Alberta
Alberta’s 2022 Lt. Governor Emerging Artists Named

Alberta’s 2022 Lt. Governor Emerging Artists Named
The Lieutenant Governor of Alberta Arts Awards Foundation announces awards totaling $110,000 to the 11 recipients of its 2022 Emerging Artist Award.
“When economic times are tough, our artists are particularly vulnerable,” says Foundation Chair, Arlene Strom. “We are thrilled to invest $110,000 this year in advancing the careers of these outstanding artists at the early stages of their professional development.”
2022 Emerging Artist Recipients:
Perpetual Atife Saxophone, Calgary
Vicki Chau Filmmaker, Calgary
Arlan Vriens Violin, Edmonton; Toronto
Eden Tremayne Soprano, Calgary
Omar Mouallem Writer, Edmonton
Trina Moyles Writer, Peace River
Kiona Ligtvoet Visual Arts, Edmonton
Tenaj Williams Actor, Calgary
Ally McIntyre Visual Arts, Edmonton
Moni Brar Writer/Poet, Calgary
Nahanni McKay Visual Arts, Banff
The Award’s patron, Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta AOE, B.Sc., LLD (hon) awarded the 2022 Emerging Artists at a celebration hosted by the County of Lac La Biche and Portage College on June 10, 2022. Each awardee receives a $10,000 cash award, a handcrafted medal and a certificate.
The 11 recipients were selected from 140 applications in an adjudication process overseen by The Banff Centre. The adjudication panel included: Darren Fung, renowned composer based out of Los Angeles, originally from Edmonton; Sean Caulfield, artist and Centennial Professor in the Department of Art & Design at the University of Alberta; Patricia Darbasie, Alberta actor, director and educator; Jenna Butler, 2014 LG Emerging Artist, award-winning author and educator; Derek Beaulieu, Jury Facilitator, Director of Literary Arts at the Banff Centre.
For more information on the awardees visit artsawards.ca
Who are the 2022 Emerging Artists?
Perpetual Atife Saxophonist, Calgary: Perpetual Atife is retelling African stories and music through her practice as a jazz saxophonist and songwriter. Her entrepreneurial spirit and energy are as impressive as her skills as a band leader and performer. The aural tapestry she creates combines her Nigerian roots and the realities she exists in today. Her debut album, a collection of her journey through instrumental music, spoken word and vocal music, is due to be released in the Fall of 2022.
Vicki Chau Filmmaker, Calgary: Vicki Chau is a filmmaker and media artist based in Calgary. Her two short films Pulled Strings and Hearth of the Lion capture a slice of her Chinese-Vietnamese heritage in a beautiful lyrical way. Her family and cultural identity have been a core inspiration in her artistic practice and help her to promote the appreciation of both Chinese and Vietnamese culture through a uniquely Canadian perspective. She was selected for the WarnerMedia Access Festivals Program at Toronto’s Reelworld Film Festival in 2021.
Arlan Vriens, Violin, Edmonton/Toronto: Arlan Vriens is an Edmonton-born classical violinist noted for his ability to evoke strong, emotional performances with difficult, contemporary repertoire that pushes the boundaries of what the instrument was designed to do. Equally at home performing newly-written contemporary works or rediscovering long-lost violin techniques, Arlan is committed to nurturing and critiquing classical music as a living, evolving practice. His chamber music and solo violin projects have been supported by the Canada Council for the Arts and the arts councils of Alberta, Ontario, and Newfoundland.
Eden Tremayne Soprano, Calgary: Eden Tremayne delivers an authenticity and emotional strength that is impressive to see in an emerging opera singer. A soprano with both a strong technical facility and range, she is noted for her stirring performances. For the past three seasons, Ms. Tremayne has been a McPhee Artist with Calgary Opera. She had her Calgary Opera mainstage debut In the 2019-2020 season as Clotilde in Bellini’s Norma and covered Musetta in Puccini’s La bohème. Tremayne was previously featured as an Apprentice Artist with the San Diego Opera and a Yulanda M. Faris Young Artist with Vancouver Opera.
