MONTREAL (AP) — Mathieu Perreault had a hat trick and the Montreal Canadiens beat the Detroit Red Wings 6-1 on Saturday night to end their season-opening losing streak at five.
Perreault, Christian Dvorak and Mike Hoffman scored their first goals in Canadiens uniforms. Defenseman Sami Niku also earned his first points in his first start, finishing with two assists.
Jake Allen made 26 saves for Montreal.
Detroit goalie Thomas Greiss was pulled in the second period after conceding five goals on 17 shots. Alex Nedeljkovic stopped all six shots in relief.
Montreal gave up a power play early in the first period and the Red Wings took no time to find the opening goal, with Dylan Larkin beating Allen into the upper right-hand corner.
Ben Chiarot responded for Canadiens with 5:50 to go in the first period. The defenseman scored off a cross-ice pass from Jonathan Drouin.
FLAMES 4, CAPITALS 3, OT
WASHINGTON (AP) — Elias Lindholm completed his second career hat trick with a one-timer 2:46 into overtime, and Calgary beat Washington.
Lindholm’s fourth, fifth and sixth goals of the season helped the Flames to a second consecutive victory, this one coming after blowing an early 3-0 lead. Washington had won two in a row.
Andrew Mangiapane scored his third goal of the season for the Flames.
Calgary’s Dan Vladar made 22 saves and Johnny Gaudreau had two assists, including the final feed to Lindholm for an effort that caught the body of goaltender Ilya Samsonov before trickling over the line.
Alex Ovechkin, Evgeny Kuznetsov and Martin Fehervary scored for the Capitals. Ovechkin moved to 735 career goals, bringing him within six of Brett Hull for fourth on the NHL list.
RANGERS 3, SENATORS 2
OTTAWA, Ontario (AP) — Chris Kreider, Ryan Lindgren and Barclay Goodrow scored in the final six minutes, rallying New York to its fourth straight win, all on the road.
Alexandar Georgiev made 26 saves for the Rangers..
Ottawa led 2-0 after Josh Norris’ goal early in the third period, but the Senators unraveled late. Kreider scored a power-play goal by beating Matt Murray in close with 5:23 left.
Murray, who stopped 22 shots, left the game following the goal, leaving Anton Forsberg to close things out. Forsberg gave up a goal to Lindgren on the first shot he faced with 4:08 left.
Goodrow scored the winner with 2:03 left by deflecting a long shot from Sammy Blais past Forsberg.
Nick Paul also scored for Ottawa.
WILD 4, DUCKS 3, OT
ST. PAUL, Minn. (AP) — Ryan Hartman scored with 12.1 seconds left in overtime and Minnesota extended its season-opening win streak to four games in beating Anaheim.
Brandon Duhaime, Jared Spurgeon and Jon Merrill scored for Minnesota, which has won its first four games for the first time since 2008-09. The franchise best for season-opening wins is six in 2006-07. Cam Talbot had 21 saves for Minnesota.
Rickard Rakell had two goals and Troy Terry also scored for Anaheim. John Gibson had 32 saves for the Ducks.
HURRICANES 5, BLUE JACKETS 1
COLUMBUS, Ohio (AP) — Vincent Trocheck had two goals and an assist to lead Carolina to its fourth straight win to open the season.
Jordan Staal and Sebastian Aho added power-play goals, and Jesper Fast also scored for Carolina. Frederik Andersen stopped 27 shots in his fourth straight win.
Columbus captain Boone Jenner scored, and Joonas Korpisalo finished with 28 saves. Korpisalo lost his second straight game, and the Blue Jackets absorbed their first defeat at home in four games this season.
PANTHERS 4, FLYERS 2
PHILADELPHIA (AP) — Jonathan Huberdeau scored twice, including the go-ahead goal in the third period, and added an assist to lead Florida over Philadelphia.
Owen Tippett also scored and Sam Reinhart had an empty-netter for Florida, which extended its club-record best start to 5-0.
Claude Giroux and Cam Atkinson scored for Philadelphia.
Sergei Bobrovsky made 27 saves for the Panthers. Bobrovsky earned his 300th win in Florida’s last game, a 4-1 victory over Colorado on Thursday night.
