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ADAM BALDWIN’S No Rest for the Wicked – Raw, Real and Full of Heart!

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4 minute read

“I SPEAK IN RAINBOWS,
IT’S MY NATIVE TONGUE…”

“Let me go insane…” from ‘Half a Mind’ hits my ears over and over and I can’t help but think that it’s exactly what I need to hear right now. In fact this could be one of the most profound heartfelt 23 minutes and 15 seconds of music I’ve heard in a hell of a long time. Yes, I understand that this EP came out last year but wow. Sometimes something pops up and just screams at you to stop and pay attention. Musically that doesn’t always happen for me. As an artist it’s something I strive for. To connect. Adam Baldwin hits the nail right on the head with this rock n roll collection of songs that simply put are incredible and beautiful. It’s rare when honesty meets authenticity and is completely vulnerable.

“BABY MIND YOUR FOOTING,
MY TERRAIN IS DEADLY…”

‘Dark Beside the Dawn’ is absolutely one of the coolest songs ever written. Yes, I said that. The raw integrity that Adam is able to deliver vocally is amazing and reminiscent to the likes of Tom Petty and Bruce Springsteen. Of course Adam is no stranger to the Rock N’ Roll life playing guitar alongside Matt Mays as well as his own legacy that he’s certainly creating. There’s just something so emotionally captivating about this EP that resonates.

I had the pleasure of meeting Adam a couple years back while he was in Red Deer, AB performing with Matt Mays at Bo’s Bar & Stage back when concerts were a thing. Adam gave me nothing but time and sincerity. Which is not always a given amongst peers within the industry so it was a really nice surprise. I could tell immediately that Adam was one of the ones. You know, the “it” quality.

Sometimes tho, you get the “it” combined with organic vulnerability and that transcends. That my friends becomes what we’ve all come to look for in searching for those epic moments of self discovery and realization in life. I call it “Heart.” You ever get that feeling where all of a sudden whether it makes sense or not, it just feels like it doesn’t matter because for that moment, there’s a certain euphoria that just takes over? Me too. Then it’s gone. Fleeting. That’s what this EP does for me but it’s not fleeting. These songs make me feel like I can hold onto it for a little while longer. I like that.

So… If you didn’t know who Adam Baldwin was before reading this now you do, you’re welcome. Take a you day, pull up Adam Baldwin’s No Rest for the Wicked on any major music platform, hit play and then hit repeat! Give yourself a soundtrack and stay well.

  • For all the Adam Baldwin bio and show info you’ll likely wanna check out adambaldwin.ca

Jesse was born in the city of Lethbridge and raised to his teen years in the southern Alberta farming communities of Raymond and Fin Castle, AB. Jesse's early inspirations include the hypnotic sounds of big-name artists such as Jimi Hendrix, The Black Crowes, Elvis Presley, Jerry Lee Lewis, City and Colour, Jack Johnson, Guns 'N' Roses, and Pink Floyd. Jesse is a Blues/Rock/folk/Indie performer who has done his fair share of "paying his dues" opening and touring with such acts as: The Lazys, One Bad Son, Doc Walker, The Odds, The Northern Pikes, The Grapes Of Wrath, Monster Truck, The Age Of Electric, The Wild, Holly McNarland, Econoline Crush, Coal Creek Boys, Wild T & The Spirit, Cara Luft, Carson Cole, Clayton Bellamy (of The Road Hammers), Tupelo Honey, Retrograde, The Smalls, and Mcquaig to name just a few. In 2015 Jesse was awarded the title "Master of Blues Folk Rock" for the 6th Annual Black American Music Awards. Jesse is known for his funky heavy jam style guitar. Big riffs, an impressive vocal sound all his own and the ability to captivate the crowd with ease. His fans have coined the term "no string solo" as he can be consistently found ripping strings off the guitar like they aren't supposed to be there in the first place.

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Alberta

When Sports Stopped – Timely new exhibit at the Alberta Sports Hall of Fame

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New feature exhibit examines “When Sports Stopped.”