Omar Mouallem Writer, Edmonton: Omar Mouallem has established himself as a talented young journalist and filmmaker to watch. With the arrival of his important new book of non-fiction, Praying to the West: How Muslims Shaped the Americas, he’s an important voice in Canadian literature with a long career ahead. A second-generation Canadian born and raised in Northern Alberta’s Muslim Lebanese community, Mouallem has become known for his ability to intertwine human interest stories with world history and broad social issues. Omar co-authored the national bestseller Inside the Inferno: A Firefighter’s Story of the Brotherhood that Saved Fort McMurray and co-directed Digging in the Dirt (with Dylan Rhys Howard), a raw look at the psychological toll of oil and gas labour.
Trina Moyles Writer, Peace River: Trina Moyles blends journalistic knowledge with literary expertise and a love for the land. She grew up in the northern community of Peace River, Alberta (Treaty 8), where she spent much of her childhood immersed in the boreal forest. Moyles’s first book, Women Who Dig: Farming, Feminism, and the Fight to Feed the World was published in 2018 by the University of Regina Press. Her second book, a memoir and frontline reportage on the increasing prevalence of wildfire in North America, Lookout: Love, Solitude, and Searching for Wildfire in the Boreal Forest, was published in 2021 by Penguin Random House Canada. Lookout won a National Outdoors Book Award in 2021 and has recently been nominated as a finalist for the 2022 Robert Kroetsch City of Edmonton Book Prize and a finalist for the Memoir Award at the 2022 Alberta Literary Awards.
Kiona Ligtvoet Visual Arts, Edmonton: Kiona Ligtvoet looks to experiences with family and the land they live and work on to create paintings, prints and installations that function as both a personal archive, as well as non-linear storytelling. Kiona grew up west of Edmonton near the hamlet of Calahoo where she lived with her moshom and relatives on scrip land. Her family lines are Cree and Métis descending from Michel First Nation, as well as Dutch/ mixed European. Kiona works in painting, printmaking and drawing, recollecting personal stories of grief and tenderness. Most recent exhibitions have been sahkitok mistahi at Ociciwan Contemporary Art Centre (2021), and her solo show, These Are the Things at Latitude 53 (2021). She is currently writing her debut graphic novel We Were Younger Once (2022).
Tenaj Williams Actor, Calgary: Tenaj Williams has built on his community theatre experiences to create a provincial and national footprint as an actor, professionally performing on stages in Alberta and across the country. He has recently branched out into film and television landing roles on various TV series, most prominently the hit CTV comedy show, JANN. Tenaj hopes to further advance his work in the arts and be instrumental in helping to create and foster safe, and brave spaces for diverse and emerging artists. He plans to develop his skills as a director and learn more about theatre production and management.
Ally McIntyre Visual Arts, Edmonton: Ally McIntyre creates bold, powerful paintings that combine passages of abstraction with naturalistic imagery, and which contain moments of aggressive and expressive mark-making, alongside more introspective, sensitive passages of drawing. This blending of visual languages results in highly compelling imagery that fosters unexpected narratives and poetic associations for viewers. Bold and assertive, her works question the prevailing gendered association of large-scale art and expressionism. In 2015, McIntyre was awarded the HIX Award 2015 presented by Tracey Emin and the Jealous Prize 2015. Exhibits include various galleries in London, UK, The Original Print Fair at the Royal Academy, The London Art Fair, Start Art Fair and Art Toronto. She was a finalist in the RBC national painting competition (2018). Her solo exhibition ‘Dog Day Circus’ was featured at the Saatchi Gallery in London, UK (2022). Her work can be found in private collections in Australia, Asia, Europe, and North America.