DEVILS 2, SABRES 1, OT
NEWARK, N.J. (AP) — Pavel Zacha scored at 3:09 of overtime to give New Jersey a victory over Buffalo.
Nico Daws stopped 24 shots to win in his NHL debut, and Nico Hischier had a power-play goal for New Jersey.
Dylan Cozens scored a power-play goal for Buffalo, and Dustin Tokarski made 37 saves.
AVALANCHE 4, LIGHTNING 3, OT
TAMPA, Fla. (AP) — Cale Makar scored in the sixth round of the shootout to give Colorado the win over Tampa Bay.
Makar beat Andrei Vasilevskiy with a wrist shot after Darcy Kuemper denied Anthony Cirelli to begin the sixth round as the Avalanche ended a three-game losing streak.
Tampa Bay’s Brayden Point tied the game 3-3 with 2:35 remaining in the third period.
Nathan MacKinnon, Gabriel Landeskog and Mikko Rantanen scored, and Kuemper made 29 saves for Colorado, which had lost three in a row.
Brayden Point, Mathieu Joseph and Steven Stamkos scored for the Lightning. Andrei Vasilevskiy made 24 saves.
PENGUINS 7, MAPLE LEAFS 1
PITTSBURGH (AP) — Drew O’Connor scored twice and Pittsburgh routed Toronto.
O’Connor got his second and third goals of the season. Marcus Pettersson also scored and added two assists for a career-high three points. The Penguins, playing without five of their best players, including Sidney Crosby, Evgeni Malkin and Kris Letang, broke a 1-all tie with a four-goal second period.
Evan Rodrigues scored his third goal, while Jason Zucker and Brian Boyle both got their second of the season. Mike Matheson also scored his first for Pittsburgh. Tristan Jarry made 28 saves for the Penguins.
Jason Spezza scored his third for Toronto, which lost its third straight game. Jack Campbell allowed five goals on 21 shots through two periods. Michael Hutchinson stopped 10 shots in the third.
JETS 6, PREDATORS 4
WINNIPEG, Manitoba (AP) — Paul Stastny scored twice and short-handed Winnipeg held off Nashville.
Rookie forward Kristian Vesalainen got his first NHL goal for Winnipeg. Kyle Connor, Pierre Luc-Dubois and Adam Lowry also scored for the Jets, who played without No. 1 center Mark Scheifele and captain Blake Wheeler for the second consecutive game. Both are in COVID-19 protocol.
Connor Hellebuyck made 26 saves in the win.
Colton Sissons, Nick Cousins, Philip Tomasino and defenseman Roman Josi scored for Nashville. Juuse Saros stopped 23 shots.
BLUES 7, KINGS 3
ST. LOUIS (AP) — David Perron had three goals and an assist, Jake Neighbours scored his first NHL goal, and St. Louis beat Los Angeles.
Ivan Barbashev, Ryan O’Reilly and James Neal also scored for the Blues. Jordan Binnington made 32 saves as St. Louis won its fourth straight game to open a season for the third time in franchise history.
Perron’s sixth career hat trick gave him five goals in his last two games.
Alex Iafallo, Justin Brown and Carl Grundstrom scored for the Kings, who lost their fourth straight. Calvin Petersen made 33 saves.
ISLANDERS 3, COYOTES 0
GLENDALE, Ariz. (AP) — Brock Nelson had a goal and an assist, Ilya Sorokin stopped 26 shots and New York kept Arizona winless.
New York got off to slow starts in the first two periods, but Sorokin made some tough saves for his fourth career shutout. Cal Clutterbuck and Anthony Beauvillier also scored for the Islanders, who have five points in three games after two opening losses.
The Coyotes limited shots and controlled the puck for long periods of the opening two periods, yet trailed 2-0 heading into the third. Karel Vejmelka had 21 saves for Arizona, which has one point (0-4-1) in five games this season.
The Islanders arrived in the desert for game five of their season-opening 13-game road trip while construction of their new arena is being completed.
More AP NHL: https://apnews.com/hub/NHL and https://twitter.com/AP_Sports
The Associated Press
Towering musical theater master Stephen Sondheim dies at 91
NEW YORK (AP) — Stephen Sondheim, the songwriter who reshaped the American musical theater in the second half of the 20th century with his intelligent, intricately rhymed lyrics, his use of evocative melodies and his willingness to tackle unusual subjects, has died. He was 91.
