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Bruce Dowbiggin

Hollywood Is A Mickey Mouse Operation

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9 minute read

“What did the fingers say to the face? SLAP!” Dave Chappelle as Rick James  

It was the slap heard round the world. (Okay, that part of the world that isn’t invading its neighbour and killing children.) In the middle of the 2022 Oscars presentation Will Smith, 6-foot-1 1/2, 200 pounds, assaulted Chris Rock 5-foot-9, 165 pounds, with an open-handed slap live on stage.

But you already know that.

The stated reason was a joke Rock made about the bald head of Smjth’s wife Jada Pinkett Smith— who suffers from alopecia. But like the guy who kicks his dog after the boss fires him, there is a litany of underlying reasons behind the Smith slap. They range from Smith being openly cuckolded by his wife to his cred as a black man in today’s America..

Clearly the Academy of Screen Arts and Motion Pictures had no idea how to respond. Despite efforts to remove Smith they let the King Richard star remain in the auditorium long enough to perform a tear-flecked acceptance speech for Best Actor in which he referenced the family values of his character Richard Williams, father of Venus and Serena. (Williams has been married three times and has children by four women.)

Thus chastened, family-man Smith then went to the after-parties to rap with Oscar in hand. Leading NBA legend Kareem Abdul Jabbar to write on Substack, “Those who protect don’t brag about it in front of 15 million people. They just do it and shut up.”

If Smith were being truthful about family values it would be the first evidence of such values in Hollywood in many moons. To say Hollywood is a moral sewer is to do a disservice to sewers. Even as it lines up behind Smith’s “gallantry”, Tinseltown is actively campaigning against the state of Florida’s new law banning the promotion of sexual themes to children from JK to Grade 3.

Taking on the state of Florida is no small thing as Disney’s investment in its Orlando theme park is massive. But if we are to understand Disney and the teachers unions joining them in common cause, teachers not being able to speak their truth to six-year-olds is an assault on LGBTQ rights. And that must be stopped— despite overwhelming public support for the bill.

Video from the Disney spin strategy session has been leaked, and it shows pretty much what you’d expect. Here’s the corporate president of Disney proudly listing her counter-culture bonafides as she pushes the LGBTQ agenda. Karey Burke is “the mother [of] one transgender child and one pansexual child,” (and)  she supports having “many, many, many LGBTQIA characters in our stories” and wants a minimum of 50 percent of characters to be LGBTQIA and racial minorities.

Disney executive producer Latoya Raveneau is similarly bullish on the family-oriented company going queer. She lauds the acceptance of her “not-at-all-secret gay agenda” and gushes that “where ever I could I was adding queerness… no one would try to stop me.” Her tone is incredulous at how easy it all is.

Disney stretches its “family entertainment” definition in other venues. The people who brought you Mulan, Aladdin, Snow White and Mickey Mouse also have a TV series “Pam and Tommy Lee” featuring a full-frontal erect talking penis. And while they’re battling Florida Governor Ron DeSantis’ legally approved bill they have no problem working in the region of China currently hosting Uyghur concentration camps or docking their cruise boats at islands like Dominica, where homosexuality is a crime.

Or telling their theme park employees to eliminate the words “ladies,” “gentlemen,” “boys,” and “girls” in place of “dreamers”.

Conservative Disney employees feel under fire. They wrote, “Employees who want TWDC to make left-wing political statements are encouraged, while those of us who want the company to remain neutral can say so only in a whisper out of fear of professional retaliation… This politicization of our corporate culture is damaging morale and causing many of us to feel our days with TWDC might be numbered”.

So you understand, this Woke behaviour is as far as you could get from the company’s arch-conservatives founder Walt Disney. Were he here the old union buster would likely point out that in the last American census gays represent about three percent of the population while trans people are well under one percent of the population. But Disney wants 50 percent representation of LGBTQ in its productions.

Translation: If you want to work in corporate Hollywood shut up and pass the trans ammunition. This includes Disney outlets such as ESPN, where stern-faced announcers now demand a moment of silence during games to lament the dreaded Florida bill.  Or National Geographic which preaches LGBTQ with trans figures on its cover.

