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Legendary actress and singer Doris Day dead at 97

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LOS ANGELES — Doris Day, the honey-voiced singer and actress whose film dramas, musicals and innocent sex comedies made her a top star in the 1950s and ’60s and among the most popular screen actresses in history, has died. She was 97.
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  • LOS ANGELES — Doris Day, the honey-voiced singer and actress whose film dramas, musicals and innocent sex comedies made her a top star in the 1950s and ’60s and among the most popular screen actresses in history, has died. She was 97.

    The Doris Day Animal Foundation confirmed Day died early Monday at her Carmel Valley, California, home. The foundation said she was surrounded by close friends.

    “Day had been in excellent physical health for her age, until recently contracting a serious case of pneumonia, resulting in her death,” the foundation said in an emailed statement.

    With her lilting contralto, wholesome blonde beauty and glowing smile, she was a top box office draw and recording artist known for such films as “Pillow Talk” and “That Touch of Mink” and for such songs as “Whatever Will Be, Will Be (Que Sera, Sera)” from the Alfred Hitchcock film “The Man Who Knew Too Much.”

    But over time, she became more than a name above the title: Right down to her cheerful, alliterative stage name, she stood for a time of innocence and G-rated love, a parallel world to her contemporary Marilyn Monroe. The running joke, attributed to both Groucho Marx and actor-composer Oscar Levant, was that they had known Day “before she was a virgin.”

    Day herself was no Doris Day, by choice and by hard luck.

    In “Pillow Talk,” released in 1959 and her first of three films with Rock Hudson, she proudly caught up with what she called “the contemporary in me.” Her 1976 tell-all book, “Doris Day: Her Own Story,” chronicled her money troubles and three failed marriages, contrasting with the happy publicity of her Hollywood career.

    “I have the unfortunate reputation of being Miss Goody Two-Shoes, America’s Virgin, and all that, so I’m afraid it’s going to shock some people for me to say this, but I staunchly believe no two people should get married until they have lived together,” she wrote.

    She never won an Academy Award, but Day was given a Presidential Medal of Freedom in 2004, as George W. Bush declared it “a good day for America when Doris Marianne von Kappelhoff of Evanston, Ohio decided to become an entertainer.”

    In recent years, she spent much of her time advocating for animal rights. Although mostly retired from show business since the 1980s, she still had enough of a following that a 2011 collection of previously unreleased songs, “My Heart,” hit the top 10 in the United Kingdom. The same year, she received a lifetime achievement honour from the Los Angeles Film Critics Association. Friends and supporters lobbied for years to get her an honorary Oscar.

    Born to a music teacher and a housewife, she had dreamed of a dance career, but at age 12, she suffered a crippling accident: a car she was in was hit by a train and her leg was badly broken. Listening to the radio while recuperating, she began singing along with Ella Fitzgerald, “trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.”

    Day began singing in a Cincinnati radio station, then a local nightclub, then in New York. A bandleader changed her name to Day, after the song “Day after Day,” to fit it on a marquee.

    A marriage at 17 to trombonist Al Jorden ended when, she said, he beat her when she was eight months pregnant. She gave birth to her son, Terry, in early 1942. Her second marriage also was short-lived. She returned to Les Brown’s band after the first marriage broke up.

    Her Hollywood career began after she sang at a Hollywood party in 1947. After early stardom as a band singer and a stint at Warner Bros., Day won the best notices of her career with “Love Me or Leave Me,” the story of songstress Ruth Etting and her gangster husband-manager. She initially balked at it, but the 1955 film became a box-office and critical success.

    She followed with another impressive film, Hitchcock’s “The Man Who Knew Too Much,” starring her and James Stewart as an innocent couple ensnared in an international assassination plot. She sings “Que Sera, Sera” just as the story reaches its climax and viewers are beside themselves with suspense. The 1958 comedy “Teacher’s Pet” paired her with an aging Clark Gable as an idealistic college journalism teacher and her student, an old-school newspaper editor.

    But she found her greatest success in slick, stylish sex comedies, beginning with her Oscar-nominated role in “Pillow Talk.” She and Hudson were two New Yorkers who shared a telephone party line and initially hated each other.

    She followed with “The Thrill of It All,” playing a housewife who gains fame as a TV pitchwoman to the chagrin of obstetrician husband James Garner. The nation’s theatre owners voted her the top moneymaking star in 1960, 1962, 1963 and 1964.

    Her first musical hit was the 1945 smash, “Sentimental Journey,” when she was barely in her 20s. Among the other songs she made famous were “Everybody Loves a Lover,” ”Secret Love,” and “It’s Magic,” a song from “Romance on the High Seas,” her first film.