Sondheim’s death was announced by Rick Miramontez, president of DKC/O&M. Sondheim’s Texas-based attorney, Rick Pappas, told The New York Times the composer died Friday at his home in Roxbury, Connecticut.
Sondheim influenced several generations of theater songwriters, particularly with such landmark musicals as “Company,” “Follies” and “Sweeney Todd,” which are considered among his best work. His most famous ballad, “Send in the Clowns,” has been recorded hundreds of times, including by Frank Sinatra and Judy Collins.
The artist refused to repeat himself, finding inspiration for his shows in such diverse subjects as an Ingmar Bergman movie (“A Little Night Music”), the opening of Japan to the West (“Pacific Overtures”), French painter Georges Seurat (“Sunday in the Park With George”), Grimm’s fairy tales (“Into the Woods”) and even the killers of American presidents (“Assassins”), among others.
Tributes quickly flooded social media as performers and writers alike saluted a giant of the theater. “We shall be singing your songs forever,” wrote Lea Salonga. Aaron Tveit wrote: “We are so lucky to have what you’ve given the world.”
“The theater has lost one of its greatest geniuses and the world has lost one of its greatest and most original writers. Sadly, there is now a giant in the sky,” producer Cameron Mackintosh wrote in tribute.
Six of Sondheim’s musicals won Tony Awards for best score, and he also received a Pulitzer Prize (“Sunday in the Park”), an Academy Award (for the song “Sooner or Later” from the film “Dick Tracy”), five Olivier Awards and the Presidential Medal of Honor. In 2008, he received a Tony Award for lifetime achievement.
Sondheim’s music and lyrics gave his shows a dark, dramatic edge, whereas before him, the dominant tone of musicals was frothy and comic. He was sometimes criticized as a composer of unhummable songs, a badge that didn’t bother Sondheim. Frank Sinatra, who had a hit with Sondheim’s “Send in the Clowns,” once complained: “He could make me a lot happier if he’d write more songs for saloon singers like me.”
To theater fans, Sondheim’s sophistication and brilliance made him an icon. A Broadway theater was named after him. A New York magazine cover asked “Is Sondheim God?” The Guardian newspaper once offered this question: “Is Stephen Sondheim the Shakespeare of musical theatre?”
A supreme wordsmith — and an avid player of word games — Sondheim’s joy of language shone through. “The opposite of left is right/The opposite of right is wrong/So anyone who’s left is wrong, right?” he wrote in “Anyone Can Whistle.” In “Company,” he penned the lines: “Good things get better/Bad gets worse/Wait — I think I meant that in reverse.”
He offered the three principles necessary for a songwriter in his first volume of collected lyrics — Content Dictates Form, Less Is More, and God Is in the Details. All these truisms, he wrote, were “in the service of Clarity, without which nothing else matters.” Together they led to stunning lines like: “It’s a very short road from the pinch and the punch to the paunch and the pouch and the pension.”
Taught by no less a genius than Oscar Hammerstein, Sondheim pushed the musical into a darker, richer and more intellectual place. “If you think of a theater lyric as a short story, as I do, then every line has the weight of a paragraph,” he wrote in his 2010 book, “Finishing the Hat,” the first volume of his collection of lyrics and comments.
Early in his career, Sondheim wrote the lyrics for two shows considered to be classics of the American stage, “West Side Story” (1957) and “Gypsy” (1959). “West Side Story,” with music by Leonard Bernstein, transplanted Shakespeare’s “Romeo and Juliet” to the streets and gangs of modern-day New York. “Gypsy,” with music by Jule Styne, told the backstage story of the ultimate stage mother and the daughter who grew up to be Gypsy Rose Lee.
It was not until 1962 that Sondheim wrote both music and lyrics for a Broadway show, and it turned out to be a smash — the bawdy “A Funny Thing Happened on the Way to the Forum,” starring Zero Mostel as a wily slave in ancient Rome yearning to be free.
