Alberta
Alberta’s 2022 Lt. Governor Emerging Artists Named
Alberta’s 2022 Lt. Governor Emerging Artists Named
The Lieutenant Governor of Alberta Arts Awards Foundation announces awards totaling $110,000 to the 11 recipients of its 2022 Emerging Artist Award.
“When economic times are tough, our artists are particularly vulnerable,” says Foundation Chair, Arlene Strom. “We are thrilled to invest $110,000 this year in advancing the careers of these outstanding artists at the early stages of their professional development.”
2022 Emerging Artist Recipients:
Perpetual Atife Saxophone, Calgary
Vicki Chau Filmmaker, Calgary
Arlan Vriens Violin, Edmonton; Toronto
Eden Tremayne Soprano, Calgary
Omar Mouallem Writer, Edmonton
Trina Moyles Writer, Peace River
Kiona Ligtvoet Visual Arts, Edmonton
Tenaj Williams Actor, Calgary
Ally McIntyre Visual Arts, Edmonton
Moni Brar Writer/Poet, Calgary
Nahanni McKay Visual Arts, Banff
The Award’s patron, Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta AOE, B.Sc., LLD (hon) awarded the 2022 Emerging Artists at a celebration hosted by the County of Lac La Biche and Portage College on June 10, 2022. Each awardee receives a $10,000 cash award, a handcrafted medal and a certificate.
The 11 recipients were selected from 140 applications in an adjudication process overseen by The Banff Centre. The adjudication panel included: Darren Fung, renowned composer based out of Los Angeles, originally from Edmonton; Sean Caulfield, artist and Centennial Professor in the Department of Art & Design at the University of Alberta; Patricia Darbasie, Alberta actor, director and educator; Jenna Butler, 2014 LG Emerging Artist, award-winning author and educator; Derek Beaulieu, Jury Facilitator, Director of Literary Arts at the Banff Centre.
For more information on the awardees visit artsawards.ca
Who are the 2022 Emerging Artists?
Perpetual Atife Saxophonist, Calgary: Perpetual Atife is retelling African stories and music through her practice as a jazz saxophonist and songwriter. Her entrepreneurial spirit and energy are as impressive as her skills as a band leader and performer. The aural tapestry she creates combines her Nigerian roots and the realities she exists in today. Her debut album, a collection of her journey through instrumental music, spoken word and vocal music, is due to be released in the Fall of 2022.
Vicki Chau Filmmaker, Calgary: Vicki Chau is a filmmaker and media artist based in Calgary. Her two short films Pulled Strings and Hearth of the Lion capture a slice of her Chinese-Vietnamese heritage in a beautiful lyrical way. Her family and cultural identity have been a core inspiration in her artistic practice and help her to promote the appreciation of both Chinese and Vietnamese culture through a uniquely Canadian perspective. She was selected for the WarnerMedia Access Festivals Program at Toronto’s Reelworld Film Festival in 2021.
Arlan Vriens, Violin, Edmonton/Toronto: Arlan Vriens is an Edmonton-born classical violinist noted for his ability to evoke strong, emotional performances with difficult, contemporary repertoire that pushes the boundaries of what the instrument was designed to do. Equally at home performing newly-written contemporary works or rediscovering long-lost violin techniques, Arlan is committed to nurturing and critiquing classical music as a living, evolving practice. His chamber music and solo violin projects have been supported by the Canada Council for the Arts and the arts councils of Alberta, Ontario, and Newfoundland.
Eden Tremayne Soprano, Calgary: Eden Tremayne delivers an authenticity and emotional strength that is impressive to see in an emerging opera singer. A soprano with both a strong technical facility and range, she is noted for her stirring performances. For the past three seasons, Ms. Tremayne has been a McPhee Artist with Calgary Opera. She had her Calgary Opera mainstage debut In the 2019-2020 season as Clotilde in Bellini’s Norma and covered Musetta in Puccini’s La bohème. Tremayne was previously featured as an Apprentice Artist with the San Diego Opera and a Yulanda M. Faris Young Artist with Vancouver Opera.
Omar Mouallem Writer, Edmonton: Omar Mouallem has established himself as a talented young journalist and filmmaker to watch. With the arrival of his important new book of non-fiction, Praying to the West: How Muslims Shaped the Americas, he’s an important voice in Canadian literature with a long career ahead. A second-generation Canadian born and raised in Northern Alberta’s Muslim Lebanese community, Mouallem has become known for his ability to intertwine human interest stories with world history and broad social issues. Omar co-authored the national bestseller Inside the Inferno: A Firefighter’s Story of the Brotherhood that Saved Fort McMurray and co-directed Digging in the Dirt (with Dylan Rhys Howard), a raw look at the psychological toll of oil and gas labour.