Clearly re-educating the saps of America is now Hollywood’s stated goal. Whether the public keeps buying what they’re selling is another issue. The ratings on ABC for the show are in steep decline, in part because the movies churned out by the Hollywood factories are agitprop nothings that have the staying power of cotton candy. One person who’s just about done with it is legendary Muppets performer and director Frank Oz. The voice of Miss Piggy and Master Yoda has had it with mission creep in the Oscars.

“After being a member for 30 years I’m embarrassed to be associated with the Oscars telecast. Not because of “The Slap” but because of the phoniness of the show. All I sense is a desperate attempt to get more viewers by any means possible, not a show about the love of making movies.”

Canadian comedian Jim Carrey was also less than impressed with the support for Smith. “I felt like Hollywood is just spineless en masse, and it just — it really felt like, ‘Oh, this is a really clear indication that we’re not the cool club anymore”.

This just in: It hasn’t been about cool in Hollywood for decades, Jim. It’s now Coercion City. Get used to it.

 

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster (http://www.notthepublicbroadcaster.com). The best-selling author was nominated for the BBN Business Book award of 2020 for Personal Account with Tony Comper. A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, he’s also a regular contributor to Sirius XM Canada Talks Ch. 167. His new book with his son Evan Inexact Science: The Six Most Compelling Draft Years In NHL History is now available on http://brucedowbigginbooks.ca/book-personalaccount.aspx

BRUCE DOWBIGGIN Award-winning Author and Broadcaster Bruce Dowbiggin's career is unmatched in Canada for its diversity and breadth of experience . He is currently the editor and publisher of Not The Public Broadcaster website and is also a contributor to SiriusXM Canada Talks. His new book Cap In Hand was released in the fall of 2018. Bruce's career has included successful stints in television, radio and print. A two-time winner of the Gemini Award as Canada's top television sports broadcaster for his work with CBC-TV, Mr. Dowbiggin is also the best-selling author of "Money Players" (finalist for the 2004 National Business Book Award) and two new books-- Ice Storm: The Rise and Fall of the Greatest Vancouver Canucks Team Ever for Greystone Press and Grant Fuhr: Portrait of a Champion for Random House. His ground-breaking investigations into the life and times of Alan Eagleson led to his selection as the winner of the Gemini for Canada's top sportscaster in 1993 and again in 1996. This work earned him the reputation as one of Canada's top investigative journalists in any field. He was a featured columnist for the Calgary Herald (1998-2009) and the Globe & Mail (2009-2013) where his incisive style and wit on sports media and business won him many readers.

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Bruce Dowbiggin

OJ Trial: How It Launched Cable News And Destroyed MLK’s Legacy

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It was the launch pad for CNN. The demise of Martin Luther King’s dream and Ground Zero for racial reparations in America. The O.J. Simpson trial in 1994 is now recognized as the end of civility in the United States. And the beginning of DEI.

Simpson, who died last week of cancer at age 76, was the centre of the story and, as we know now, the least of its elements. Any doubts that festered about his capability to commit a brutal murder of his wife and a friend were quashed when Simpson used his liberty to shake down a memorabilia salesman, using a gun and some muscle to get the job done.

He wandered the world before and after the eight-years-plus prison term, a ghost figure shunned and demonized by almost all. His death brought brief mentions of the spectacular career in sports and media he threw away. But Dave Chapelle sums up this pathetic figure in his stand-up.

While the entire murder/ trial/ incarceration tanked O.J.’s reputation forever it was the making of CNN, which— until the trial— had mostly been a channel you watched while killing time in airports. And, by extension, the shocking not guilty decision was the birth of the cable-news phenomenon.

Instead of investigating plane crashes and propping up bloviating politicians CNN discovered the magic of a live courtroom drama featuring one of the most famous men in America, football great and movie punchline O.J. Blowing out the concept of structured programming, CNN dedicated endless consecutive daytime hours to testimony, linked by a cast of legal figures like Roger Cossack, Jeffrey Toobin and Greta Van Susteren parsing the evidence..

When court broke for the day, CNN went full panel, rounding up ex-cops, ambulance-chasing lawyers, California psychos and political hacks to analyze the day’s events like they were John Madden analyzing Peyton Manning. People tantalized by the Bronco chase and the bloody glove couldn’t get enough of Kato Kaelin.