Since the beginning of the COVID-19 pandemic Albertans have been adapting to one change after another with little idea when things will return to “normal”. We are living through a historic time. It began with the closing of museums, schools and daycares – forcing families to stay home and employers to accommodate employees working from home. Soon after we saw the closure of businesses and non-essential stores – once more pushing us to stay home and stay safe. Then came the cancellation of sports – from minor leagues where our children competed, to the profeissional leagues suspending play. This was a shock to our systems as we were gearing up for NHL and NBA playoffs and MLB pre-season games.

“I was just about to return to work from my maternity leave when COVID struck and sports stopped. It made me stop and think about what other global events have caused sports to stop? If I was asking these questions then so were many other people.” Comments Breanna Suk, Collections and Exhibit Coordinator. “I came back to work in May with this exhibit already forming in my mind. It got pushed back as we had bigger priorities when I first returned, so seeing it all come together seven months later is a great feeling.”

This new exhibition examines the effects of global events from the Spanish Flu through both World Wars and right up to COVID had on sports. It may seem likely that the postponement of the Utah Jazz – Oklahoma City Thunder NBA game just minutes before tip-off due to Rudy Gobert’s positive COVID test and the subsequent suspension of many professional leagues was a new occurrence. This exhibit highlights multiple past occurrences where international events have brought a stop to sports.

This exhibition is expected to be on display in the museum’s main gallery starting November 20, 2020. Be sure to stop in and see it for yourself.

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Alberta

Update – Your event has been cancelled

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Update:  Ilan appeared with Edmonton radio station 630 CHED’s J’lyn Nye on October 5th, 2020 where they discussed the severe challenges in the live event industry.  You can read Ilan’s original story below.

Click to listen to Ilan Cooley’s interview with J’lyn Nye.

Your Event Has Been Cancelled

By Ilan Cooley

The live event industry is in serious trouble. It was the first sector to go dark due to the pandemic, and it is expected to be the last to be allowed back to work.

The people behind the scenes of your favourite events are the mavericks and risk takers you likely don’t know about. They create the events that make you smile until your face hurts, cheer until you lose your voice, and dance until you can’t stand up. They make the magic that fills your social feeds, and the moments that live in your memories.

You may have gotten an email saying “your event has been cancelled” – they lost their livelihood.

“People don’t understand how bullseye targeted this virus was at our industry,” says Jon Beckett, owner of Production World. “It was a 100% bullseye. You couldn’t hit it more dead centre. It’s not like it hurt us – it took it away. People don’t understand that until you talk to them about your industry.”

Production World Staff

Beckett’s company used to employ 50 people. Having lost more than 200 events so far, they have laid off 35 people. Their 25,000 square foot warehouse contains almost seven million dollars worth of staging, lighting and other production equipment.

“We have to house that inventory,” he says. “It is not like we can sell it.”

Similarly, Fort Saskatchewan based Superior Show Service has two separate warehouses full of rental items nobody currently needs, plus tax bills and insurance due. As a 35-year-old family-run event rental company, they cater to tradeshows and large events. Some of the 35 staff they laid off in March have been hired back after accessing relief programs, but with more than 80 events already cancelled, owner Chris Sisson worries about the future.

“It feels like the carpet kicked out from under you,” he says. “I’ve always been able to provide for a great number of families, not just my own, and today I have no idea how to provide for my own. I have been in this industry my entire life, and now I have no idea what to do. It is truly humbling and dumbfounding.”

Chris Sisson of Superior Show Service

Event promoter Mike Andersson prefers not to dwell on what has been lost, instead focusing on building something consumers will want to come back to when it is over. He knows how to manage complex logistics and bring large groups of people together. Even when faced with severe restrictions for events, his company, Trixstar, was busy creating pandemic proof event manifestos, and blue-sky concepts for safe gatherings.