Trina Moyles Writer, Peace River: Trina Moyles blends journalistic knowledge with literary expertise and a love for the land. She grew up in the northern community of Peace River, Alberta (Treaty 8), where she spent much of her childhood immersed in the boreal forest. Moyles’s first book, Women Who Dig: Farming, Feminism, and the Fight to Feed the World was published in 2018 by the University of Regina Press. Her second book, a memoir and frontline reportage on the increasing prevalence of wildfire in North America, Lookout: Love, Solitude, and Searching for Wildfire in the Boreal Forest, was published in 2021 by Penguin Random House Canada. Lookout won a National Outdoors Book Award in 2021 and has recently been nominated as a finalist for the 2022 Robert Kroetsch City of Edmonton Book Prize and a finalist for the Memoir Award at the 2022 Alberta Literary Awards.
Kiona Ligtvoet Visual Arts, Edmonton: Kiona Ligtvoet looks to experiences with family and the land they live and work on to create paintings, prints and installations that function as both a personal archive, as well as non-linear storytelling. Kiona grew up west of Edmonton near the hamlet of Calahoo where she lived with her moshom and relatives on scrip land. Her family lines are Cree and Métis descending from Michel First Nation, as well as Dutch/ mixed European. Kiona works in painting, printmaking and drawing, recollecting personal stories of grief and tenderness. Most recent exhibitions have been sahkitok mistahi at Ociciwan Contemporary Art Centre (2021), and her solo show, These Are the Things at Latitude 53 (2021). She is currently writing her debut graphic novel We Were Younger Once (2022).
Tenaj Williams Actor, Calgary: Tenaj Williams has built on his community theatre experiences to create a provincial and national footprint as an actor, professionally performing on stages in Alberta and across the country. He has recently branched out into film and television landing roles on various TV series, most prominently the hit CTV comedy show, JANN. Tenaj hopes to further advance his work in the arts and be instrumental in helping to create and foster safe, and brave spaces for diverse and emerging artists. He plans to develop his skills as a director and learn more about theatre production and management.
Ally McIntyre Visual Arts, Edmonton: Ally McIntyre creates bold, powerful paintings that combine passages of abstraction with naturalistic imagery, and which contain moments of aggressive and expressive mark-making, alongside more introspective, sensitive passages of drawing. This blending of visual languages results in highly compelling imagery that fosters unexpected narratives and poetic associations for viewers. Bold and assertive, her works question the prevailing gendered association of large-scale art and expressionism. In 2015, McIntyre was awarded the HIX Award 2015 presented by Tracey Emin and the Jealous Prize 2015. Exhibits include various galleries in London, UK, The Original Print Fair at the Royal Academy, The London Art Fair, Start Art Fair and Art Toronto. She was a finalist in the RBC national painting competition (2018). Her solo exhibition ‘Dog Day Circus’ was featured at the Saatchi Gallery in London, UK (2022). Her work can be found in private collections in Australia, Asia, Europe, and North America.
Moni Brar Writer/Poet, Calgary: Moni Brar has published in many of the most respected journals in Canada and received a number of the top writing awards. A Punjabi Canadian writer exploring diasporan guilt and intergenerational trauma, she is poised to make major contributions to the literary arts in Canada. She has been nominated for the Pushcart Prize and multiple Best of the Net awards and was the winner of the SAAG Arts Writing Prize, runner-up in PRISM international’s Grouse Grind Prize, honourable mention in Room magazine’s Poetry Prize, and a finalist in the Alberta Magazine Awards and the Subnivean Awards. Her work can be found in Best Canadian Poetry 2022, the Literary Review of Canada, Passages North, Prairie Fire, Hobart, and the League of Canadian Poets’ “Poem in Your Pocket” postcard series.
Nahanni McKay Visual Arts, Banff: McKay’s creative practice utilizes photography, digital media, as well as performances in the landscape to explore pressing questions related to environmental change. The work often considers the ways landscape and animals have been depicted historically, particularly in the context of national parks, in order to investigate the complex interrelationship between colonial power structures, identity and ecological degradation and loss. Nahanni uses her photography to bring awareness of the need to coexist with wildlife to prevent further harm to the land we reside on. Exhibits include Personal Structures Exhibition, European Cultural Centre, Venice, Italy (2022), Loop 14, Alberta Foundation for the Arts Travelling Exhibition (2020), EXPOSURE Photography Festival Emerging Artists Showcase, Contemporary Calgary and more.
