2000 as a southern lawyer in the film “Erin Brockovich,” which starred Julia Roberts. The film helped introduce Finney to a new generation of moviegoers, and the chemistry between the aging lawyer and his young, aggressive assistant earned him yet another Oscar nomination, this time for Best Supporting Actor.

His work also helped propel Roberts to her first Best Actress Oscar. Still, Finney declined to attend the Academy Awards ceremony — possibly damaging his chances at future wins by snubbing Hollywood’s elite.

He went on to star in director Tim Burton’s “Big Fish” and portrayed Britain’s wartime leader, Winston Churchill, in “The Gathering Storm.”

Finney also tried his hand at directing and producing and played a vital role in sustaining British theatre.

The Old Vic theatre said after Finney’s death that his “performances in plays by Shakespeare, Chekhov and other iconic playwrights throughout the ’60s, ’70s and ’80s stand apart as some of the greatest in our 200-year history.”

Finney is survived by his third wife, Pene Delmage, son Simon and two grandchildren. Funeral arrangements weren’t immediately known.

Gregory Katz, The Associated Press




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Alberta

Province adds $335 million over three years to attract more investment from Hollywood

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Action! for Alberta’s film and television industry

Alberta’s screen-based sector has momentum, and Alberta’s government is helping to make the province a magnet for the job-creating film and television industry.

In 2020, Alberta’s government launched the Film and Television Tax Credit, causing the province’s film and television industry to grow in size and reputation. Since then, Alberta has attracted 129 productions with a total production value of $1.7 billion. This growth has resulted in approximately 9,000 direct and indirect jobs for Albertans.

To keep this momentum going, Alberta’s government continues to make changes to the program and increase investment in it. One year after the tax credit was launched, the cap was raised, resulting in a doubling of the province’s film and television sector. Now, Alberta’s government is increasing its investment to a total of $335 million over three years to continue attracting the attention and investment dollars of Hollywood.

“Alberta is experiencing exponential growth in our film and television sector, and we are well on our way to becoming a top Canadian jurisdiction for producers from around the world. Since the introduction of the Film and Television Tax Credit, the film and television sector in Alberta has doubled. Productions reach every part of Alberta – big cities, small towns and rural locations – and use local resources, businesses, accommodations and contractors, supporting thousands of jobs.”

Brian Jean, Minister of Jobs, Economy and Northern Development

As the province’s film and television industry grows, so does the quality and number of Alberta-made productions. To help grow and promote local talent and productions, Alberta’s government is also doubling the funding to the Alberta Made Screen Industries Program. This funding will support local producers and attract productions from around the world to set up shop in Alberta.

“Alberta-made film and television productions showcase Alberta’s unique culture, breathtaking landscapes and stories to audiences across the globe. We are increasing our support to smaller productions because they provide a unique Alberta-made training ground for emerging talent and create local, highly skilled workers in the sector.”

Jason Luan, Minister of Culture

The Film and Television Tax Credit and Alberta Made Screen Industries Program work together to showcase the beauty and diversity of Alberta, create jobs, diversify the economy and support hospitality, service and tourism in the province. These targeted incentives to the film and television industries are helping to ensure Alberta remains the economic engine of Canada for years to come and the next film and television hub.

“The tax credit is central to the success of the industry. This is a competitive industry globally, and here in Alberta we’re fortunate we had the cap removed. Now we can see productions with budgets from $100,000 to well over $100 million. Now that we have a robust production environment, there are more opportunities for people to have well-paying creative jobs.”

Damian Petti, president, I.A.T.S.E. Local 212 Calgary

“The Alberta government has provided supports for the film and television industry that provide certainty. It gives us more flexibility in how we’re moving forward in our film and television work and the way that we’re running our businesses.”

Janet Morhart, COO/co-executive producer, Prairie Dog Film and Television

“Seeing the increase to the Alberta Made Production Grant in the last budget has been fantastic. It will help grow the local industry, which means so much to local performers because that’s where they build their resumés. It allows them to be a working performer, and not take side jobs or a day job somewhere else, and really focus on their craft.”

