Entertainment
Charley Pride plays the Centrium June 19th
Westerner Park
April 10, 2019
Fans throughout Alberta were ecstatic to learn that CHARLEY PRIDE – one of the biggest country music stars of all time – will return to Red Deer for a one night performance on June 19th in The Centrium at Westerner Park.
CHARLEY PRIDE, who first appeared in Canada in 1968, has always has warm feelings about his performances here, stating that Canadian country music fans are some of the greatest most loyal fans in the world. Having recently returned from a whirlwind performance tour in Australia and New Zealand, “The Pride of Country Music” is still celebrating his 25th year as a member of Nashville’s world famous Grand Ole Opry.
CHARLEY PRIDE, who recently turned 85 is singing better than ever, and his 2019 show which also features his renowned band “The Pridesmen” will take fans on a real “trip down memory lane” as he focuses on the songs that have made him an iconic legend in Country Music.
Still making his home in Dallas Texas, Charley knows what it takes to please his audience and is often greeted with a standing ovation before the first song is finished. There is nothing outdated about his music as he continues to feature many of his thirty six “Number One Hits” in every show, always leaving fans satisfied with such songs as “Kiss An Angel Good Morning”, “Crystal Chandeliers”, “All I Have To Offer You Is Me”, “I’m So Afraid of Losing You Again”, and “Is Anybody Goin’ To San Antone”.
In addition to bringing forth some of the most legendary songs in country music his most recent CD… “Music In My Heart”… is “possibly the best CD he has ever released”. In this most recent project Pride clearly shows he is not afraid to record traditional sounding songs that he knows his long-time fans expect and will enjoy.
CHARLEY PRIDE in Red Deer in 2019. The magic continues!
WHEN: Wednesday, June 19, 2019 – 7 pm
WHERE: The CENTRIUM at Westerner Park – RED DEER
TICKETS: GO ON SALE FRIDAY, APRIL 12th AT 10:00 AM
Available at the Tickets Alberta Box Office at Westerner Park
Call 1-866-340-4450 or Available online at: www.ticketsalberta.com
Business
Will Paramount turn the tide of legacy media and entertainment?

From the Daily Caller News Foundation
The recent leadership changes at Paramount Skydance suggest that the company may finally be ready to correct course after years of ideological drift, cultural activism posing as programming, and a pattern of self-inflicted financial and reputational damage.
Nowhere was this problem more visible than at CBS News, which for years operated as one of the most partisan and combative news organizations. Let’s be honest, CBS was the worst of an already left biased industry that stopped at nothing to censor conservatives. The network seemed committed to the idea that its viewers needed to be guided, corrected, or morally shaped by its editorial decisions.
This culminated in the CBS and 60 Minutes segment with Kamala Harris that was so heavily manipulated and so structurally misleading that it triggered widespread backlash and ultimately forced Paramount to settle a $16 million dispute with Donald Trump. That was not merely a legal or contractual problem. It was an institutional failure that demonstrated the degree to which political advocacy had overtaken journalistic integrity.
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For many longtime viewers across the political spectrum, that episode represented a clear breaking point. It became impossible to argue that CBS News was simply leaning left. It was operating with a mission orientation that prioritized shaping narratives rather than reporting truth. As a result, trust collapsed. Many of us who once had long-term professional, commercial, or intellectual ties to Paramount and CBS walked away.
David Ellison’s acquisition of Paramount marks the most consequential change to the studio’s identity in a generation. Ellison is not anchored to the old Hollywood ecosystem where cultural signaling and activist messaging were considered more important than story, audience appeal, or shareholder value.
His professional history in film and strategic business management suggests an approach grounded in commercial performance, audience trust, and brand rebuilding rather than ideological identity. That shift matters because Paramount has spent years creating content and news coverage that seemed designed to provoke or instruct viewers rather than entertain or inform them. It was an approach that drained goodwill, eroded market share, and drove entire segments of the viewing public elsewhere.
The appointment of Bari Weiss as the new chief editor of CBS News is so significant. Weiss has built her reputation on rejecting ideological conformity imposed from either side. She has consistently spoken out against antisemitism and the moral disorientation that emerges when institutions prioritize political messaging over honesty.
Her brand centers on the belief that journalism should clarify rather than obscure. During President Trump’s recent 60 Minutes interview, he praised Weiss as a “great person” and credited her with helping restore integrity and editorial seriousness inside CBS. That moment signaled something important. Paramount is no longer simply rearranging executives. It is rethinking identity.
The appointment of Makan Delrahim as Chief Legal Officer was an early indicator. Delrahim’s background at the Department of Justice, where he led antitrust enforcement, signals seriousness about governance, compliance, and restoring institutional discipline.
But the deeper and more meaningful shift is occurring at the ownership and editorial levels, where the most politically charged parts of Paramount’s portfolio may finally be shedding the habits that alienated millions of viewers.The transformation will not be immediate. Institutions develop habits, internal cultures, and incentive structures that resist correction. There will be internal opposition, particularly from staff and producers who benefited from the ideological culture that defined CBS News in recent years.
There will be critics in Hollywood who see any shift toward balance as a threat to their influence. And there will be outside voices who will insist that any move away from their preferred political posture is regression.
But genuine reform never begins with instant consensus. It begins with leadership willing to be clear about the mission.
Paramount has the opportunity to reclaim what once made it extraordinary. Not as a symbol. Not as a message distribution vehicle. But as a studio that understands that good storytelling and credible reporting are not partisan aims. They are universal aims. Entertainment succeeds when it connects with audiences rather than instructing them. Journalism succeeds when it pursues truth rather than victory.
In an era when audiences have more viewing choices than at any time in history, trust is an economic asset. Viewers are sophisticated. They recognize when they are being lectured rather than engaged. They know when editorial goals are political rather than informational. And they are willing to reward any institution that treats them with respect.
There is now reason to believe Paramount understands this. The leadership is changing. The tone is changing. The incentives are being reassessed.
It is not the final outcome. But it is a real beginning. As the great Winston Churchill once said; “Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning”.
For the first time in a long time, the door to cultural realignment in legacy media is open. And Paramount is standing at the threshold and has the capability to become a market leader once again. If Paramount acts, the industry will follow.
Bill Flaig and Tom Carter are the Co-Founders of The American Conservatives Values ETF, Ticker Symbol ACVF traded on the New York Stock Exchange. Ticker Symbol ACVF
Learn more at www.InvestConservative.com
Censorship Industrial Complex
The FCC Should Let Jimmy Kimmel Be
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