Yet his next show, “Anyone Can Whistle” (1964), flopped, running only nine performances but achieving cult status after its cast recording was released. Sondheim’s 1965 lyric collaboration with composer Richard Rodgers — “Do I Hear a Waltz?” — also turned out to be problematic. The musical, based on the play “The Time of the Cuckoo,” ran for six months but was an unhappy experience for both men, who did not get along.
It was “Company,” which opened on Broadway in April 1970, that cemented Sondheim’s reputation. The episodic adventures of a bachelor (played by Dean Jones) with an inability to commit to a relationship was hailed as capturing the obsessive nature of striving, self-centered New Yorkers. The show, produced and directed by Hal Prince, won Sondheim his first Tony for best score. “The Ladies Who Lunch” became a standard for Elaine Stritch.
The following year, Sondheim wrote the score for “Follies,” a look at the shattered hopes and disappointed dreams of women who had appeared in lavish Ziegfeld-style revues. The music and lyrics paid homage to great composers of the past such as Jerome Kern, Cole Porter and the Gershwins.
In 1973, “A Little Night Music,” starring Glynis Johns and Len Cariou, opened. Based on Bergman’s “Smiles of a Summer Night,” this rueful romance of middle-age lovers contains the song “Send in the Clowns,” which gained popularity outside the show. A revival in 2009 starred Angela Lansbury and Catherine Zeta-Jones was nominated for a best revival Tony.
“Pacific Overtures,” with a book by John Weidman, followed in 1976. The musical, also produced and directed by Prince, was not a financial success, but it demonstrated Sondheim’s commitment to offbeat material, filtering its tale of the westernization of Japan through a hybrid American-Kabuki style.
In 1979, Sondheim and Prince collaborated on what many believe to be Sondheim’s masterpiece, the bloody yet often darkly funny “Sweeney Todd.” An ambitious work, it starred Cariou in the title role as a murderous barber whose customers end up in meat pies baked by Todd’s willing accomplice, played by Angela Lansbury.
The Sondheim-Prince partnership collapsed two years later, after “Merrily We Roll Along,” a musical that traced a friendship backward from its characters’ compromised middle age to their idealistic youth. The show, based on a play by George S. Kaufman and Moss Hart, only ran two weeks on Broadway. But again, as with “Anyone Can Whistle,” its original cast recording helped “Merrily We Roll Along” to become a favorite among musical-theater buffs.
“Sunday in the Park,” written with James Lapine, may be Sondheim’s most personal show. A tale of uncompromising artistic creation, it told the story of artist Georges Seurat, played by Mandy Patinkin. The painter submerges everything in his life, including his relationship with his model (Bernadette Peters), for his art.) It was most recently revived on Broadway in 2017 with Jake Gyllenhaal.)
Three years after “Sunday” debuted, Sondheim collaborated again with Lapine, this time on the fairy-tale musical “Into the Woods.” The show starred Peters as a glamorous witch and dealt primarily with the turbulent relationships between parents and children, using such famous fairy-tale characters as Cinderella, Little Red Riding Hood and Rapunzel. It was most recently revived in the summer of 2012 in Central Park by The Public Theater.
“Assassins” opened off-Broadway in 1991 and it looked at the men and women who wanted to kill presidents, from John Wilkes Booth to John Hinckley. The show received mostly negative reviews in its original incarnation, but many of those critics reversed themselves 13 years later when the show was done on Broadway and won a Tony for best musical revival.
“Passion” was another severe look at obsession, this time a desperate woman, played by Donna Murphy, in love with a handsome soldier. Despite winning the best-musical Tony in 1994, the show barely managed a six-month run.
A new version of “The Frogs,” with additional songs by Sondheim and a revised book by Nathan Lane (who also starred in the production), played Lincoln Center during the summer of 2004. The show, based on the Aristophanes comedy, originally had been done 20 years earlier in the Yale University swimming pool.
One of his more troubled shows was “Road Show,” which reunited Sondheim and Weidman and spent years being worked on. This tale of the Mizner brothers, whose get-rich schemes in the early part of the 20th century finally made it to the Public Theater in 2008 after going through several different titles, directors and casts.
He had been working on a new musical with “Venus in Fur” playwright David Ives, who called his collaborator a genius. “Not only are his musicals brilliant, but I can’t think of another theater person who has so chronicled a whole age so eloquently,” Ives said in 2013. “He is the spirit of the age in a certain way.”