About The Awards
Founders Fil Fraser, Tommy Banks, John Poole and Jenny Belzberg established the Lieutenant Governor of Alberta Arts Awards Foundation in 2003 to celebrate and promote excellence in the arts. The endowments they established were created with philanthropic dollars and gifts from the Province of Alberta and the Government of Canada. Since its inception in 2003, the Foundation has awarded $1,430,000 to 23 Distinguished Artists and 74 Emerging Artists, all Alberta affiliated. The Foundation administers two awards programs: The Emerging Artist Awards program, established in 2008, gives up to 10 awards of $10,000 each to support and encourage promising artists early in their professional careers. Emerging Artist Awards are given out in even years. The Distinguished Artist Awards program, begun in 2005, gives up to three awards of $30,000 each in recognition of outstanding achievement in, or contribution to, the arts in Alberta. Distinguished Artist Awards are given in odd years.
Alberta
Alberta’s new diagnostic policy appears to meet standard for Canada Health Act compliance
From the Fraser Institute
By Nadeem Esmail, Mackenzie Moir and Lauren Asaad
In October, Alberta’s provincial government announced forthcoming legislative changes that will allow patients to pay out-of-pocket for any diagnostic test they want, and without a physician referral. The policy, according to the Smith government, is designed to help improve the availability of preventative care and increase testing capacity by attracting additional private sector investment in diagnostic technology and facilities.
Unsurprisingly, the policy has attracted Ottawa’s attention, with discussions now taking place around the details of the proposed changes and whether this proposal is deemed to be in line with the Canada Health Act (CHA) and the federal government’s interpretations. A determination that it is not, will have both political consequences by being labeled “non-compliant” and financial consequences for the province through reductions to its Canada Health Transfer (CHT) in coming years.
This raises an interesting question: While the ultimate decision rests with Ottawa, does the Smith government’s new policy comply with the literal text of the CHA and the revised rules released in written federal interpretations?
According to the CHA, when a patient pays out of pocket for a medically necessary and insured physician or hospital (including diagnostic procedures) service, the federal health minister shall reduce the CHT on a dollar-for-dollar basis matching the amount charged to patients. In 2018, Ottawa introduced the Diagnostic Services Policy (DSP), which clarified that the insured status of a diagnostic service does not change when it’s offered inside a private clinic as opposed to a hospital. As a result, any levying of patient charges for medically necessary diagnostic tests are considered a violation of the CHA.
Ottawa has been no slouch in wielding this new policy, deducting some $76.5 million from transfers to seven provinces in 2023 and another $72.4 million in 2024. Deductions for Alberta, based on Health Canada’s estimates of patient charges, totaled some $34 million over those two years.
Alberta has been paid back some of those dollars under the new Reimbursement Program introduced in 2018, which created a pathway for provinces to be paid back some or all of the transfers previously withheld on a dollar-for-dollar basis by Ottawa for CHA infractions. The Reimbursement Program requires provinces to resolve the circumstances which led to patient charges for medically necessary services, including filing a Reimbursement Action Plan for doing so developed in concert with Health Canada. In total, Alberta was reimbursed $20.5 million after Health Canada determined the provincial government had “successfully” implemented elements of its approved plan.
Perhaps in response to the risk of further deductions, or taking a lesson from the Reimbursement Action Plan accepted by Health Canada, the province has gone out of its way to make clear that these new privately funded scans will be self-referred, that any patient paying for tests privately will be reimbursed if that test reveals a serious or life-threatening condition, and that physician referred tests will continue to be provided within the public system and be given priority in both public and private facilities.
Indeed, the provincial government has stated they do not expect to lose additional federal health care transfers under this new policy, based on their success in arguing back previous deductions.
This is where language matters: Health Canada in their latest CHA annual report specifically states the “medical necessity” of any diagnostic test is “determined when a patient receives a referral or requisition from a medical practitioner.” According to the logic of Ottawa’s own stated policy, an unreferred test should, in theory, be no longer considered one that is medically necessary or needs to be insured and thus could be paid for privately.
It would appear then that allowing private purchase of services not referred by physicians does pass the written standard for CHA compliance, including compliance with the latest federal interpretation for diagnostic services.