CNN was aided by Simpson’s defence team which trashed the idea of evidence, turning the trial instead into a referendum on the bumbling L.A. police. Soon everyone knew that detective Mark Fuhrman was a stone-cold racist and Phillip Vanatter couldn’t protect evidence if he tried. And don’t get us started on the quivering figure of Judge Lance Ito, who was bulldozed by Simpson’s crack team of Johnnie Cochrane, Alan Dershowitz, Robert Shapiro and Robert Kardashian.

The apogee of the trial was, of course, coarse actor O.J. not being able to put on the glove (if it don’t fit you must acquit). The stunned look on prosecutor Marcia Clark’s face was mint. For the hyper-liberal, mostly black  L.A. jury that was all they needed to cement the not-guilty verdict. CNN reverberated for weeks on the sugar high from the trial.

White America was largely disgusted with the verdict and said so. Prompting CNN to allege a vast right-wing conspiracy that would end in George W. Bush and Donald Trump. Soon, everyone was in on the game of choosing sides, with MSNBC And FOX News Channel going 24/7 on the racial divide in society. Pretty soon, late-night comics morphed into shills for the Left and against Bush and then Trump. Comedy was deader than O.J.’s victims.

Network profits were lucrative, however, as Roger Ailes (FOX News) and the heads of the Big Three TV news departments whipped the vote for their side. Sadly for CNN, abandoning their role as purveyor of O.J. porn for guileless wind therapist for the Obama Left was not a winner with audiences. The rabid radicals disappeared for MSNBC and the centrists just started watching Netflix. From creators of the TV news cycle on the fly, CNN is now a lame version of its old self, a tepid third in the ratings as it seeks to find a new identity.

The other big loser in the O.J. story was the legacy of Martin Luther King. While gormless lefties still repeat his pleas for a colour-blind society, the reality is that, since the OJ decision, black America has decided it can go its own way, thank you, funded by guilty white liberals and reparations from the Civil War.

In June of 2016— two decades after the Trial of the century— a documentary on the trials stirred the passions again. We observed, “King was predicting a land where colour no longer matters. A land where character and steadfastness and achievement are the highest goals. Today, the proud boast of Obama and the progressives is that everything is about colour, not character. Everyone is about check lists of the aggrieved, talking points of the hard-done-by, education camps for liberal guilt. Growth cannot be made unless it’s as the expense of someone else we hate.

Simpson was a man King might have admired in some ways, even if the ESPN producers dismissed him in their zeal to reinforce the grievance culture. O.J. had no time for those who chose to cut themselves off in their culture, who were marinating in their bitterness over racial bigotry. He chose to be measured by something larger than colour.

That he failed is more of a mark on his character than his colour.” So OJ has that going for him as he checks into his suite in Hades.

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster  A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, he’s a regular contributor to Sirius XM Canada Talks Ch. 167. His new book Deal With It: The Trades That Stunned The NHL And Changed hockey is now available on Amazon. Inexact Science: The Six Most Compelling Draft Years In NHL History, his previous book with his son Evan, was voted the seventh-best professional hockey book of all time by bookauthority.org . His 2004 book Money Players was voted sixth best on the same list, and is available via brucedowbigginbooks.ca.

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Bruce Dowbiggin

Sorry, Justin. Social Media Won’t Give You A Mulroney Epitaph

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The polls suck. His party is restless watching his constant gaffes. His NDP allies are similarly hoping he quits before he brings down their party, too. The public now laughs at his Happy Ways demeanour and lush living on the public dime.

It seems inevitable that Justin Trudeau is at the end of his runway as prime minister of Canada. If the polls are right, he could experience one of the greatest electoral repudiations when the federal election finally happens. Just as he replaced the dour technician Stephen Harper, Trudeau will be dismissed by the public, seen as yesterday’s man.

In desperation Trudeau has tried labelling his nemesis Pierre Poilievre as a Trump wannabe, a divisive alt-right force who would reverse the generous graft he’d bestowed on Canadians. His paid media have picked up the theme calling Poilievre’s strategy “shameful”, “cynical” and his “scorched-earth approach” is “contributing to a breakdown in overall faith in the system”. You go with that.

What makes them mad are Poilievre’s insouciant takedowns of Liberal hacks and media flacks, best epitomized by the apple-eating destruction of a lazy B.C. journalist out for a cheap score to raise his profile. A host of self-appointed press figures lost their minds. “You are not supposed to treat interviewers this way!” Since that moment, Poilievre has repeated the formula on cabinet ministers and played-out press figures.