Sondheim was born March 22, 1930, into a wealthy family, the only son of dress manufacturer Herbert Sondheim and Helen Fox Sondheim. At 10, his parents divorced and Sondheim’s mother bought a house in Doylestown, Pa., where one of their Bucks County neighbors was lyricist Oscar Hammerstein II, whose son, James, was Sondheim’s roommate at boarding school. It was Oscar Hammerstein who became the young man’s professional mentor and a good friend.
He had a solitary childhood, once in which involved verbal abuse from his chilly mother. He received a letter in his 40s from her telling him that she regretted giving birth to him. He continued to support her financially and to see her occasionally but didn’t attend her funeral.
Sondheim attended Williams College in Massachusetts, where he majored in music. After graduation, he received a two-year fellowship to study with avant-garde composer Milton Babbitt.
One of Sondheim’s first jobs was writing scripts for the television show “Topper,” which ran for two years (1953-1955). At the same time, Sondheim wrote his first musical, “Saturday Night,” the story of a group of young people in Brooklyn in 1920s. It was to have opened on Broadway in 1955, but its producer died just as the musical was about to go into production, and the show was scrapped. “Saturday Night” finally arrived in New York in 1997 in a small, off-Broadway production.
Sondheim wrote infrequently for the movies. He collaborated with actor Anthony Perkins on the script for the 1973 murder mystery “The Last of Sheila,” and besides his work on “Dick Tracy” (1990), wrote scores for such movies as Alain Resnais’ “Stavisky” (1974) and Warren Beatty’s “Reds” (1981).
Over the years, there have been many Broadway revivals of Sondheim shows, especially “Gypsy,” which had reincarnations starring Angela Lansbury (1974), Tyne Daly (1989) and Peters (2003). But there also were productions of “A Funny Thing,” one with Phil Silvers in 1972 and another starring Nathan Lane in 1996; “Into the Woods” with Vanessa Williams in 2002; and even of Sondheim’s less successful shows such as “Assassins” and “Pacific Overtures,” both in 2004. “Sweeney Todd” has been produced in opera houses around the world. A reimagined “West Side Story” opened on Broadway in 2020 and a scrambled “Company” opened on Broadway in 2021 with the genders of the actors switched.
Sondheim’s songs have been used extensively in revues, the best-known being “Side by Side by Sondheim” (1976) on Broadway and “Putting It Together,” off-Broadway with Julie Andrews in 1992 and on Broadway with Carol Burnett in 1999. The New York Philharmonic put on a star-studded “Company” in 2011 with Neil Patrick Harris and Stephen Colbert. Tunes from his musicals have lately popped up everywhere from “Marriage Story” to “The Morning Show.”
An HBO documentary directed by Lapine, “Six by Sondheim,” aired in 2013 and revealed that he liked to compose lying down and sometimes enjoyed a cocktail to loosen up as he wrote. He even revealed that he really only fell in love after reaching 60, first with the dramatist Peter Jones and then in his last years with Jeff Romley.
In September 2010, the Henry Miller Theatre was renamed the Stephen Sondheim Theatre. “I’m deeply embarrassed. I’m thrilled, but deeply embarrassed,” he said as the sun fell over dozens of clapping admirers in Times Square. Then he revealed his perfectionist streak: “I’ve always hated my last name. It just doesn’t sing.”
Mark Kennedy is at http://twitter.com/KennedyTwits
Mark Kennedy, The Associated Press
Canadian Press NewsAlert: Variant prompts ban on travellers from southern Africa
OTTAWA — Canada has banned visitors from southern Africa after the discovery of a new variant of concern in the region.
The new variant, deemed Omicron, first emerged in South Africa and coincided with a steep rise in the number of COVID-19 cases in that region in recent weeks, according to the World Health Organization.
Meanwhile Global Affairs will issue an advisory to discourage non-essential travel to South Africa and neighbouring countries.
Currently there are no direct flights from South Africa to Canada.
Opposition parties and provincial premiers have called for strict border measures to prevent cases of the potentially dangerous new variant from being imported into Canada.
This report by The Canadian Press was first published Nov. 26, 2021.
Laura Osman, The Canadian Press
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