Moni Brar Writer/Poet, Calgary: Moni Brar has published in many of the most respected journals in Canada and received a number of the top writing awards. A Punjabi Canadian writer exploring diasporan guilt and intergenerational trauma, she is poised to make major contributions to the literary arts in Canada. She has been nominated for the Pushcart Prize and multiple Best of the Net awards and was the winner of the SAAG Arts Writing Prize, runner-up in PRISM international’s Grouse Grind Prize, honourable mention in Room magazine’s Poetry Prize, and a finalist in the Alberta Magazine Awards and the Subnivean Awards. Her work can be found in Best Canadian Poetry 2022, the Literary Review of Canada, Passages North, Prairie Fire, Hobart, and the League of Canadian Poets’ “Poem in Your Pocket” postcard series.
Nahanni McKay Visual Arts, Banff: McKay’s creative practice utilizes photography, digital media, as well as performances in the landscape to explore pressing questions related to environmental change. The work often considers the ways landscape and animals have been depicted historically, particularly in the context of national parks, in order to investigate the complex interrelationship between colonial power structures, identity and ecological degradation and loss. Nahanni uses her photography to bring awareness of the need to coexist with wildlife to prevent further harm to the land we reside on. Exhibits include Personal Structures Exhibition, European Cultural Centre, Venice, Italy (2022), Loop 14, Alberta Foundation for the Arts Travelling Exhibition (2020), EXPOSURE Photography Festival Emerging Artists Showcase, Contemporary Calgary and more.
About The Awards
Founders Fil Fraser, Tommy Banks, John Poole and Jenny Belzberg established the Lieutenant Governor of Alberta Arts Awards Foundation in 2003 to celebrate and promote excellence in the arts. The endowments they established were created with philanthropic dollars and gifts from the Province of Alberta and the Government of Canada. Since its inception in 2003, the Foundation has awarded $1,430,000 to 23 Distinguished Artists and 74 Emerging Artists, all Alberta affiliated. The Foundation administers two awards programs: The Emerging Artist Awards program, established in 2008, gives up to 10 awards of $10,000 each to support and encourage promising artists early in their professional careers. Emerging Artist Awards are given out in even years. The Distinguished Artist Awards program, begun in 2005, gives up to three awards of $30,000 each in recognition of outstanding achievement in, or contribution to, the arts in Alberta. Distinguished Artist Awards are given in odd years.
Alberta
Alberta Premier Danielle Smith Discusses Moving Energy Forward at the Global Energy Show in Calgary

From Energy Now
At the energy conference in Calgary, Alberta Premier Danielle Smith pressed the case for building infrastructure to move provincial products to international markets, via a transportation and energy corridor to British Columbia.
“The anchor tenant for this corridor must be a 42-inch pipeline, moving one million incremental barrels of oil to those global markets. And we can’t stop there,” she told the audience.
The premier reiterated her support for new pipelines north to Grays Bay in Nunavut, east to Churchill, Man., and potentially a new version of Energy East.
The discussion comes as Prime Minister Mark Carney and his government are assembling a list of major projects of national interest to fast-track for approval.
Carney has also pledged to establish a major project review office that would issue decisions within two years, instead of five.
Alberta
Punishing Alberta Oil Production: The Divisive Effect of Policies For Carney’s “Decarbonized Oil”

From Energy Now
By Ron Wallace
The federal government has doubled down on its commitment to “responsibly produced oil and gas”. These terms are apparently carefully crafted to maintain federal policies for Net Zero. These policies include a Canadian emissions cap, tanker bans and a clean electricity mandate.
Following meetings in Saskatoon in early June between Prime Minister Mark Carney and Canadian provincial and territorial leaders, the federal government expressed renewed interest in the completion of new oil pipelines to reduce reliance on oil exports to the USA while providing better access to foreign markets. However Carney, while suggesting that there is “real potential” for such projects nonetheless qualified that support as being limited to projects that would “decarbonize” Canadian oil, apparently those that would employ carbon capture technologies. While the meeting did not result in a final list of potential projects, Alberta Premier Danielle Smith said that this approach would constitute a “grand bargain” whereby new pipelines to increase oil exports could help fund decarbonization efforts. But is that true and what are the implications for the Albertan and Canadian economies?
