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Opinion

Overnight sensation known as Oliver Anthony says “I’m not a good musician, I’m not a very good person” as he turns down multi million dollar offer

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11 minute read

His real name is Christopher Lunsford.  Friends and family just call him Chris. But over the last week or so, millions of people around the world have been introduced to him as Oliver Anthony.  That’s because Chris records music under the name of his grandfather, Oliver Anthony, for a youtube channel called RadioWv (Radio West Virginia).  Back on August 8, Chris was creating music as a hobby he practiced after work and on days off.  But on August 9, a video he recorded for his original song “Rich Men North of Richmond” was loaded on the RadioWv channel.  Within hours, Lunsford’s life was turned upside-down.

Chris Lunsford and “Draven” from RadioWv were sure this was a special song and they were hoping maybe something this good could get a few hundred thousands views.  Well… 21 million views later, Lunsford has reportedly had to contend with about 50,000 online comments, and consider an 8 million dollar recording contract.  Something about this song has touched a nerve.

In case you haven’t heard it yet, here it is on the youtube channel RadioWv.  And this is the description put up by RadioWv.

“When I first came across Oliver Anthony and his music, I was blown away to say the least. He had a whole collection of songs that I could listen to for hours. Oliver resides in Farmville, VA with his 3 dogs and a plot of land he plans on turning into a small farm to raise livestock. We have a whole mess of songs set to release of Oliver for your viewing and listening pleasure, he is truly special and notes his biggest influence as Hank Williams Jr. Oliver wants to give hope to the working class and your average hard working young man who may have lost hope in the grind of trying to get by.” 

The song is written about the struggles of regular folk in Appalachia, but millions of Americans have adopted it as an anthem for their own lives.  The secret sauce behind the success of “Rich Men North of Richmond” certainly has to do with a brilliant title and the haunting melody.  But it’s the heartfelt lyrics that strongly challenge political and corporate power structures which seem to be taking the world by storm.  It’s kicking up a little storm of controversy too.  While many media outlets are calling the song a ‘conservative anthem’, the BBC goes as far as to say the song is the latest in a series of cultural flashpoints that reflect a deeply divided America.

As a songwriter, Lunsford has called on a bitter period in his life to come up with lines like these:

“Livin’ in the new world/ With an old soul/

These rich men north of Richmond/ Lord knows they all just wanna have total control/

Wanna know what you think, wanna know what you do/ And they don’t think you know, but I know that you do/

‘Cause your dollar ain’t s**t and it’s taxed to no end/ ‘Cause of rich men north of Richmond.”

Like it or hate it, the song has rocketed to the top of Country Music charts.  For his part Christopher Lunsford has made two public statements which are no where near as political as his lyrics.  Lunsford recorded the first statement as an update to his sudden success.

Then with the pressure building to address his new audience again, Thursday, Chris Lunsford wrote this thoughtful update on his Oliver Anthony facebook page.

From the Facebook page of Oliver Anthony Music

It’s been difficult as I browse through the 50,000+ messages and emails I’ve received in the last week. The stories that have been shared paint a brutally honest picture. Suicide, addiction, unemployment, anxiety and depression, hopelessness and the list goes on.
I’m sitting in such a weird place in my life right now. I never wanted to be a full time musician, much less sit at the top of the iTunes charts. Draven from RadioWv and I filmed these tunes on my land with the hope that it may hit 300k views. I still don’t quite believe what has went on since we uploaded that. It’s just strange to me.
People in the music industry give me blank stares when I brush off 8 million dollar offers. I don’t want 6 tour buses, 15 tractor trailers and a jet. I don’t want to play stadium shows, I don’t want to be in the spotlight. I wrote the music I wrote because I was suffering with mental health and depression. These songs have connected with millions of people on such a deep level because they’re being sung by someone feeling the words in the very moment they were being sung. No editing, no agent, no bullshit. Just some idiot and his guitar. The style of music that we should have never gotten away from in the first place.
So that being said, I have never taken the time to tell you who I actually am. Here’s a formal introduction:
My legal name is Christopher Anthony Lunsford. My grandfather was Oliver Anthony, and “Oliver Anthony Music” is a dedication not only to him, but 1930’s Appalachia where he was born and raised. Dirt floors, seven kids, hard times. At this point, I’ll gladly go by Oliver because everyone knows me as such. But my friends and family still call me Chris. You can decide for yourself, either is fine.
In 2010, I dropped out of high school at age 17. I have a GED from Spruce Pine, NC. I worked multiple plant jobs in Western NC, my last being at the paper mill in McDowell county. I worked 3rd shift, 6 days a week for $14.50 an hour in a living hell. In 2013, I had a bad fall at work and fractured my skull. It forced me to move back home to Virginia. Due to complications from the injury, it took me 6 months or so before I could work again.
From 2014 until just a few days ago, I’ve worked outside sales in the industrial manufacturing world. My job has taken me all over Virginia and into the Carolinas, getting to know tens of thousands of other blue collar workers on job sites and in factories. Ive spent all day, everyday, for the last 10 years hearing the same story. People are SO damn tired of being neglected, divided and manipulated.
In 2019, I paid $97,500 for the property and still owe about $60,000 on it. I am living in a 27′ camper with a tarp on the roof that I got off of craigslist for $750.
There’s nothing special about me. I’m not a good musician, I’m not a very good person. I’ve spent the last 5 years struggling with mental health and using alcohol to drown it. I am sad to see the world in the state it’s in, with everyone fighting with each other. I have spent many nights feeling hopeless, that the greatest country on Earth is quickly fading away.
That being said, I HATE the way the Internet has divided all of us. The Internet is a parasite, that infects the minds of humans and has their way with them. Hours wasted, goals forgotten, loved ones sitting in houses with each other distracted all day by technology made by the hands of other poor souls in sweat shops in a foreign land.
When is enough, enough? When are we going to fight for what is right again? MILLIONS have died protecting the liberties we have. Freedom of speech is such a precious gift. Never in world history has the world had the freedom it currently does. Don’t let them take it away from you.
Just like those once wandering in the desert, we have lost our way from God and have let false idols distract us and divide us. It’s a damn shame.