    Critic Gary Giddins called her “the coolest and sexiest female singer of slow-ballads in movie history.”

    “Romance on the High Seas” had been designed for Judy Garland, then Betty Hutton. Both bowed out, and Day, recommended by songwriters Sammy Cahn and Jule Styne, won the role. Warner Bros. cashed in on its new star with a series of musicals, including “My Dream Is Yours,” ”Tea for Two” and “Lullaby of Broadway.” Her dramas included “Young Man with a Horn,” with Kirk Douglas and Lauren Bacall, and “Storm Warning,” with Ronald Reagan and Ginger Rogers.

    Her last film was “With Six You Get Eggroll,” a 1968 comedy about a widow and a widower and the problems they have when blending their families.

    With movies trending for more explicit sex, she turned to television to recoup her finances. “The Doris Day Show” was a moderate success in its 1966-1973 run on CBS.

    Disillusionment grew in the 1960s when she discovered that failed investments by her third husband, Martin Melcher, left her deeply in debt. She eventually won a multimillion-dollar judgment against their lawyer.

    She had married Melcher, who worked in her agent’s office, in 1951. He became her manager, and her son took his name. In most of the films following “Pillow Talk,” Melcher was listed as co-producer. Melcher died in 1969.

    In her autobiography, Day recalled her son, Terry Melcher, telling her the $20 million she had earned had vanished and she owed around $450,000, mostly for taxes.

    In 1974, Day won a $22.8 million judgment against Jerome B. Rosenthal, her lawyer and business manager, for mishandling of her and Melcher’s assets.

    Terry Melcher, who died in 2004, became a songwriter and record producer, working with such stars as the Beach Boys. But he was also famous for an aspiring musician he turned down, Charles Manson. When Manson and his followers embarked on their murderous rampage in 1969, they headed for the house once owned by Melcher and instead came upon actress Sharon Tate and some visitors, all of whom were killed.

    Day married a fourth time at age 52, to businessman Barry Comden in 1976. She lived in Monterey, California, devoting much of her time to the Doris Day Animal Foundation.

    ___

    Associated Press writer Bob Thomas in Los Angeles contributed to this report.

    The Associated Press


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    The hardest choice of this long weekend: Raptors or ‘Game of Thrones’?

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    TORONTO — As a “Game of Thrones” fanatic who is also a devoted Toronto Raptors fan, Oriana Di Nucci finds herself weighing the pros and cons of what to watch this Sunday when the fantasy saga concludes at the same time her beloved team h…


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  • TORONTO — As a “Game of Thrones” fanatic who is also a devoted Toronto Raptors fan, Oriana Di Nucci finds herself weighing the pros and cons of what to watch this Sunday when the fantasy saga concludes at the same time her beloved team hosts its first home game of the NBA Eastern Conference final.

    Despite the ubiquity of on-demand viewing, watching event programming live on a traditional television is still the preferred mode to experience mammoth meme-able moments, says the pop culture junkie. But she is still kicking herself for switching to “Game of Thrones” last Sunday just before Kawhi Leonard scored an astonishing buzzer-beater in Game 7 of the playoffs’ second round.

    This Sunday will feature a similar double-draw, when the most critical moments of the Raptors’ Game 3 will almost certainly overlap with the first half-hour or so of the “Game of Thrones” 80-minute finale.

    But Game 3 is a much different proposition than a deciding Game 7, says Di Nucci, who will risk missing another Raptor moment to watch “Game of Thrones” live with her family.

    “I’m really bad at accidentally spoiling things a lot. It’s not good for me and my friends who hadn’t watched it yet,” she explains, expecting both social media and traditional media to be awash with GoT details Sunday night and Monday morning.

    Despite pronouncements that event television is dead, Di Nucci believes the fear-of-missing-out drives many to the tube, often with friends and family in tow.

    And anyway, the advent of time-shifting and on-demand viewing has addressed remote control battles that would have split family viewing just a few years ago, adds sports fan Keith Morris.

    “I’m in my thirties and I remember back then Dad would have been downstairs watching the game and somebody else that was into the show would have been upstairs,” he says, noting screens are also more likely to run simultaneously in the same room.

    “But now with technology you can kind of do it all.”

    This Sunday, Morris will be at his friend’s condo with about 10 others for what’s primarily considered a GoT finale party. But the game will be on, and he expects most guests to trickle in during the second quarter.

    It’ll be especially hard to avoid Raptors fever when they return home Sunday, even with a “Game of Thrones” finale, he predicts.