“When everything came crashing down we were putting up material about what events look like after this, and showing some optimism,” he says. “It is important to get people together and to celebrate.” He admits there are good days and bad days. “It is a rollercoaster of emotions,” he says. “Obviously we feel terrible. It affects us, but it affects so many companies. From the security companies, to the ticketing companies, to the tent company, to the production company – all those people are affected.”

Event photographer Dale MacMillan also worries about the people behind the scenes. He has lost more than 100 days of shooting for professional sporting events, large music events, festivals and fairs, which makes up about 60% of his income, and he knows others are in the same situation.

Dale MacMilon takes event photos like this shot of Trixstar

“There’s a guy sitting out there with probably a quarter section of land and he’s probably got 5500 porta potties that are out at ten to 20 events throughout the month, and he is affected tremendously,” says MacMillan. “I see some of the guys that are usually in the business of trucking the machinery to set up the fairs and festivals that are delivering for Amazon now. I look at all of those people who work the booths to break plates. They are not working at all. How else is a guy who owns a plate breaking booth going to get any other business?”

Even artists like Clayton Bellamy are wondering how to pay their bills. As a successful singer/songwriter and member of Canada’s top country band, The Road Hammers, he wishes the gold records on his wall represented a decent living, but admits there is no money to be made without touring. With up to 90% of his income derived from live shows, and almost no revenue from music streaming, he says he will do whatever it takes to feed his family.

Clayton Bellamy performing (pre-COVID)

“Obviously I have kids and that comes first before anything,” he says. “The main thing to do is to find work.” He also knows lack of touring impacts others. “Our band employs a lot of people. It is not just me on the stage – it is the tour manager, and the person in the office answering the phones at the management company, and the manager. We help employ 50 people. If you think about the industry as a whole, there are a lot of people relying on that trickle-down.”

Clayton Bellamy

Beckett says the model for live events has changed forever.

“If we are going to collapse, then we are going to give it all we can. Right now, we are optimistic that we can somehow find ways to juggle.”

Production World is streaming virtual events to online audiences, and delivering reimagined AHS compliant live events with a mobile stage, video wall, and in-car audio for things like graduations, weddings, movies, drive in music events, and even funerals. They are retrofitting churches for virtual services, and recording content to deliver music and sermons to parishioners.

Sisson suggests his industry should collaborate with government and other industry professionals to develop a plan, like doing events by the hour to control occupancy counts, disinfecting surfaces, contact tracing and testing, and utilizing existing technologies like temperature checks and facial recognition.

“I will be ashamed of our industry if we cannot have something that is approved and a way to conduct ourselves by October,” he says. “At the end of the day there are a lot of livelihoods that need to get looked after.”

MacMillan says the advice his parents gave him to plan for a rainy day was valid. He will get creative with other revenue sources and try to take advantage of programs and subsidies.

“If it helps you along one more month, it is one more month that you can make it until things open up again.”

Bellamy tries to keep his mental health in check by maintaining a rigorous schedule of practicing, writing, and working on existing projects. He plans to finish a new record so he can hit the ground running when touring resumes.

“Right now, I have no income,” he says. “I don’t have a safety net. I don’t have a plan B.”

He says if people want to support their favourite artists they should buy music and merchandise directly, like and share posts and music on social media, and send a letter to the government to help change laws that impact fair pay for artists’ streaming rights.

A return to “normal” is a long way off, and no matter when life starts to feel unrestricted again the world will be altered, and things will be different. Behind the scenes, the event industry not just trying to reinvent itself, it is fighting for survival.

“People don’t think about the human side of it and all that goes into it and all the different companies that come together to produce an event,” says Anderson. “Nobody in the entertainment industry is making a dollar right now. Everyone has to figure out how to survive this, and survive it together. So, my optimism is, I think a lot of companies are going to survive this because they are working together. They are going to support each other once we come out the other side.”

On September 22nd Canadian event industry technicians, suppliers and venues from across the country will Light Up Live events in red to raise awareness for the live event industry – which is still dark.

This article was originally published on September 22, 2020.

www.ilancooley.com

Read more on Todayville.

 

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