Leaving Liberals and their wind therapists in the press to wonder what will be Skippy’s legacy in ten or fifteen years if he can’t control the messaging? Most look at the recent funeral for Brian Mulroney and the forgiving attitude from his former enemies toward Mulroney. Indeed, those who watched Wayne Gretzky and others eulogize the 18th PM of Canada as a statesman assume that this charity will eventually be extended to Trudeau.

Sure, Justin told the UN his citizens are genocidal, installed felons to cabinet posts, applauded Nazis in Parliament  and showered his pals with graft. But wasn’t Mulroney also found counting bribe money from paper bags in a hotel room? Surely the charity shown to Mulroney will also be extended to Trudeau in the fullness of time?

It would be if the media/ government apparatus that existed in the Mulroney 1980s were the ones writing the epitaphs. “Let bygones be bygones”. But this fantasy scenario misses the collapse in authority suffered by that media/ government apparatus the past decade. A collapse Poilievre has duly noted.

While they rail against Poilievre’s dismissive attitude toward them, the Conservative leader understands the new dynamic where voters— especially the young— get their information from social media, not the scrum theatre of the past, engineered by politicians and the people who followed them. If Poilievre appears dismissive of their game it’s because he knows they’re irrelevant to him.

This outrage from the Family Compact comes from people like the self-obsessed MSNBC staff who whined like babies at the thought of a GOP voice on their shows. An attitude parroted by their Canadian cousins fed money by the ruling class. No wonder Trudeau is rushing through laws to censor the internet. X hates him, and he knows it.

After years of toeing the line, however, influential journalists are suddenly recognizing the damage done by their obsessions— and the peril in which  their business finds itself. NPR Senior business editor Uri Berliner shocked many with his confession that Trump-obsessed NPR “lost its way when it started telling listeners how to think.

“Today, those who listen to NPR or read its coverage online find something different: the distilled worldview of a very small segment of the U.S. population”. A segment so deranged by Trump’s election in 2016 that it fed phoney stories about Russiagate and Hunter Biden’s son’s laptop to its audience over Trump’s term. NPR’s managing editor for news dismissed revelations over Hunter spilling the beans on Dad: “We don’t want to waste our time on stories that are not really stories, and we don’t want to waste the listeners’ and readers’ time on stories that are just pure distractions.” We know now this senior journalist helped bury a generational story.

Getting it deliberately wrong is bad enough, continued Berliner,. “What’s worse is to pretend it never happened, to move on with no mea culpas, no self-reflection. Especially when you expect high standards of transparency from public figures and institutions, but don’t practice those standards yourself. That’s what shatters trust and engenders cynicism about the media.”

As Berliner suggests, a population that understands the massive Covid deception is now dumping the news sources they long trusted. Hollywood, too, is reaping the whirlwind in cables cut from the nightly Colbert Chorus of Insanity. A worried NY Times has tried a limited mea culpa on overselling the pandemic (one of their reporters claimed in 2022 that Covid had “racist” roots), but the stain of its irresponsible censoring of any critics endures.

In Canada, no one at CBC, CTV, the Globe & Mail or the Toronto Star is even remotely close to owning up to their role in creating panic over Covid. (One prominent reporter received the Order of Canada for his support for lockdowns, vaccines). They have ceased reprinting Trudeaupian propaganda on the virus and the vaccines. But the silence on their enthusiastic support for closing of schools, the isolation of the dying and the firing of those reluctant to try untested vaccines speaks louder than any mealy-mouthed correction.

So the next time the prime minister and his media pals try to portray the earnest— sometimes plodding— messaging of Poilievre as a new Dark Age, consider the source. And then move into the future. Because it won’t be written anymore by the people who assume their infallibility.

Bruce Dowbiggin @dowbboy is the editor of Not The Public Broadcaster  A two-time winner of the Gemini Award as Canada’s top television sports broadcaster, he’s a regular contributor to Sirius XM Canada Talks Ch. 167. Inexact Science: The Six Most Compelling Draft Years In NHL History, his new book with his son Evan, was voted the seventh-best professional hockey book of all time by bookauthority.org . His 2004 book Money Players was voted sixth best on the same list, and is available via brucedowbigginbooks.ca.

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