    “The city is definitely on fire. We have a chance this year,” says the Missouri-born Morris, also devoted to watching the St. Louis Blues chase the NHL’s Stanley Cup.

    Raptors fan Heba Habib of Pickering, Ont., says the choice isn’t hard for her, since Crave makes “Game of Thrones” available as soon as it airs on HBO at 9 p.m. ET. Generally speaking, she ignores linear broadcast.

    “I’ve never really watched television live. I normally watch on-demand, or I watch whenever I have the time. It’s only live games that I normally watch (live),” says Habib, who’ll join a dozen friends to watch Sunday’s game, followed by “Game of Thrones.”

    She says her parents will stay home to focus on the game. 

    Indeed, the proliferation of mass media has actually made the notion of mass consumption less and less the reality, says York University film professor John McCullough.

    “That’s the contradictory thing,” he chuckles. “It seems we have more mass media at our disposal nowadays but in fact the way that mass media (and) content is produced is actually (encouraging) fragmented audiences.”

    That was certainly the case last week for Di Nucci, who watched the Raptors with her sister and parents on the living room TV until she and her father commandeered the set for “Game of Thrones.”

    Her mom and sister were relegated to an upstairs bedroom to finish the game between the Raptors and visiting Philadelphia 76ers. Di Nucci soon realized that was a mistake “based on their yelling and running around.”

    “The timing was not great, right? sighs the 21-year-old.

    “I wish I saw Kawhi’s last shot live. I wish I saw it in the moment, but it happens. It happens. I’ll be there for the next one. I’ll be there for the next big win.”

    Bell Media says “Game of Thrones” has been averaging 2.5 million viewers each week in its Sunday 9 p.m. ET time slot, with no indication that fans delayed viewing habits for the Raptors.

    Sportsnet says last Sunday’s Game 7 attracted an average audience of 2.2 million viewers, a big jump over a typical game. A peak audience of 3.8 million tuned in to catch Leonard’s buzzer-beater.

    If Di Nucci had another screen available at the time, she expects she would have caught Leonard’s shot but she was using her phone to text a friend during “Game of Thrones,” which was being streamed to the television via her laptop.

    There’s no escaping spoilers when a popular entertainment juggernaut captivates social media, says Meg Wheeler of Toronto. For that reason, “Game of Thrones” trumps all viewing, and did so last Sunday when she convinced her partner to switch from Game 7 to watch the series live.

    “We are both so active on Twitter that we know it’ll get spoiled if we don’t watch it live,” says the 28-year-old, admitting to some regret for missing Leonard’s shot.

    “I don’t feel it was that big of a deal — I’ve seen it now so many times replayed — but there is something special about seeing it happen live. It’s one of those things where you would remember where you were when it happened.”

    Habib, meanwhile, has worked out key house rules for watching a delayed “Game of Thrones”: “Nobody can go on social media.”

    “We’re good. As long as it’s not a blowout, we will always watch Raptors first,” she says.

    Being respectful is key, adds Morris, citing past experience in asserting the difficulty of reading online leaks without spoiling the fun for others.

    “If they’re searching through Twitter or people are live tweeting and they’re reading it and they’re getting spoiled, you can kind of read on their face what’s going on,” he says.

    “That’s when we decided to say: ‘Everyone put your phones on the table and turn them over and for 20 minutes let’s just watch the rest of this game and be present in this Toronto moment.'”

    Cassandra Szklarski, The Canadian Press


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    Rolling Stones to make single Canadian stop in Ontario on North American tour

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    NEW YORK — The Rolling Stones are ready to get back on the road in North America after postponing their tour because Mick Jagger needed medical treatment.
    The rockers announced Thursday the No Filter tour will kick off in Chicago with two shows on…


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  • NEW YORK — The Rolling Stones are ready to get back on the road in North America after postponing their tour because Mick Jagger needed medical treatment.

    The rockers announced Thursday the No Filter tour will kick off in Chicago with two shows on June 21 and 25.

    The band will then make a stop in Canada for a June 29 concert at the outdoor Burl’s Creek Event Grounds in Oro-Medonte, Ont., about 30 kilometres north of Barrie.

    All the cities previously postponed are locked in and there’s a new date in New Orleans.

    Tickets sold for the original dates will be honoured, but those who can’t attend can get refunds by accessing their Ticketmaster accounts.

    The group says in a statement the concerts will feature classic hits such as “Sympathy For The Devil” and “Paint It Black.”

    The No Filter Tour was slated to start April 20 in Miami. However, doctors told the 75-year-old Jagger in late March he couldn’t go on tour.

    The Associated Press


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