It will be interesting to see what happens to Chris Lunsford.  Certainly at some point soon he’ll accept a contract to make enough money to live a comfortable life far removed from the struggling Appalachian behind “Rich Men North of Richmond”.  Millions of new fans affected by his song will hope he never moves too far away.

 

After 15 years as a TV reporter with Global and CBC and as news director of RDTV in Red Deer, Duane set out on his own 2008 as a visual storyteller. During this period, he became fascinated with a burgeoning online world and how it could better serve local communities. This fascination led to Todayville, launched in 2016.

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Business

Pulling back the curtain on the Carney government’s first budget

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From the Fraser Institute

By Jake Fuss and Grady Munro

The Carney government will spend more, run larger deficits and accumulate more debt than was previously planned by the Trudeau government.

In the 1939 film the Wizard of Oz, Dorothy and her companions travel to the Emerald City to meet the famous Wizard of Oz who will solve all their problems. When first entering the Wizard’s chambers, the group sees a giant ghostly head that meets their expectations of the “Great and Powerful Oz.” However, later on in the film (much to their disappointment) we learn that the Wizard is nothing more than an ordinary man operating a machine behind a curtain.

Canadians might feel a similar kind of disappointment about the Carney government’s first budget tabled on Tuesday. Prime Minister Carney promised a “very different approach” than that of his predecessor regarding Ottawa’s finances, and at first glance the budget appears to be this new approach. But when you pull back the curtain, it’s simply an escalation of the same failed fiscal policies Canadians have suffered for the last decade.

For context, the Trudeau government’s approach to government finances was record-high levels of spending, persistent deficits and massive debt accumulation. The Trudeau government created a fiscal mess, and as a “responsible fiscal manager” the Carney government has promised to clean it up.

To that end, the Carney government now separates spending into two categories: “operating spending” and “capital investment.” Capital investment includes any spending or tax expenditure (e.g. tax credits and deductions) that contribute to the production of an asset (e.g. infrastructure, machinery or equipment). Operating spending includes everything else, and is supposed to represent “day-to-day” government spending.

The government plans to balance the “operating budget”—meaning it will match operating spending to revenue—by 2028/29, while leaving capital investments to be financed through borrowing. Importantly, when calculating the operating balance, the government counts revenues that are foregone due to tax expenditures that are considered to be capital investments.

To help find the savings needed to balance its operating budget by 2028/29, the government initiated a “Comprehensive Expenditure Review” this past summer—the budget reveals the review’s results. Part of the review included a long overdue reduction in the size of the federal public service, as the government will cut 16,000 positions this year, and reach a total reduction of almost 40,000 by 2028/29 compared to levels seen two years ago. As a result of this spending review, the budget projects spending in 2028/29 will be $12.8 billion lower than it otherwise would have been.

This is the fiscal picture the Carney government is focusing on, and the one it undoubtedly wants Canadians to focus on, too. When taken at face value, balancing the operating budget, initiating a spending review, cutting the federal bureaucracy, and focusing on greater investment would certainly appear to be a different approach than the Trudeau government—which made no meaningful effort to balance the budget or restrain spending during its tenure, grew the bureaucracy, and allowed business investment to collapse under its watch.

But here’s the problem. When you pull back the curtain, all the rhetoric and accounting changes are just a way to obscure the fact the Carney government will spend more, run larger deficits and accumulate more debt than was previously planned by the Trudeau government.

Both operating spending and capital investment (which represents either additional spending or foregone revenue) impact the bottom line, and by separating the two the Carney government is simply obscuring the true state of Ottawa’s finances. If we ignore the government’s sleight of hand and instead compare total government spending against the revenues that are actually collected, the true size of the budget deficit this year is expected to equal $78.3 billion. Not only is that considerably more than the “operating” deficit the government is focusing on, it’s also nearly double the $42.2 billion deficit that was originally planned by the Trudeau government.

The story is similar for years to come. While the Carney government claims it will balance the operating budget by 2028/29, the overall deficit will be $57.9 billion that year. Over the four years from 2025/26 to 2028/29, overall deficits under the Carney government will equal a combined $265.1 billion. In comparison, the Trudeau government had only planned to run deficits equaling a combined $131.4 billion during those same four years—meaning the Carney government plans to borrow more than twice as much as the Trudeau government.