But of course, there is no actual certainty here. The federal government of the day maintains sole and final authority for interpretation of the CHA and is free to revise and adjust interpretations at any time it sees fit in response to provincial health policy innovations. So while the letter of the CHA appears to have been met, there is still a very real possibility that Alberta will be found to have violated the Act and its interpretations regardless.
In the end, no one really knows with any certainty if a policy change will be deemed by Ottawa to run afoul of the CHA. On the one hand, the provincial government seems to have set the rules around private purchase deliberately and narrowly to avoid a clear violation of federal requirements as they are currently written. On the other hand, Health Canada’s attention has been aroused and they are now “engaging” with officials from Alberta to “better understand” the new policy, leaving open the possibility that the rules of the game may change once again. And even then, a decision that the policy is permissible today is not permanent and can be reversed by the federal government tomorrow if its interpretive whims shift again.
The sad reality of the provincial-federal health-care relationship in Canada is that it has no fixed rules. Indeed, it may be pointless to ask whether a policy will be CHA compliant before Ottawa decides whether or not it is. But it can be said, at least for now, that the Smith government’s new privately paid diagnostic testing policy appears to have met the currently written standard for CHA compliance.
Lauren Asaad
Policy Analyst, Fraser Institute
Alberta
Housing in Calgary and Edmonton remains expensive but more affordable than other cities
From the Fraser Institute
By Tegan Hill and Austin Thompson
In cities across the country, modest homes have become unaffordable for typical families. Calgary and Edmonton have not been immune to this trend, but they’ve weathered it better than most—largely by making it easier to build homes.
Specifically, faster permit approvals, lower municipal fees and fewer restrictions on homebuilders have helped both cities maintain an affordability edge in an era of runaway prices. To preserve that edge, they must stick with—and strengthen—their pro-growth approach.
First, the bad news. Buying a home remains a formidable challenge for many families in Calgary and Edmonton.
For example, in 2023 (the latest year of available data), a typical family earning the local median after-tax income—$73,420 in Calgary and $70,650 in Edmonton—had to save the equivalent of 17.5 months of income in Calgary ($107,300) or 12.5 months in Edmonton ($73,820) for a 20 per cent down payment on a typical home (single-detached house, semi-detached unit or condominium).
Even after managing such a substantial down payment, the financial strain would continue. Mortgage payments on the remaining 80 per cent of the home’s price would have required a large—and financially risky—share of the family’s after-tax income: 45.1 per cent in Calgary (about $2,757 per month) and 32.2 per cent in Edmonton (about $1,897 per month).
Clearly, unless the typical family already owns property or receives help from family, buying a typical home is extremely challenging. And yet, housing in Calgary and Edmonton remains far more affordable than in most other Canadian cities.
In 2023, out of 36 major Canadian cities, Edmonton and Calgary ranked 8th and 14th, respectively, for housing affordability (relative to the median after-tax family income). That’s a marked improvement from a decade earlier in 2014 when Edmonton ranked 20th and Calgary ranked 30th. And from 2014 to 2023, Edmonton was one of only four Canadian cities where median after-tax family income grew faster than the price of a typical home (in Calgary, home prices rose faster than incomes but by much less than in most Canadian cities). As a result, in 2023 typical homes in Edmonton cost about half as much (again, relative to the local median after-tax family income) as in mid-sized cities such as Windsor and Kelowna—and roughly one-third as much as in Toronto and Vancouver.
To be clear, much of Calgary and Edmonton’s improved rank in affordability is due to other cities becoming less and less affordable. Indeed, mortgage payments (as a share of local after-tax median income) also increased since 2014 in both Calgary and Edmonton.
But the relative success of Alberta’s two largest cities shows what’s possible when you prioritize homebuilding. Their approach—lower municipal fees, faster permit approvals and fewer building restrictions—has made it easier to build homes and helped contain costs for homebuyers. In fact, homebuilding has been accelerating in Calgary and Edmonton, in contrast to a sharp contraction in Vancouver and Toronto. That’s a boon to Albertans who’ve been spared the worst excesses of the national housing crisis. It’s also a demographic and economic boost for the province as residents from across Canada move to Alberta to take advantage of the housing market—in stark contrast to the experience of British Columbia and Ontario, which are hemorrhaging residents.
Alberta’s big cities have shown that when governments let homebuilders build, families benefit. To keep that advantage, policymakers in Calgary and Edmonton must stay the course.
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