Tina Alford, branch representative, Alliance of Canadian Cinema, Television and Radio Arts (ACTRA) Alberta

Quick facts

  • According to Statistics Canada data:
    • Every $1 million of production activity in the screen-based production sector creates about 13 Alberta jobs.
    • Every $1 million of government investment under the Film and Television Tax Credit program is expected to support about 85 Alberta jobs.
  • The film and television industry is experiencing significant growth nationally and globally.
  • Every year, Alberta graduates more than 3,000 creative industry professionals from its post-secondary institutions.
  • The production workforce has grown 71 per cent from 2017, or by about 4,000 workers across all positions.
  • Alberta’s Film and Television Tax Credit supports medium- and large-scale productions with costs over $499,999 through a refundable tax credit on eligible Alberta production and labour costs to corporations that produce films, television series and other eligible screen-based productions.
  • The Alberta Made Production Grant supports productions with a budget of up to $499,999.
  • The Alberta Made Screen Industries Program, through the Alberta Made Production Grant, supports smaller productions that do not qualify for the tax credit, covering 25 per cent of eligible Alberta production costs to a maximum of $125,000.
  • Every $1 investment in the Alberta Made Production Grant program generates an additional $4 in economic return.

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Alberta

Edmonton to host “Road to the JUNOS Concert Series” leading up to Juno Awards week

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From Explore Edmonton 

Road to The JUNOS Concert Series Builds Excitement to JUNO Week.

Access and Diversity Key for Fans and Artists.

The JUNOS 2023 Host Committee is excited to announce an Edmonton-based concert series, titled Road to The JUNOS, as a lead-up to The 52nd Annual JUNO Awards Broadcast and JUNO Week from March 9-13.

The concert series will be set in small, intimate venues around Edmonton and feature local and regional artists who one day may end up on the JUNOS stage. Road to The JUNOS is a collaboration between the JUNOS 2023 Edmonton Host Committee, CBC Music and Explore Edmonton. It aims to provide excitement and create momentum leading into Canada’s biggest celebration of music.

The 10-show concert series will run from Monday, February 6 through Tuesday, February 28 at local venues in Edmonton. Of note, the artists playing these events come from a wide variety of backgrounds and genres and offer an opportunity to see some of Canada’s newest and most exciting talent. Fans can be a part of an intimate JUNOS concert with an affordable advance ticket price of only $10.

Road to The JUNOS is possible thanks in part to federal funding through PrairiesCan’s Tourism Relief Fund. This Fund is positioning Canada as a destination of choice for domestic and international travel. PrairiesCan administers the Fund in Alberta.

“Edmonton is a vibrant and dynamic cultural hub and our government’s support for Road to The JUNOS will bring that experience to visitors from across Canada and around the globe. Through the Tourism Relief Fund and our partnership with organizations such as Explore Edmonton, communities across Canada will capitalize on the jobs and economic activity generated through Edmonton’s growing tourism industry.”

– The Honourable Dan Vandal, Minister for PrairiesCan

“Road to The JUNOS is an important step in positioning Edmonton as an all-season destination and celebrating our community’s business and arts districts. I’m proud to see our government supporting Edmonton to build on its leadership in arts and culture while strengthening local tourism activity that benefits businesses in our city.”

– The Honourable Randy Boissonnault, Minister of Tourism and Associate Minister of Finance

“Road to The JUNOS is an exciting opportunity to grow Alberta’s music industry, showcasing local talent to visitors from all parts of Canada. The Alberta government is proud to support this series of concerts that features Alberta’s talent on stage as well as the venues, promoters and other music professionals.”

– The Honourable Jason Luan, Alberta Minister of Culture

“Canada has a long history of producing exceptionally talented musicians. The Road to The JUNOS concert series hopes to help give a platform to some of our up-and-coming artists and audiences a chance to say ‘we saw them when’.”

– Aimée Hill, co-chair, 2023 Host Committee

“Explore Edmonton is proud to support The JUNO Awards in March and we are delighted to be a part of this grassroots concert series. Promoting our local music venues, supporting talented Canadian musicians, and giving Edmontonians quality music experiences at an affordable price is such an important piece to the whole JUNOS experience. And we get to show off a little for the rest of Canada!”

– Traci Bednard, CEO of Explore Edmonton

The JUNOS Experience starts here. For more information and to buy tickets, visit: https://edmonton.junoawards.ca/

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