Driving this increase in borrowing is a combination of lower revenues and higher spending. From 2025/26 to 2028/29, the Carney government expects to collect $70.5 billion fewer revenues than the Trudeau government had previously projected. This difference likely comes down to a combination of the economic impact of U.S. tariffs along with various tax measures implemented by the Carney government that lower revenues (including cancelling a proposed increase to capital gains taxes and cutting the bottom federal personal income tax rate).

On the flip side, the Carney government plans to spend $63.4 billion more in total than the Trudeau government due to the introduction of considerable new spending commitments (notably on defence and housing), and the expectation of higher interest payments on its debt. The reality that spending is only set to rise under the Carney government stands in stark contrast to the prime minister’s rhetoric regarding “austerity” and the “ambitious savings” found by the government’s so-called spending review.

Higher spending and larger deficits will help grow the mountain of federal debt. By 2028/29, the Trudeau government had originally projected that total government debt would reach $2.6 trillion—which, based on the budget forecasts, would represent 72.2 per cent of the overall economy. The Carney government’s fiscal plan now puts total federal debt at $2.8 trillion by 2028/29, or 78.6 per cent of the overall economy. For perspective, the last time total federal debt pushed 80 per cent of the economy was during the 1990s when Canada teetered on the brink of a fiscal crisis.

Finally, the government’s approach to spending and the deficit doesn’t seem to be in line with what Canadians wanted to see from this budget. A poll conducted prior to the budget showed that 69 per cent of respondents felt it’s important for the government to balance the budget, compared to just 27 per cent who supported continued deficit spending. In fact, three out of five respondents felt that too much government spending has contributed to the rising cost of living and inflation—the issue they’re most concerned about.

Like a certain Wizard, Prime Minister Carney has made grand promises to fix many of the serious problems facing Canada. At first glance, the Carney government’s first budget may appear to deliver a new plan that will get federal finances back in order. Just pay no attention to the man behind the curtain.

Jake Fuss

Director, Fiscal Studies, Fraser Institute

Grady Munro

Policy Analyst, Fraser Institute
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International

The capital of capitalism elects a socialist mayor

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New York City — the beating heart of American capitalism — has handed the keys to a socialist. Zohran Mamdani, a 34-year-old Democratic Socialist assemblyman from Queens, captured City Hall on Tuesday night, defeating former Governor Andrew Cuomo and Republican Curtis Sliwa in a bitterly fought three-way contest that upended the city’s political order. The Associated Press called the race less than an hour after polls closed, projecting Mamdani at 50.4% to Cuomo’s 41.3%, with Sliwa finishing a distant third at 7.5%. Mamdani, born in Uganda and raised on Manhattan’s Upper West Side, will become the city’s first Muslim and first openly socialist mayor.

Mamdani’s win marks a generational and ideological break from the city’s past, one that rattled Wall Street, alarmed business leaders, and divided Democrats. A proud member of the Democratic Socialists of America, Mamdani ran as a firebrand reformer promising to “tax the rich” and dismantle the influence of corporate money in city politics — proposals that critics said would cripple New York’s fragile economy. His campaign drew widespread scrutiny for his prior calls to “defund the police” and his harsh criticism of Israel, which led to accusations of antisemitism.

Cuomo’s attempt at a political resurrection fell flat. Despite spending more than $12 million on his independent campaign and receiving support from super PACs pouring in roughly $55 million, the former governor could not overcome the wave of progressive enthusiasm that propelled Mamdani from longshot to frontrunner. In a last-ditch effort to stave off defeat, Cuomo earned late backing from President Trump, outgoing Mayor Eric Adams and a handful of moderate Republicans, including Rep. Mike Lawler, who labeled him “the lesser of two evils.” Even that wasn’t enough.

The election itself was the city’s first serious three-way showdown in decades. Mamdani, Cuomo, and Sliwa clashed repeatedly over crime, affordability, and the future of policing. Cuomo leaned on his executive record and cast himself as a pragmatic problem solver, while Mamdani framed the race as a moral reckoning for a city that, in his words, “forgot who it’s supposed to serve.” His online following, slick digital outreach, and constant street presence helped galvanize younger voters, particularly in Brooklyn and Queens, where turnout surged. Meanwhile, Sliwa — the perennial GOP candidate — failed to broaden his appeal beyond his Guardian Angels base.

As he prepares to take office on January 1, 2026, Mamdani faces steep headwinds. His tax-and-spend agenda will require approval from state lawmakers and Governor Kathy Hochul, who has already rejected the idea of raising taxes. Still, Assembly Speaker Carl Heastie and Senate Majority Leader Andrea Stewart-Cousins have signaled they’ll work with him to advance portions of his sweeping platform. The victory, however, sends a message beyond policy: the city that built capitalism has now chosen a mayor who wants to dismantle it. Whether Zohran Mamdani’s socialist experiment reinvents or wrecks New York will soon be tested in the only arena that matters — reality.

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