The federal government has doubled down on its commitment to “responsibly produced oil and gas”. These terms are apparently carefully crafted to maintain federal policies for Net Zero. These policies include a Canadian emissions cap, tanker bans and a clean electricity mandate. Many would consider that Canadians, especially Albertans, should be wary of these largely undefined announcements in which Ottawa proposes solely to determine projects that are “in the national interest.”
The federal government has tabled legislation designed to address these challenges with Bill C-5: An Act to enact the Free Trade and Labour Mobility Act and the Building Canada Act (the One Canadian Economy Act). Rather than replacing controversial, and challenged, legislation like the Impact Assessment Act, the Carney government proposes to add more legislation designed to accelerate and streamline regulatory approvals for energy and infrastructure projects. However, only those projects that Ottawa designates as being in the national interest would be approved. While clearer, shorter regulatory timelines and the restoration of the Major Projects Office are also proposed, Bill C-5 is to be superimposed over a crippling regulatory base.
It remains to be seen if this attempt will restore a much-diminished Canadian Can-Do spirit for economic development by encouraging much-needed, indeed essential interprovincial teamwork across shared jurisdictions. While the Act’s proposed single approval process could provide for expedited review timelines, a complex web of regulatory processes will remain in place requiring much enhanced interagency and interprovincial coordination. Given Canada’s much-diminished record for regulatory and policy clarity will this legislation be enough to persuade the corporate and international capital community to consider Canada as a prime investment destination?
As with all complex matters the devil always lurks in the details. Notably, these federal initiatives arrive at a time when the Carney government is facing ever-more pressing geopolitical, energy security and economic concerns. The Organization for Economic Co-operation and Development predicts that Canada’s economy will grow by a dismal one per cent in 2025 and 1.1 per cent in 2026 – this at a time when the global economy is predicted to grow by 2.9 per cent.
It should come as no surprise that Carney’s recent musing about the “real potential” for decarbonized oil pipelines have sparked debate. The undefined term “decarbonized”, is clearly aimed directly at western Canadian oil production as part of Ottawa’s broader strategy to achieve national emissions commitments using costly carbon capture and storage (CCS) projects whose economic viability at scale has been questioned. What might this mean for western Canadian oil producers?
The Alberta Oil sands presently account for about 58% of Canada’s total oil output. Data from December 2023 show Alberta producing a record 4.53 million barrels per day (MMb/d) as major oil export pipelines including Trans Mountain, Keystone and the Enbridge Mainline operate at high levels of capacity. Meanwhile, in 2023 eastern Canada imported on average about 490,000 barrels of crude oil per day (bpd) at a cost estimated at CAD $19.5 billion. These seaborne shipments to major refineries (like New Brunswick’s Irving Refinery in Saint John) rely on imported oil by tanker with crude oil deliveries to New Brunswick averaging around 263,000 barrels per day. In 2023 the estimated total cost to Canada for imported crude oil was $19.5 billion with oil imports arriving from the United States (72.4%), Nigeria (12.9%), and Saudi Arabia (10.7%). Since 1988, marine terminals along the St. Lawrence have seen imports of foreign oil valued at more than $228 billion while the Irving Oil refinery imported $136 billion from 1988 to 2020.
What are the policy and cost implication of Carney’s call for the “decarbonization” of western Canadian produced, oil? It implies that western Canadian “decarbonized” oil would have to be produced and transported to competitive world markets under a material regulatory and financial burden. Meanwhile, eastern Canadian refiners would be allowed to import oil from the USA and offshore jurisdictions free from any comparable regulatory burdens. This policy would penalize, and makes less competitive, Canadian producers while rewarding offshore sources. A federal regulatory requirement to decarbonize western Canadian crude oil production without imposing similar restrictions on imported oil would render the One Canadian Economy Act moot and create two market realities in Canada – one that favours imports and that discourages, or at very least threatens the competitiveness of, Canadian oil export production.
Ron Wallace is a former Member of the National Energy Board.
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